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Sir Euan Fitzhardinge had been brought back from the King's wars, and now his men were running amok. When Oriane of York came to accuse them of attacking her uncle he was extremely rude but then later offers marriage as a refuge to her troubles.
Goldsmith's Art is the first comprehensive presentation of 5000 years of goldsmiths' art with numerous
Jewelry, long associated with luxury, is also becoming a medium for social responsibility and ethical values. Kyle Roderick, an authority on ethical jewelry, profiles fifteen designers who are at the forefront of refashioning the medium for today's consumers. In the wake of Charles Leavitt's insightful 2006 movie Blood Diamond, which told how conflict diamonds fund civil wars, the buying and wearing of ethically sourced and sustainably mined jewelry has become a priority in today's luxury market. Bejeweled is the first book to cover this timely subject. Profiling leading international designers who are at the forefront of the ethical jewelry movement, this beautifully photographed publication examines how an ancient art is powering a green revolution in chic jewelry for everyone. Included are renowned designers such as Pippa Small, an early user of fair-mined gold, who employs local artisans to fabricate her one-of-a-kind pieces; Dewey Nelson, a Native American Hopi who incorporates 1,000-year-old tribal motifs in his reclaimed-silver pieces; and Loren Nicole, whose jewelry features intricate hand-carved gemstones and 22-karat gold alloyed in the same formula used by ancient Roman goldsmiths. Illustrated with exquisite photographs of individual pieces, featured both alone and on celebrities, who are turning the red carpet "green" by wearing ethically sourced jewelry, Bejeweled is for all gemstone and design fans.
The Phenomenon of Studio Goldsmithing When the history of art in the 1980s is written, much of it will be etched in gold. This is the time of the contemporary goldsmith, an artist who chooses to work in precious metals rather than oils or marble. The contemporary jeweler-as-artist has only recently become a re cognized force. With rare exceptions, the whole field is little more than thirty years old. But it is only within the past fifteen years that these jewelers have entered the jewelry mainstream. The phenomenon of contemporary goldsmithing embraces an eclectic group of artists, each with a unique vision, each taking a per sonal path to jewelry producing. They have as little relationship to the typical, mass-produced jewelry as a champagne maker has to a bottler of orange soda. They approach a piece of art, not a piece of metal. The work is personal and a perfect expression of the "back to the land" movement that spawned it. Many of these goldsmiths were looking not merely for a way to make a living but for a way to make a life that was worthy of living. Running a business while trying to remain a creative metalsmith at the same time is the ongoing challenge. The jeweler-artists have solved or resolved these often conflicting needs in slightly different ways and in a beautiful variety of techniques and styles. Their meth ods, their growth, and their work are discussed here.
This book highlights pieces of jewellery from ancient and modern cultures in every part of the globe. Of special interest are the objects that appear in paintings and other works of art: jewel-studded gowns, glittering Renaissance brooches and an Egyptian beaded collar are among the featured works from the "Metropolitan Museum"'s collection. Necklaces, earrings, rings and bracelets fill this book and also included are objects of religious significance, military honours and other kinds of personal decoration. The captions relate anecdotes concerning the artists and wearers and describe the history and style of the jewellery pictured.