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The transformation of the Venetian glass industry during the Renaissance was not only a technical phenomenon, but also a social one. In this volume, Patrick McCray examines the demand, production and distribution of glass and glassmaking technology during this period and evaluates several key topics, including the nature of Renaissance demand for certain luxury goods, the interaction between industry and government in the Renaissance, and technological change as a social process. McCray places in its broader economic and cultural context a craft and industry that has been traditionally viewed primarily through the surviving artefacts held in museum collections. McCray explores the social and economic context of glassmaking in Venice, from the guild and state level down to the workings of the individual glass house. He tracks the dissemination of Venetian-style glassmaking throughout Europe during the sixteenth and seventeenth centuries and its effects on Venice’s glass industry. Integrating evidence from a wide variety of sources - written documents such as shop records and recipe books, pictorial representations of glass and glassmaking, and the careful physical and chemical analysis of glass pieces that have survived to the present - he examines the relation between consumer demand and technological change. In the process, he traces the organizational changes that signified a transition from an older and more traditional manner of ’artisan’ manufacture to a modern, ’factory-style’ manner of production.
Conservation and Restoration of Glass is an in-depth guide to the materials and practices required for the care and preservation of glass objects. It provides thorough coverage of both theoretical and practical aspects of glass conservation. This new edition of Newton and Davison's original book, Conservation of Glass, includes sections on the nature of glass, the historical development and technology of glassmaking, and the deterioration of glass. Professional conservators will welcome the inclusion of recommendations for examination and documentation. Incorporating treatment of both excavated glass and historic and decorative glass, the book provides the knowledge required by conservators and restorers and is invaluable for anyone with glass objects in their care.
The Land Between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300-1700 focuses on the strong riverine ties that connect the seas of the Mediterranean system (from the Western Mediterranean through the Sea of Marmara, the Black Sea and the Sea of Azov) and their hinterland. Addressing the mediating role of the Balkans between East and West all the way to Poland and Lithuania, as well as this region’s contribution to the larger Mediterranean artistic and cultural melting pot, this innovative volume explores ideas, artworks and stories that moved through these territories linking the cultures of Central Asia with those of western Europe.
From Labrador to Lake Ontario, the Gulf of Saint Lawrence to French Acadia, and Huronia-Wendaki to Tadoussac, and from one chapter to the next, this scholarly collection of archaeological findings focuses on 16th century European goods found in Native contexts and within greater networks, forming a conceptual interplay of place and mobility. The four initial chapters are set around the Gulf of Saint Lawrence where Euro-Native contact was direct and the historical record is strongest. Contact networks radiated northward into Inuit settings where European iron nails, roofing tile fragments and ceramics are found. Glass beads are scarce on Inuit sites as well as on Basque sites on the Gulf’s north shore, but they are numerous in French Acadia. Ceramics on northern Basque sites are mostly from Spain. An historical review discusses the partnership between Spanish Basques and Saint Lawrence Iroquoians c.1540-1580. The four chapters set in the Saint Lawrence valley show Tadoussac as a fork in inland networks. Saint Lawrence Iroquoians obtained glass beads around Tadoussac before 1580. Algonquin from Lac Saint-Jean began trading at Tadoussac after that. They plied a northern route that linked to Huronia-Wendaki via the Ottawa Valley and the Frontenac Uplands. Finally, four chapters set around Lake Ontario focus on contact between this region and the Saint Lawrence valley. Huron-Wendat sites around the Kawartha Lakes show an influx of Saint Lawrence trade in the 16th century, followed by an immigration wave about 1580. Huron-Wendat sites near Toronto show an unabated inflow of Native materials from the Saint Lawrence valley; however, neutral sites west of Lake Ontario show Native and European materials arriving from the south. A review of glass bead evidence presented by various authors shows trends that cut across chapters and bring new impetus to the study of beads to discover 16th-century networks among French and Basque fishers, Inuit and Algonquian foragers and Iroquoian farmers. With contributions from Saraí Barreiro, Meghan Burchell, Claude Chapdelaine, Martin S. Cooper, Amanda Crompton, Vincent Delmas, Sergio Escribano-Ruiz, William Fox, Sarah Grant, François Guindon, Erik Langevin, Brad Loewen, Jean-François Moreau, Jean-Luc Pilon, Michel Plourde, Peter Ramsden, Lisa Rankin and Ronald F. Williamson.
The first scientific volume to compile the modern analytical techniques for glass analysis, Modern Methods for Analysing Archaeological and Historical Glass presents an up-to-date description of the physico-chemical methods suitable for determining the composition of glass and for speciation of specific components. This unique resource presents members of Association Internationale pour l'Histoire du Verre, as well as university scholars, with a number of case studies where the effective use of one or more of these methods for elucidating a particular culturo-historical or historo-technical aspect of glass manufacturing technology is documented.
This is a Foreword by an archaeologist, not a conservator, but as Brad Rodgers says, “Conservation has been steadily pulled from archaeology by the forces of specialization”(p. 3),andhewantstoremedythatsituationthroughthismanual. He seesthisworkasa“calltoactionforthenon-professionalconservator,”permitting “curators, conservators, and archaeologists to identify artifacts that need prof- sional attention and, allow these professionals to stabilize most artifacts in their own laboratories with minimal intervention, using simple non-toxic procedures” (p. 5). It is the mission of Brad’s manual to “bring conservation back into arch- ology” (p. 6). The degree of success of that goal depends on the degree to which archaeologists pay attention to, and put to use, what Brad has to say, because as he says, “The conservationist/archaeologist is responsible to make preparation for an artifact’s care even before it is excavated and after its storage into the foreseeable future”. . . a tremendous responsibility” (p. 10). The manual is a combination of highly technical as well as common sense methods of conserving wood, iron and other metals, ceramics, glass and stone, organicsandcomposits—afarbetterguidetoartifactconservationthanwasava- able to me when I ?rst faced that archaeological challenge at colonial Brunswick Town, North Carolina in 1958—a challenge still being faced by archaeologists today. The stage of conservation in 1958 is in dramatic contrast to the procedures Brad describes in this manual—conservation has indeed made great progress. For instance,acommonprocedurethenwastoheattheartifactsredhotinafurnace—a method that made me cringe.
Il volume si occupa essenzialmente delle ricerche svolte in una specifica area dell'antica città abbandonata di Bar, all'interno della città medievale, ma fuori dell'area bizantina. Lo scopo è quello di analizzare l'evoluzione di un'area urbana attraverso le fasi Ottomane (mai pubblicate prima) a aprtire dal periodo iniziale dell'insediamento. Il volume completa ilrapporto preliminare pubblicato nel 2006 mediante lo studio di tutti i reperti provenienti dallo scavo dell'area (inclusa la ceramica), dei resti faunistici e dell'evidenze architettoniche (comprendenti anche la chiesa); riporta inoltre una prima valutazione delle potenzialità di indagine archeologica presenti nelle aree circostanti all'insediamento e un contributo sulla produzione dell'olio di oliva nel periodo Ottomano.
This volume presents the first comprehensive classification' of post-medieval vessel glass, including both fine, decorative items as well as more day-to-day domestic objects. Intended as a first-step for the archaeologist, art historian, collector' and interested reader, the guide examines and contrasts examples found from a wide range of excavations across England. The catalogue (of beakers, goblets, jugs, flasks, bottles, bowls, jars and chemical equipment) is preceded by an extensive discussion of methodology, the production and importation of glass as well as the archaeological and social context of glass use. Both archaeological and documentary evidence is drawn on throughout. The volume concludes with a summary of sites and published groups of glass and a glossary.