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Hoffmann is among the greatest and most popular of the German Romantics. This selection, while stressing the variety of his work, puts in the foreground those tales in which the real and the supernatural are brought into contact and conflict. The humour of these tales is a result of the incongruity of supernatural beings at large in an ostentatiously everyday world. They include The Golden Pot, recognized as Hoffmann's masterpiece by himself and posterity; its spine-chilling companion tale, The Sandman, which Offenbach drew on for his opera Tales of Hoffmann, and which Freud examines in his essay `The Uncanny'; two longer and more elaborate fantasies, set respectively in Germany and Italy; and the late story, My Cousin's Corner Window, which shows the powers of the imagination being applied to everyday urban life, and marks a transition in European literature generally from Romanticism to Realism. Ritchie Robertson's detailed introduction places the stories in their intellectual and historical context and explores their compelling narrative complexities. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
"Allow me to introduce myself." But he needed no introduction. "Anansi the spider!" said Anansi the boy. "The tales were true!" "Traditional tales are always true," the spider answered, laughing. "Nothing lasts so long as truth, nor travels quite so far." Now in paperback! Award-winning author of Ghana Must Go, Taiye Selasi, reimagines the story of Anansi, the much-loved trickster, for a new generation. Kweku has grown up hearing stories about the mischievous spider Anansi. He is given the nickname Anansi by his father because of his similarly cheeky ways. On a holiday to visit his beloved Grandma in Ghana, Anansi the spider and Anansi the boy meet, and discover a magical pot that can be filled with whatever they want. Anansi fills it again and again with his favourite red-red stew, and eats so much that he feels sick. Will he learn to share this wonderful gift? This charming retelling of a West African story teaches readers about the dangers of greed, and the importance of being kind. Tinuke Fagborun's colourful illustrations bring the magic and wonder of the tale to life. When you've finished sharing the story, you can also find out more about the origins of Anansi folktales. This beautiful storybook is one that children will treasure forever.
Hoffmann is among the greatest and most popular of the German Romantics. This selection, while stressing the variety of his work, puts in the foreground those tales in which the real and the supernatural are brought into contact and conflict. The humour of these tales is a result of the incongruity of supernatural beings at large in an ostentatiously everyday world. They include The Golden Pot, recognized as Hoffmann's masterpiece by himself and posterity; its spine-chilling companion tale, The Sandman, which Offenbach drew on for his opera Tales of Hoffmann, and which Freud examines in his essay `The Uncanny'; two longer and more elaborate fantasies, set respectively in Germany and Italy; and the late story, My Cousin's Corner Window, which shows the powers of the imagination being applied to everyday urban life, and marks a transition in European literature generally from Romanticism to Realism. Ritchie Robertson's detailed introduction places the stories in their intellectual and historical context and explores their compelling narrative complexities.
Ten of Hoffmann's greatest tales, enormously popular in Europe but rarely seen in the United States: "The Golden Flower Pot," "Automata," "Nutcracker and the King of Mice," "The Sand Man," and 6 others.
This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister Sandman, a young man's sanity is tormented by fears about a mysterious chemist, while in The Choosing of a Bride a greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion.
The essays in this volume address a very broad range of E. T. A. Hoffmann’s most significant works, examining them through the lens of “transgression.” His writings, perhaps more than those of any other German Romantic, portrayed the “dark side” of existence, which the following essays investigate for an Anglophone audience.
This early work by E. T. A. Hoffmann was originally published in 1814. Born in Königsberg, East Prussia in 1776, Hoffmann's family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant. Hoffman went on to produce a great range of both literary and musical works. Probably Hoffman's most well-known story, produced in 1816, is 'The Nutcracker and the Mouse King', due to the fact that - some seventy-six years later - it inspired Tchaikovsky's ballet The Nutcracker. In the same vein, his story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. (Indeed, Freud referred to Hoffman as the "unrivalled master of the uncanny in literature.") Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
‘The Elementary Spirit‘ (1844) was written by the German Romantic author E. T. A. Hoffmann, most famous for his novella ‘The Nutcracker and the Mouse King’ (1816) which inspired Tchaikovsky’s ‘The Nutcracker’. When Prussian lieutenant, colonel Albert von B. rides from Liège to Aachen, a chance encounter with Paul Talkebarth leads him to a mysterious country house where his best friend lies ill. But not everything or everyone are as they seem, and beset by strange dreams and apparitions, Albert is faced with a battle for his soul. ‘The Elementary Spirit’ is from Hoffmann’s ‘Later Works’. This classic short story is perfect for fans of horror and fantasy fiction and the authors H. P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German Romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.