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His articles on classical and modern Arabic literature have appeared in Spanish, English, Arabic, and Ukrainian.ContentsIntroduction: Reclaiming Arabian MythThe Textual PuzzleThe Thamudic Backdrop to the PuzzleThe First Answer to the Puzzle: The Raid on TabukThe Totem and the TabooPoeticizing the ThamudDemythologizing the ThamudThe ScreamThe Arabian Golden Bough and Kindred Branches: Frazer, Vergil, Homer, and GilgameshConclusion
Magic has been an important term in Western history and continues to be an essential topic in the modern academic study of religion, anthropology, sociology, and cultural history. Defining Magic is the first volume to assemble key texts that aim at determining the nature of magic, establish its boundaries and key features, and explain its working. The reader brings together seminal writings from antiquity to today. The texts have been selected on the strength of their success in defining magic as a category, their impact on future scholarship, and their originality. The writings are divided into chronological sections and each essay is separately introduced for student readers. Together, these texts - from Philosophy, Theology, Religious Studies, and Anthropology - reveal the breadth of critical approaches and responses to defining what is magic. CONTRIBUTORS: Aquinas, Augustine, Helena Petrovna Blavatsky, Dennis Diderot, Emile Durkheim, Edward Evans-Pritchard, James Frazer, Susan Greenwood, Robin Horton, Edmund Leach, Gerardus van der Leeuw, Christopher Lehrich, Bronislaw Malinowski, Marcel Mauss, Agrippa von Nettesheim, Plato, Pliny, Plotin, Isidore of Sevilla, Jesper Sorensen, Kimberley Stratton, Randall Styers, Edward Tylor
Landmark of anthropological and mythological scholarship explores the connection between the legend of the Grail and ancient mystery cults. A major source for T.S. Eliot's "The Waste Land."
NATIONAL BESTSELLER • WINNER OF THE GOVERNOR GENERAL'S LITERARY AWARD FOR NON-FICTION • WINNER OF THE WRITERS’ TRUST NON-FICTION PRIZE “Absolutely spellbinding.” —The New York Times The environmental true-crime story of a glorious natural wonder, the man who destroyed it, and the fascinating, troubling context in which this act took place. FEATURING A NEW AFTERWORD BY THE AUTHOR On a winter night in 1997, a British Columbia timber scout named Grant Hadwin committed an act of shocking violence in the mythic Queen Charlotte Islands. His victim was legendary: a unique 300-year-old Sitka spruce tree, fifty metres tall and covered with luminous golden needles. In a bizarre environmental protest, Hadwin attacked the tree with a chainsaw. Two days later, it fell, horrifying an entire community. Not only was the golden spruce a scientific marvel and a tourist attraction, it was sacred to the Haida people and beloved by local loggers. Shortly after confessing to the crime, Hadwin disappeared under suspicious circumstances and is missing to this day. As John Vaillant deftly braids together the strands of this thrilling mystery, he brings to life the ancient beauty of the coastal wilderness, the historical collision of Europeans and the Haida, and the harrowing world of logging—the most dangerous land-based job in North America.
Once upon a time, anthropology had something to offer philosophy. It was a time when Continential thinkers drew on anthropology's theoretical terms—mana, taboo, potlatch—in order to reflect on the limits of human belief and imagination. Among these philosophic dialogues with anthropology, we find Ludwig Wittgenstein's Remarks on Sir James Frazer's magnum opus, The Golden Bough. Now, Hau Books brings you the first translation by an anthropology—Stephan Palmié—of this masterpiece. Wittgenstein's remarks on ritual, magic, religion, belief, ceremony, and Frazer's own logical presuppositions are as lucid and thought-provoking now as they were over half-a-century ago. Anthropologists find themselves repeating many of Wittgenstein's same questions and confronting similar doubts today: Is metaphysics a kind of magic? What do we call “ritual”? Are humans simply “ceremonial animals”? This book is not only a fresh translation, but a fresh set of engagements with Wittgenstein's ideas from some of the world's most brilliant anthropologists. Contributors include: David Graeber, Veena Das, Michael Lambek, Heonik Kwon, Carlo Severi, Michael Taussig, Wendy James, Giovanni da Col, and Michael Puett. Here is a unique and well-overdue discussion of the mythologies in our language. Taking interdisciplinarity seriously, this volume returns to the ethnographic imagination that made great thinkers like Sigmund Freud, Jean-Paul Sartre, and indeed Ludwig Wittgenstein take heed—and returns the favor to the philosophical tradition that found wonder and pause for thought in the anthropological canon.
The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.
Finally available, a high quality book of the original classic edition of The Golden Bough (Vol. 2 of 2). It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by James George Frazer, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Golden Bough (Vol. 2 of 2) in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Golden Bough (Vol. 2 of 2): Look inside the book: The man who gives the last stroke with the flail must carry the Goat to the barn of a neighbour who is still threshing and throw it down on the floor; if he is caught in the act, they tie the Goat on his back.73 A similar custom is observed at Indersdorf in Upper Bavaria; the man who throws the straw Goat into the neighbour's barn imitates the bleating of a goat; if they pg 018 catch him they blacken his face and tie the Goat on his back.74 At Zabern in Elsass, when a farmer is a week or more behind his neighbours with his threshing, they set a real stuffed goat (or fox) before his door.75 Sometimes the spirit of the corn in goat form is believed to be killed at threshing. ...The confusion is parallel to that of killing a wether under the name of a wolf.83 In the Canton of Thurgau, Switzerland, the last sheaf, if it is a large one, is called the Cow.84 All over Swabia the last bundle of corn on the field is called the Cow; the man who cuts the last ears “has the Cow,” and is himself called Cow or Barley-cow or Oats-cow, according to the crop; at the harvest supper he gets a nosegay of flowers and corn-ears and a more liberal allowance of drink than the rest. pg 020 But he is teased and laughed at; so no one likes to be the Cow.85 The Cow was sometimes represented by the figure of a woman made out of ears of corn and corn-flowers. About James George Frazer, the Author: When the worm arrived and said that they should dig up the corpse, place it in a tree, and throw mush at it, they were too lazy to do this, and so death remained on Earth. ...^ 'For those who see Frazer's work as the start of anthropological study in its modern sense, the site and the cult of Nemi must hold a particular place: This colourful but minor backwater of Roman religion marks the source of the discipline of Social Anthropology', remarks Mary Beard, in noting the critical reassessment of Frazer's work following Edmund Leach, 'Frazer, Leach, and Virgil: The Popularity (and Unpopularity) of the Golden Bough,' Comparative Studies in Society and History, 34.2 (April 1992:203-224), p.
This multidisciplinary volume examines the ongoing effects of James G. Frazer’s The Golden Bough in modern Humanities and its wide-ranging influence across studies of ancient religions, literature, historiography, and reception studies. The book begins by exploring the life and times of Frazer himself and the writing of The Golden Bough in its cultural milieu. It then goes on to cover a wide range of topics, including: ancient Near Eastern religion and culture; Minoan religion and in particular the origins of notions of Minoan matriarchy; Frazer’s influence on the study of Graeco-Roman religion and magic; Frazer’s influence on modern Pagan religions; and the effects of Frazer’s works in modern culture and scholarship generally. Chapters examine how modern academia and beyond continues to be influenced by the otherwise discredited theories in The Golden Bough, ideas such as Sacred Marriage and the incessant Fertility of Everything. The book demonstrates how scholarship within the Humanities as well as practitioners of alternative religions and the common public remain under the thrall of Frazer over one hundred years since the publication of the abridged edition of The Golden Bough, and what we must do to shake off that influence. A Century of James Frazer’s The Golden Bough is of interest to scholars and students from a wide range of disciplines, including Ancient History, History of Religion, Comparative Religion, Classical Studies, Archaeology, Historiography, Anthropology, Folklore, and Reception Studies.