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In exchange for status, she was a seductive and gorgeous cultivation genius. As soon as he returned, he was the cold and handsome War God of his generation. With the space of the black and white jade pendant in his hand, he could do whatever he wanted in the world. How could there be so many coincidences in the world? Life has its limits. Love at first sight? The kindness of dripping water in return? He said lightly, "I saved your life. I expect you will not be able to repay me. You can only repay me with your body." From then on, he was bound to live his entire life.
Based on the author's previous publication The Encyclopedia of Tibetan Symbols and Motifs, this handbook contains an array of symbols and motifs, accompanied by succinct explanations. It provides treatment of the essential Tibetan religious figures, themes and motifs, both secular and religious.
The Ocean Fairies keep all the sea creatures safe and happy -- until their magic goes missing! This is our eleventh group of Rainbow Magic fairies.The Ocean Fairies keep all the sea creatures safe and happy! But when the goblins shatter their enchanted conch shell, seven magical sea creatures leave to search for the pieces. The Ocean Fairies must find the shells . . . and their animal friends!Kirsty, Rachel, and Stephanie the Starfish Fairy need to find Spike the starfish. But before they do, Stephanie is trapped --- by the goblins! Can the girls help?Find the missing creature in each book and help save the ocean magic!
The Ocean Fairies keep all the sea creatures safe and happy -- until their magic goes missing! This is our eleventh group of Rainbow Magic fairies.The Ocean Fairies keep all the sea creatures safe and happy! But when the goblins shatter their enchanted conch shell, seven magical sea creatures leave to search for the pieces. The Ocean Fairies must find the shells . . . and their animal friends!Silky the seal discovered a piece of the shell near the beach! Now Amelie the Seal Fairy just has to find Silky. But will the goblins get in the way?Find the missing creature in each book and help save the ocean magic!
By the turn of the 21st century, animation production has grown to thousands of hours a year in the People’s Republic of China (PRC). Despite this, and unlike American blockbuster productions and the diverse genres of Japanese anime, much animation from the PRC remains relatively unknown. This book is an historical and theoretical study of animation in the PRC. Although the Wan Brothers produced the first feature length animated film in 1941, the industry as we know it today truly began in the 1950s at the Shanghai Animation Film Studio (SAFS), which remained the sole animation studio until the 1980s. Considering animation in China as a convergence of the institutions of education, fine arts, literature, popular culture, and film, the book takes comparative approaches that link SAFS animation to contemporary cultural production including American and Japanese animation, Pop Art, and mass media theory. Through readings of classic films such as Princess Iron Fan, Uproar in Heaven, Princess Peacock, and Nezha Conquers the Dragon King, this study represents a revisionist history of animation in the PRC as a form of "postmodernism with Chinese characteristics." As a theoretical exploration of animation in the People’s Republic of China, this book will appeal greatly to students and scholars of animation, film studies, Chinese studies, cultural studies, political and cultural theory.
"This is like Harry Potter, but for girls." "The jig reminds me of the dancing in the Titanic movie!" "I thought the combination of a story, the dance and a video was wonderful, as well as educational!" --Participants, FL Public Libraries Sara Charm's serendipitous adventures are a modern-day fairytale! Wearing magical dance slippers she travels back into time and uncovers the mystery of her Great Grandma, Katie O'Charm, an Irish fairy. Sara's shoes whisk her back to 1925 Ireland, 1910 Russia and 1955 Cuba. Wearing Irish Jig shoes she performs an Irish Step dance to her Papa's fiddling in the village pub. Tying on ballet slippers transforms her into the prima ballerina in the Russian Folk Tales drama. Clicking the heels of a pair of Latin pumps she feels her body swaying to the rhythms of a tango tune dancing Flamenco. Discovering that she is a fairy is only half of her story. It is only half of yours too! Order the unique instructional dance video and you too can learn to dance! Meet Sara! She will show you how step by step. It's fun and exciting! Order at www.sarandipitous.com.
The Spirit House was an antique shop that had transformed into a dead person for their wedding. The arrival of a dangerous stranger had inadvertently brought the owner of the Spirit Hall, Shuo Qianxue, with him into a marriage and his future troubles.
An annotated translation of five key texts of the Everlasting (Yungdrung) Bön school selected by the late H. H. Menri Trizin Rinpoché that includes scriptural teachings, a root tantra based on revealed teachings of the unconditioned absolute, a canonical commentary on the root tantra, an exposition of the Yungdrung tantric system, and the oral instructions on Bön meditation practices associated with experiencing the nature of the mind, the Great Perfection systems. This authoritative annotated translation of five key texts of Everlasting (Yungdrung) Bön by Marc des Jardins opens up a relatively unknown tradition that, since the arrival of Buddhism in Tibet, has undergone great transformations in its philosophy, doctrinal teachings, and meditative practices. Each text represents an important aspect of the tradition. The first text, by Drogön Azha Lodrö Gyaltsen (1198–1263), presents the grounds and paths of the Greater Vehicle of the Bön tradition and represents the philosophical ideology of its teachings based on the scriptures contained in the Bön canon. The second text is a short root tantra attributed to revealed teachings from Kuntu Zangpo, the personification of the unconditioned absolute. The third text is a commentary on this root tantra attributed to Drenpa Namkha (fl. eighth century), a Bönpo sage contemporary with Padmasambhava. The fourth text, by Nyamé Sherap Gyaltsen (1356–1415), presents a general exposition of the tantric system according to Yungdrung Bön. The final text, by Drutön Gyalwa Yungdrung (1242–90), pertains to the oral instructions on the meditation practices of Bön, especially on the cycle of practices associated with experiencing the nature of the mind, the Great Perfection systems. All five texts have been selected by the late H. H. Menri Trizin Rinpoché, Lungtok Tenpai Nyima (1927–2017), the thirty-third abbot of Menri Monastery, the central institution of the Yungdrung Bön school.