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A fascinating true story Chrissy grew up surrounded by the beauty of love and the ugliness of pain. The daughter of a pastor whose church was located in a rough-and-tumble area of Brooklyn, she witnessed the ravaging effects of the streets on the lives of the most desperate—drug addicts, derelicts, and other destitute people. Yet her own home was a haven of warmth, filled with affection and love. Then something happened that tore her away from it. With the flip of a switch, Chrissy fell deeper and deeper into deception where haunting images and songs pointed to one thing—perfection. Longing to be the girl in the song, she became entangled in an obsessive relationship. Before long, secret after secret led her down the path to becoming someone she didn’t even recognize. Locked in to an impossible life, Chrissy found release from a surprising direction. Girl in the Song tells the gripping, true story of a young woman whose choices led her to despair and incredible triumph. More than the story of one lost girl, Chrissy’s experience points to the power of hope to lead us away from destructive relationships and into a life that just might end happily ever after.
The Girl in the Song tells the stories of 50 women who have inspired classic rock songs. Who was Emily in Pink Floyd's See Emily Play? What happened to Suzanne Verdal, immortalised in Leonard Cohen's Suzanne? Did life change for Prudence Farrow after John Lennon penned Dear Prudence? And whatever happened to 'the girl with mousy hair', an ex-girlfriend Bowie sings about in Life on Mars? This fascinating book explains how each song came about, when it was released, the impact it had on the charts and then gives a mini-biography of the song's muse. Suzanne Verdal was living a bohemian lifestyle by the river in Montreal when Cohen wrote his poem Suzanne, which he subsequently set to music. Later in life she tried to get in touch with the star who blanked her backstage at a gig. She was last heard of living in a car in California. Apart from songs, the book features sidebars on the performers who wrote about the women in their life - Syd Barrett famously included four girls in the same song. Other examples include:Under My Thumb - The Rolling Stones (Chrissie Shrimpton),She's Leaving Home - The Beatles, Layla - Derek and the Dominoes (Patti Boyd), Peggy-Sue - Buddy Holly (Peggy-Sue Gerron), Maggie May - Rod Stewart, Light of Day - Bruce Springsteen (Julianna Phillips), Sweet Caroline - Neil Diamond (Caroline Kennedy).
Courtesans, desire & the denizens of the Shanghai underworld are just some of the elements in Han Bangqing's novel of late imperial China, published in 1892 & now available in English for the first time.
At Santa Cruz Central High School, they called them the misfits, the outcasts, the weirdos. But most of us knew them as the Lost Boys...Miller Stratton is a survivor. After a harrowing childhood of poverty, he will do anything it takes to find security for himself and his mom. He's putting all his hopes and dreams in the fragile frame of his guitar and the beauty he creates with its strings and his soulful voice.Until Violet.No one expects to meet the love of their life at age thirteen. But the spunky rich girl steals Miller's heart and refuses to give it back.Violet McNamara's life hasn't been as simple as it looks. Her picture-perfect family is not so perfect after all. Her best friend Miller is her one constant and she is determined not to ruin their friendship with romantic complications.But the heart wants what it wants. As Miller's star begins to rise to stratospheric heights, what will it take for Violet to realize that she's the girl in all of his love songs?Lost Boys is a new series of interconnected, coming-of-age standalones from USA Today bestselling author Emma Scott, coming in 2020
A New Yorker Best Book of the Year A New York Times Book Review Editor’s Choice A Must-Read at People, Entertainment Weekly, Nylon, and LitHub “Stylish, reckless . . . Glittering.” —Molly Young, The New York Times A power ballad to female friendship, Girls They Write Songs About is a thrumming, searching novel about the bonds that shape us more than any love affair. We moved to New York to want undisturbed and unchecked. And what did we want? New York, 1997. As the city’s gritty edges are being smoothed into something safer and shinier, two aspiring writers meet at a music magazine. Rose—brash and self-possessed—is a staff writer. Charlotte—hesitant, bookish—is an editor. First wary, then slowly admiring, they recognize in each other an insatiable and previously unmatched ambition. Soon they’re inseparable, falling into the kind of friendship that makes every day an adventure, and makes you believe that you will, of course, achieve extraordinary things. Together, Charlotte and Rose find love and lose it; they hit their strides and stumble; they make choices and live past them. They say to each other, “Don’t ever leave me.” It’s their favorite joke, but they know that they could never say a truer thing. But then the steady beats of their sisterhood fall out of sync. They have seen each other through so much—marriage, motherhood, divorce, career glories and catastrophes, a million small but necessary choices. What will it mean if they have to give up dreaming together? That the friendship that once made them sing out now shuts them down? And even if they can reconcile themselves to the lives they’ve chosen, can they make peace with the ones they didn’t? As smart and comic as it is gloriously exuberant, Carlene Bauer’s Girls They Write Songs About takes a timeless story and turns it into a pulsing, wrecking, clear-eyed tale of two women reckoning with the loss of the friendship that helped define them, and the countless ways all the women they’ve known have made them who they are.
Frustrated by a day full of teachers and classmates mispronouncing her beautiful name, a little girl tells her mother she never wants to come back to school. In response, the girl's mother teaches her about the musicality of African, Asian, Black-American, Latinx, and Middle Eastern names on their lyrical walk home through the city. Empowered by this newfound understanding, the young girl is ready to return the next day to share her knowledge with her class. Your Name is a Song is a celebration to remind all of us about the beauty, history, and magic behind names.
“The idea is inspired and the treatment piercingly beautiful . . . Two formidable artists have shown respect for the integrity of each other’s work here and the result is magnificent.” —Independent “Bob Dylan’s back catalogue is used to glorious effect in Conor McPherson’s astonishing cross-section of hope and stoic suffering . . . It is the constant dialogue between the drama and the songs that makes this show exceptional.” —Guardian “Beguiling and soulful and quietly, exquisitely, heartbreaking. A very special piece of theatre.” —Evening Standard “A populous, otherworldly play that combines the hard grit of the Great Depression with something numinous and mysterious.” —Telegraph Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse. The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for. So when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return . . . In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at the Old Vic, London, in July 2017, in a production directed by the author. Conor McPherson is an award-winning Irish playwright. His best-known works include The Weir (Royal Court; winner of the 1999 Olivier Award for Best New Play), Dublin Carol (Atlantic Theater Company) and The Seafarer (National Theatre). Bob Dylan, born in Duluth, Minnesota, in 1941, is one of the most important songwriters of our time. Dylan was awarded the Nobel Prize for Literature in 2016. He released his thirty-ninth studio album, Triplicate, in April 2017, and continues to tour worldwide.
On 25 February 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter - now one of the most famous in all literary history - was recorded by Plath in her journal, where she described Hughes as a 'big, dark, hunky boy'. Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured Plath's life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth. After Plath's suicide in February 1963, Hughes became Plath's literary executor, the guardian of her writings, and, in effect responsible for how she was perceived. But Hughes did not think much of Plath's prose writing, viewing it as a 'waste product' of her 'false self', and his determination to market her later poetry - poetry written after she had begun her relationship with him - as the crowning glory of her career, has meant that her other earlier work has been marginalised. Before she met Ted, Plath had lived a complex, creative and disturbing life. Her father had died when she was only eight, she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide and had written over 200 poems. Mad Girl's Love Songwill trace through these early years the sources of her mental instabilities and will examine how a range of personal, economic and societal factors - the real disquieting muses - conspired against her. Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century's most popular and enduring female poet. Mad Girl's Love Songreclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice, a voice that, fifty years after her death, still has the power to haunt and disturb.
Skip right into this joyful, diverse, alphabetic picture book celebrating girls around the world. A, my name is ALBA and my sister's name is AYELÉN. We come from ARGENTINA and we are ADVENTUROUS. Girls from 26 different countries—Argentina to Zambia—are beautifully and thoughtfully represented in this A to Z tribute to global girlhood. Children will enjoy reading about each girl's name, empowering character trait, and country, while learning how we are all connected. Globally-minded kids can also find the countries on a map at the back of the book and dream of places they'd like to visit. Don't miss the companion story: B My Name Is Boy.
Beloved children's entertainer Emily Arrow's first picture book, perfect for (little) makers everywhere: a story about finding a space to create! A young bunny makes the rounds of a studio building, taking in all the different artists in their habitats. Making, thinking, sharing, performing . . . but can our bunny find the perfect space to let imagination shine? In this charming ode to creativity, noted children's singer and entertainer Emily Arrow introduces readers to the concept of the studio: a place for painters, dancers, singers, actors, sculptors, printmakers . . . and you! Whether it's a purpose-made space with big windows, a room filled with equipment, or the corner of a bedroom, your studio can be anywhere--you just have to find it!