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Story of the Dixie Religious Mission in the Utah desert, and of a high-spirited girl who becomes a Mormon's third wife.
Although Joshua, a giant frog, causes earthquakes when he hops and topples trees when he croaks, he can also haul a string of barges down the Erie Canal.
An illustrated modern adaptation of the beloved Indian classic “Ten Avatars.” King Bali is not a bad soul; he’s just ambitious. He wants big things! As a consequence, he doesn’t have friends. What he does have is an evil adviser named Shukra, who is even more ambitious than the king. When King Bali is visited by a tiny sage, Shukra is suspicious and warns the king to stay away. In this retelling of an ancient story from the Sanskrit histories, King Bali learns that big things can come in small packages — and that sometimes a small courtesy can bring big rewards. Illustrator Emma Moore applies luminescent colors and dynamic perspectives to her visualization of this tale of big and little, adapted from India’s beloved “Ten Avatars.” Author Joshua M. Greene’s elegant and direct storytelling renders an otherwise esoteric subject accessible and relevant for contemporary young readers.
Whipple, author of what some critics consider Mormonism's greatest novel, "The Giant Joshua, " is an enigma. Her prize-winning novel has never been out of print, and its portrayal of the founding of St. George draws on her own family history to produce its unforgettable and candid portrait of plural marriage's challenges. Hale, a personal friend, chronicles Whipple's life, nailing each insight down with thorough research in her vast but underutilized collected papers. 482 pp.
The bestselling Joshua series takes an invigorating, timely new turn as Girzone’s beloved hero spreads his message of love and compassion from the streets of our nation’s capital to the blood-soaked lands of the Middle East. Joseph Girzone possesses a unique ability to make Jesus’ words and actions come to life for contemporary audiences. His fictional depictions of Jesus’ return to the present-day world—the Joshua series—have inspired millions of readers. Joshua in a Troubled World is at once a magnificent continuation of his perennially popular series and an enlightening perspective on the political paranoia and destructive acts of vengeance that fill the front pages of our daily newspapers. Arriving in Washington, D.C., Joshua walks along Pennsylvania Avenue with a cool detachment and determination that sets him apart from the bustling crowds. Under ordinary circumstances, he would no doubt be seen simply as a man wrapped in his own thoughts. But in these security-obsessed times, his Middle Eastern appearance and his spontaneous stops at various churches, temples, and mosques inevitably arouse suspicions. Taken into custody by two government agents, Joshua challenges the legal and moral justness of their actions and they reluctantly release him to continue his mission. It is the most difficult and controversial mission he has ever undertaken—a plan to unite Arab- and Jewish-Americans and to work with them to resolve the bitter wars and religious animosities in the Middle East. Peopled with prominent figures such as Ariel Sharon, and moving from Washington to Beirut and then to Oslo while the peace accords are being hammered out, Joshua in a Troubled World explores the most explosive issues of our day and offers a realistic, compassionate assessment of the things that divide us and the beliefs that can serve as a foundation for a new, more peaceful world.
In the year 2299, seventh-grader Jack and his classmates find themselves in hostile alien territory after Jack accidentally launches their rickety public schoolship light years away from home.
A new study of those excluded from the national narrative of the West. Dan Moos challenges both traditional and revisionist perspectives in his exploration of the role of the mythology of the American West in the creation of a national identity. While Moos concurs with contemporary scholars who note that the myths of the American West depended in part upon the exclusion of certain groups - African Americans, Native Americans, and Mormons - he notes that many scholars, in their eagerness to identify and validate such excluded positions, have given short shrift to the cultural power of the myths they seek to debunk. That cultural power was such, Moos notes, that these disenfranchised groups themselves sought to harness it to their own ends through the active appropriation of the terms of those myths in advocating for their own inclusion in the national narrative. that, because the construction of American culture was never designed to accommodate these outsiders, their writings display a division between their imagined place in the narrative of the nation and their effacement within the real West marked by intolerance and inequality.
"Freeman’s rich and ambitious Behemoth depicts a world in retreat that still looms large in the national imagination.…More than an economic history, or a chronicle of architectural feats and labor movements." —Jennifer Szalai, New York Times In an accessible and timely work of scholarship, celebrated historian Joshua B. Freeman tells the story of the factory and examines how it has reflected both our dreams and our nightmares of industrialization and social change. He whisks readers from the early textile mills that powered the Industrial Revolution to the factory towns of New England to today’s behemoths making sneakers, toys, and cellphones in China and Vietnam. Behemoth offers a piercing perspective on how factories have shaped our societies and the challenges we face now.
As a rising great power flexes its muscles on the political-military scene it must examine how to manage its relationships with states suffering from decline; and it has to do so in a careful and strategic manner. In Rising Titans, Falling Giants Joshua R. Itzkowitz Shifrinson focuses on the policies that rising states adopt toward their declining competitors in response to declining states’ policies, and what that means for the relationship between the two. Rising Titans, Falling Giants integrates disparate approaches to realism into a single theoretical framework, provides new insight into the sources of cooperation and competition in international relations, and offers a new empirical treatment of great power politics at the start and end of the Cold War. Shifrinson challenges the existing historical interpretations of diplomatic history, particularly in terms of the United States-China relationship. Whereas many analysts argue that these two nations are on a collision course, Shifrinson declares instead that rising states often avoid antagonizing those in decline, and highlights episodes that suggest the US-China relationship may prove to be far less conflict-prone than we might expect.
One of the great comic epics of our time: the Last Jewish Novel about the Last Jew in the World. On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt . . . Meanwhile, in the not-too-distant future of our own, “real” world, another last Jew—the last living Holocaust survivor—sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.