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As an introduction to modern myth, The Golden Horns masterfully encompasses a wide circle of historical and literary materials. John Greenway first establishes the theoretical base of his discussion by examining the nature of time in Norse mythic consciousness. After suggesting several ways in which the mythic apprehension of reality conditioned medieval Icelandic narrative, he then elaborates on the dialectical relationship between myth and reason. Maintaining that myth is neither true nor false but always either expressive or not, the author then traces the origin, rise, and fall of two great modern myths of northern birth: seventeenth century Swedish Gothicism and the Ossianic craze of the eighteenth century--both of which illustrate the singular tension in the modern mind between mythic imperatives and the impulse to de-mythologize. Finally, The Golden Horns traces the romantic belief in a "new mythology" which synthesizes myth and reason from its early acceptance through its eventual repudiation. In his conclusions about the state of myth in the modern world, Greenway postulates that we have inherited the romantic respect for myth as truth but lack the romantic faith in transcendence necessary to establish myth's reality. Consequently, we express our mythic consciousness of who we are in quasi-scientific language, consciously manipulating mythic symbols for social control.
The Bridge of the Golden Horn is a coming-of-age novel, a sentimental education that is also a political, cultural and intellectual one. In 1966, at the age of 16, the unnamed heroine lies about her age and signs up as a migrant worker in Germany. She leaves Istanbul, works on an assembly line in West Berlin making radios, and lives in a women's factory hostel. But ?zdamar's novel is not about the problems of assembly line work - it's a witty, picaresque account of a precocious teenager refusing to become wise, of a hectic four years lived between Berlin and Istanbul, of a young woman who is obsessed by theatre, film, poetry and left-wing politics. These are sometimes grim years, particularly in Turkey, but they also have a hope and optimism that seem almost unimaginable today.
Travelling through the wartorn Balkans with her husband on what proved to be a wholly useless diplomatic mission to Constantinople, Mary Wortley Montagu (1689-1762) left a vivid, informative, clever account of her adventures in the mysterious, sophisticated culture of Ottoman palaces, bathing places and courts which - even as her husband's career was falling apart - she could not have enjoyed more. Great Journeys allows readers to travel both around the planet and back through the centuries – but also back into ideas and worlds frightening, ruthless and cruel in different ways from our own. Few reading experiences can begin to match that of engaging with writers who saw astounding things: Great civilisations, walls of ice, violent and implacable jungles, deserts and mountains, multitudes of birds and flowers new to science. Reading these books is to see the world afresh, to rediscover a time when many cultures were quite strange to each other, where legends and stories were treated as facts and in which so much was still to be discovered.
On the history of the Ottoman Empire.
Winter 2003
From the mysterious author of the international bestseller, Ali and Nino, soon to be the subject of a major biography, comes a novel of thwarted love, exile, and desire, never before published in the UK. The story of Kurban Said and the international bestseller Ali and Nino is one of the most beguiling literary mysteries of recent years. Equally beguiling is the existence of another novel - an insinuating and strikingly beautiful story set against the backdrop of Weimar Berlin. Kurban Said once again takes up the subject of a cross-cultural love story between Muslims and Christians in a spellbinding story that stretches from Istanbul to Weimar Berlin to Jazz Age New York City. The Girl From the Golden Horn is an elegant story of suspense that enthralls from the first page to the last.
Alfred of St. Ruan's Abbey is a monk and a scholar, a religious man whose vocation is beyond question. But Alfred is also, without a doubt, one of the fair folk, for though he is more than seventy years old by the Abbey's records, he seems to be only a youth. But Alfred is drawn from the haven of his monastery into his dangerous currents of politics when an ambassador from the kingdom of Rhiyana to Richard Coeur de Leon is wounded and Alfred himself is sent to complete the mission. There he encounters the Hounds of God, who believe that the fair folk have no souls, and must be purged from the Church and from the world.
Michelangelo’s adventure in Constantinople, from the “mesmerizing” (New Yorker) and “masterful” (Washington Post) author of Compass In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, along with an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.” Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants—constructed from real historical fragments—is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched fragments, seen from the opposite sides of civilization, can mirror one another.
This book gathers the peer-reviewed papers presented at the 4th International Conference on Protection of Historical Constructions (PROHITECH), held in Athens, Greece, on October 25-27, 2021. The conference topics encompass structural and earthquake engineering, intervention strategies, materials and technologies, digital documentation, architecture and urban planning, cultural heritage, all of which represented by a showcase of case studies covering different construction materials, as well as sustainability, energy efficiency, and adaptation to climate changes. As such the book represents an invaluable, up-to-the-minute tool, providing an essential overview of protection of historical constructions, and offers an important platform to researchers, engineers and architects.
Planning to travel to Istanbul and want to know what adventures will await you? Already been and want to know more? "Inside Out In Istanbul" is a collection of short stories about life in Istanbul by author Lisa Morrow. Lisa first went to Turkey in 1990, where she stayed in the small village of Göreme for three months during the Gulf War. Since that time she has travelled back and forth between Turkey and Australia many times, living and working in Istanbul and Kayseri in central Turkey, before finally settling for good in Istanbul. The stories in this collection take you beyond the world famous sights of Istanbul to the shores of Asia, to an Istanbul that is vibrantly alive with the sounds of street vendors, wedding parties, weekly markets and more. Come behind the tourist façades and venture deep into this sometimes chaotic, often schizophrenic but always charming city.