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This teaching anthology collects texts from the vast archive of medieval Arthurian literature. It includes selections from mainstream canonical authors, such as Geoffrey of Monmouth and Malory, and more peripheral works, such as the Melech Artus (a 12th-century Hebrew text) and the Dutch Morien (featuring a black knight). Characters and authors showcase the diversity of race, religion, gender, and gender orientation of the Arthurian tradition. The anthology and its accompanying website offer a variety of genres, ranging from visual art to historical chronicles and from romance to drama. Arthurian works, while concentrated in England, France, and Wales, are found across medieval Europe, and thus this anthology includes texts from Iceland to Greece. The Broadview Anthology of Medieval Arthurian Literature is ideally suited to teaching: it includes full texts, such as Chrétien de Troyes’ Knight of the Cart, Chaucer’s Wife of Bath’s Tale, and the anonymous Sir Gawain and the Green Knight, for classes that wish to study a whole work in depth; it also includes shorter excerpts of parallel incidents, such as the Uther and Igraine story, so that students can compare a story’s treatment by different authors. Marginal glosses assist students with the Middle English texts, while introductory notes and explanatory footnotes give students necessary background information.
How did English dramatists portray the neighboring domain of France and its history in their plays? The study examines a selection of Shakespearean and other history plays, the French tragedies of George Chapman, Christopher Marlowe's revealing historical tragedy The Massacre at Paris, and several literary and nonliterary historical texts. The result is a unique and timely contribution to our understanding of how cultural differences influenced the historical perspectives of English dramatists as well as how Renaissance plays shaped, and were shaped by, their historical material. Drawing on the insights of cultural studies, historiography, and ethnography, this study re-examines the historical representation of a neglected yet influential part of early modern Europe and the paradoxical relationship between English writers and their French subject matter. Although information about France and French history was becoming increasingly available in England at the end of the sixteenth century, for English writers France remained a distant land, its history and people misunderstood and misrepresented.
Essays examining a variety of aspects of important Arthurian poem. The present volume grew from a nucleus of four papers given at the Twelfth International Arthurian Conference at Regensburg in 1971 on the alliterative Morte Arthure, increasingly recognised as one of the great masterpiecesof medieval English literature. These lectures sought to reappraise the poem and its somewhat enigmatic historical and cultural context, and are presented here in a much revised and expanded form. Unlike most volumes of theiskind, the contributions form an integrated whole, the result of lengthy discussions among the collaborating scholars over the past year. The topics range from the poem's place among chronicles and Arthurian romances to the date, audience and attitude to contempary problems, notably that of war. pecific fields such as heraldry and laments for the dead are examined in detail, while the linguistic structure of the poem is the subject of two essays.
Clocks became common in late medieval Europe and the measurement of time began to rule everyday life. God's Clockmaker is a biography of England's greatest medieval scientist, a man who solved major practical and theoretical problems to build an extraordinary and pioneering astronomical and astrological clock. Richard of Wallingford (1292-1336), the son of a blacksmith, was a brilliant mathematician with a genius for the practical solution of technical problems. Trained at Oxford, he became a monk and then abbot of the great abbey of St Albans, where he built his clock. Although as abbot he held great power, he was also a tragic figure, becoming a leper. His achievement, nevertheless, is a striking example of the sophistication of medieval science, based on knowledge handed down from the Greeks via the Arabs.
God's Clockmaker is a biography of England's greatest medieval scientist, a man who solved major practical and theoretical problems to build an extraordinary and pioneering astronomical and astrological clock. Richard of Wallingford (1292-1336), the son of a blacksmith, was a brilliant mathematician with a genius for the practical solution of technical problems. Trained at Oxford, he became a monk and then abbot of the great abbey of St. Albans, where he designed his clock. His achievement is a striking example of the sophistication of medieval science, based on knowledge handed down from the Greeks and the Arabs.