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“Vernon Lee” was the pseudonym of the British writer Violet Paget (1856–1935). She is remembered today primarily for her supernatural fiction, much of it influenced by her lesbianism and feminism, as well as for her books and essays on aesthetics. Her novella “A Culture-Ghost; or, Winthrop’s Adventure” was first published in the April, 1881 issue of Appletons’ Journal. It was left out of Hauntings, but it’s certainly a masterpiece of weird fiction, fully worthy of rediscovery today.
Collected writings dealing with supernatural encounters or experiences.
A rhyming celebration of hats that help create costumes for the Halloween parade.
Arguing that our enjoyment of ghost films is linked to masochistic pleasure, Giving up the Ghost provides us with a new way of thinking about the relation between film viewing and gender. A deft but readable application of psychoanalytic theories, especially masochism (by way of Deleuze and Studlar), extends the utility of psychoanalysis to the understanding of film genre and film audiences. It is indispensable reading for scholars and students of film theory.
Women's Ghost Literature in Nineteenth-Century Britain examines the Female Gothic genre and how it expanded to include not only gender concerns but also social critiques of repressed sexuality, economics and imperialism.
“A fast-paced, entertaining summer read” (People), The Why of Things is a “keenly observed” and “richly drawn” (The New York Times) novel about a family fighting towards hope in the wake of a terrible tragedy. Since the loss of her seventeen-year-old daughter less than a year ago, Joan Jacobs has struggled to keep her tight-knit family from coming apart. But Joan and Anders, her husband, are unable to snap back into the familiarity and warmth they so desperately need, both for themselves and for their surviving daughters, Eve and Eloise. The family flees to their summer home in search of peace and renewal, only to encounter an eerily similar tragedy when a pickup truck drives into the quarry in their backyard killing a young local named James Favazza. As the Jacobs family learns more about the inexplicable events that preceded that fateful evening, each of them becomes increasingly tangled in the emotional threads of James’s story: fifteen-year-old Eve is determined to solve, on her own, the mystery of his death; Anders finds himself facing his own deepest fears; and seven-year-old Eloise unwittingly adopts James’s orphaned dog. For her part, Joan becomes increasingly fixated on James’s mother, a stranger whose sudden loss so closely mirrors her own. With an urgent, beautiful intimacy that her fans have come to expect from this “bitingly intelligent writer” (The New York Times), Elizabeth Hartley Winthrop delivers here a powerful, buoyant novel that explores the complexities of family relationships and the small triumphs that can bring unexpected healing. The Why of Things is a wise, empathetic, and exquisitely heartfelt story about the strength of family bonds. It is an unforgettable and searing tour de force.
Mystery/Thriller Arnold Ridley Characters: 7 male, 4 female Interior Set A long running success in London and on Broadway and packed with thrills, chills and laughter. In Maine near the Canadian border there's a legend of a phantom locomotive sweeping through a peaceful village leaving death in its wake. Rum and narcotic runners use this and the villagers' superstition to their advantage but a not as incompetent as he seems detective clears up the mystery of the sp
This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women’s non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women’s writing, as well as general readers with an interest in the supernatural.
Vernon Lee, born Violet Paget in 1856 to English parents who lived on the Continent, bridged two worlds and many cultures. She was a Victorian by birth but lived into the second quarter of the twentieth century. Her chosen home was Italy, but she spent part of every year in England, where she published over the years an impressive number of books: novels, short stories, travel essays, studies of Italian art and music, psychological aesthetics, polemics. She was widely recognized as a woman of letters and moved freely in major literary and social circles, meeting and at times having close friendships with a huge number of the major writers and intellectuals of her time, among them Robert Browning, Walter Pater, Henry James, H. G. Wells, Bertrand Russell, Bernard Berenson, and Mario Praz. Although she never committed herself to one program of political activism, she was an advocate for feminism and social reform and during World War I was an ardent pacifist. In her last years she watched with dismay the emergence of fascism. Vernon Lee: A Literary Biography recovers this crowded and intellectually eventful life from her previously unpublished letters and journals, as well as from her books themselves. Vineta Colby also explores Lee’s troubled personal life, from her childhood in an eccentric expatriate family to her several unhappy love affairs with women to her frank recognition that her work, brilliant as some of it was, remained unappreciated. Through it all, Vernon Lee clung to her faith in the life of the mind, and through Colby’s engaging biographical narrative, she emerges today as a writer worthy of renewed attention and admiration. Victorian Literature and Culture Series