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Explore the ruins of the ancient metropolis and ceremonial complex of Teotihuacan (Mexico) and experience what life was like for the people who lived there.
The first complete history of Mexico for general readers in many years, and maybe the very first intentionally non-academic history of Mexico, Gods, Gachupines and Gringos is a solidly researched introduction to a surprisingly multi-cultural, multi-faceted nation.
An unrequited love, a passionless marriage, and an exotic adventure all play a role in this “engrossing” novel by a National Book Award–winning author (The New York Times Book Review). Blomberg has loved Noni for what seems like his whole life. He loves her like he loves the sunset, like he loves the air he breathes. But beautiful, strange, impulsive Noni—who has spent years in a passionless marriage to one of Boston’s most notorious swindlers—has only a few months to live; her heart is about to give out. Before she dies, Noni begs Blom to finance a trip to Mexico, where she can obtain a quick divorce and marry the man she loves. That man is not Blom, however, but Gil—an upstanding young gentleman who is to know nothing of Noni’s condition. With his own heart aching, Blom arranges the money, and the trio heads south on a journey that will bring them face to face with the mysteries of life and death. Featuring a character based on the author’s friend and protégé Malcolm Lowry, this is a deeply personal and psychologically astute novel by a versatile writer who was the recipient of the Pulitzer and Bollingen Prizes for his poetry, among other literary honors.
The myths and beliefs of the great pre-Columbian civilizations of Mesoamerica have baffled and fascinated outsiders ever since the Spanish Conquest. Yet, until now, no single-volume introduction has existed to act as a guide to this labyrinthine symbolic world. The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.
Most American schoolbooks claim that the Aztec ruler Moctezuma II confused the Spanish conquistador Hernán Cortés for the Aztec god Quetzalcoatl, a fabulous, fair-skinned priest king of ancient times who had promised to return, which is why Moctezuma voluntarily surrendered his mighty empire. In the past, the tale of Quetzalcoatl has inspired many people to speculate about pre-Columbian invaders from the Old World. It has also been abused as another presumed proof of white supremacy. Indigenous traditions, however, saw a Mexican Messiah who played an important part in constructing the Mexican national identity. This book demonstrates that the story of the returning god is a product of “fake news” uttered by Cortés. It does so by analysing the most important sources of the Quetzalcoatl-tale. A systematic context-enlargement that also includes ethnographic information and contemporary history reveals why and how Cortés constructed this story, and why and how the Aztec elite adopted it. This method proves to be an epistemological tool which allows researchers to identify pre-Hispanic information in ethnohistorical texts of colonial times. As a result, the true Quetzalcoatl behind the legend comes to light.
The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore. “A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.”—Bustle NEBULA AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom • The New York Public Library • BookRiot The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Praise for Gods of Jade and Shadow “A dark, dazzling fairy tale . . . a whirlwind tour of a 1920s Mexico vivid with jazz, the memories of revolution, and gods, demons, and magic.”—NPR “Snappy dialog, stellar worldbuilding, lyrical prose, and a slow-burn romance make this a standout. . . . Purchase where Naomi Novik, Nnedi Okorafor, and N. K. Jemisin are popular.”—Library Journal (starred review) “A magical novel of duality, tradition, and change . . . Moreno-Garcia’s seamless blend of mythology and history provides a ripe setting for Casiopea’s stellar journey of self-discovery, which culminates in a dramatic denouement. Readers will gladly immerse themselves in Moreno-Garcia’s rich and complex tale of desperate hopes and complicated relationships.”—Publishers Weekly (starred review)
Discover the mythology of the Aztec civilization The Aztec civilization of Central Mexico consisted of several communities with distinct cultures and languages. The Nahuatl-speaking tribes were the most popular and celebrated rituals based on their own version of myths and stories. While the Mesoamerican cultures shared many stories, rituals, and myths with the Aztecs, they were recognized as a separate community. The Aztecs were believed to come from the regions around Lake Texcoco and the Anahuac Valley. These regions collectively form the modern Mexico City we know today.
Through rich ethnographic narrative, Becoming Gods examines how a cohort of doctors-in-training in the Mexican city of Puebla learn to become doctors. Smith-Oka draws from compelling fieldwork, ethnography, and interviews with interns, residents, and doctors that tell the story of how medical trainees learn to wield new tools, language, and technology and how their white coat, stethoscope, and newfound technical, linguistic, and sensory skills lend them an authority that they cultivate with each practice, transforming their sense of self. Becoming Gods illustrates the messy, complex, and nuanced nature of medical training, where trainees not only have to acquire a monumental number of skills but do so against a backdrop of strict hospital hierarchy and a crumbling national medical system that deeply shape who they are.
Masterly....The complexities of Mexico's ancient cultures are perceptively presented and interpreted.--Library Journal