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Katrin Himmler’s cool but meticulous examination of the Himmler story reveals – in all its dark complexity – the gulf between the ‘normality’ of bourgeois family life and the horrors perpetrated by one member. This riveting family memoir provides essential new information on the private life and background of one of the twentieth- century’s most notorious killers – not a lone evil executioner, but a middle-class family man, loved and fully supported by his respectable German family. It also offers a unique account of one women’s courageous attempt to deal with her chilling inheritance. ‘It is part of the creeping discomfort in reading her book to realise the incredibly ordinary middle-class background of these three sons of a rather pompous provincial headmaster and to see how, right until the end, he was almost able to convince himself it hadn't happened like it had' Sunday Times ‘You get a vivid sense of a particular kind of German conservatism - Roman Catholic, monarchist - and of how, weirdly, it found an outlet in the upstart, part-pagan thuggery of Nazism’ Independent ‘One can only admire her bravery . . . In a way, Katrin Himmler's book is not a story about the past, but one about the present. The most interesting details are the ones she gives of her own quest’ Daily Telegraph
A German Family covers a week in the life of a mother and her two teenage children in Berlin in late 1944. The city is undergoing nightly bombing. One of the children, Hans, a Hitler Youth, is eager to be sent to the Eastern Front to help stop the advance of the Russian "hordes." The other, Heike, thirteen, has just begun to learn about sex and is unsure of how to deal with what she thinks lies in store for her. Overseeing the family is Trudi, their mother, engaged in a daily struggle to keep her children fed and relatively sane, while at the same time conducting an affair with a neighbor who may or may not be Jewish. The week covered by the novel will determine the fate of these three people, and to some degree, of Germany as a whole.
German-English, English-German dictionary of genealogical terms, phrases and symbols.
A huge bestseller in Germany for over a year, My Father’s Country offers extraordinarily moving and riveting insight into the experience of being German in the last century. On August 26, 1944, Hans Georg Klamroth, officer in the German army and member of the SS, was executed for high treason for his participation in the July 1944 plot to assassinate Hitler. My Father’s Country is the extraordinary work of Klamroth’s daughter, Wibke, born only six years before her father’s death. Decades later, Bruhns was watching a TV documentary about the events of July 1944 when images of her father in the court room suddenly appeared on screen. “I stare at this man with the empty face. I don’t know him. But I can see myself in him — his eyes are my eyes; I know I resemble him. I know I wouldn’t be here without him. And what do I know about him? Nothing at all.” Based on an extensive collection of family letters, private diaries, photographs and even menus, My Father’s Country traces Wibke Bruhns’ father’s, and more widely, her well-to-do merchant family’s, life in the Germany of the late nineteenth and early twentieth centuries. With it, Bruhns not only brings to life the nuances of this world — its culture and its assumptions, politics and beliefs — but also comes to know, finally, the mysterious father she barely remembers.
* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators * * Named a Best Book of the Year by The New York Times, The Boston Globe, San Francisco Chronicle, NPR, Comics Beat, The Milwaukee Journal-Sentinel, Kirkus Reviews, and Library Journal This “ingenious reckoning with the past” (The New York Times), by award-winning artist Nora Krug investigates the hidden truths of her family’s wartime history in Nazi Germany. Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family’s involvement; though all four grandparents lived through the war, they never spoke of it. After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier. In this extraordinary quest, “Krug erases the boundaries between comics, scrapbooking, and collage as she endeavors to make sense of 20th-century history, the Holocaust, her German heritage, and her family's place in it all” (The Boston Globe). A highly inventive, “thoughtful, engrossing” (Minneapolis Star-Tribune) graphic memoir, Belonging “packs the power of Alison Bechdel’s Fun Home and David Small’s Stitches” (NPR.org).
This book surveys the history of the German family in the nineteenth and twentieth centuries. The contributions deal with the influence of industrialisation on family life in town and country, with rural families and communities under the impact of social and economic change, and with the role and influence of the family in the lives of men and women in the newly-emerged working class. Research on the history of the family had so far, at the point of this book’s publication in 1981, concentrated on England and France; this book adds an important comparative dimension by extending the discussion into Central Europe and bringing fresh evidence and interpretation to bear on the wider debate about the effects of industrialisation on family structure and family life as a whole. The authors approach the subject from a variety of perspectives, including social anthropology, oral history, economic history and feminist studies. This book is ideal for students of history, particularly the history of Germany.
The Landis family of Landis Valley was ordinary and extraordinary at the same time. Its members were typical Pennsylvania Germans of their era, focused on farming and family, yet they also traveled, edited magazines, and became the founders of the Landis Valley Museum. The Landis family settled in Lancaster County in the 18th century, where Henry Harrison Landis and his wife, Emma Caroline Landis, raised their children, Henry Kinzer, George Diller, and Nettie Mae, in a cross-cultural environment. Descended from Mennonite and Reformed Church families, the Landis family formed an appreciation for both cultures, and recognizing the valuable contributions of Pennsylvania Germans to American culture, they collected images and objects to chronicle their unique way of life. Using historic photographs, many never before published, The Landis Family: A Pennsylvania German Family Album provides insights into the family life, customs, and agricultural traditions of this unique region.
The history of Casa Boker, one of the first department stores in Mexico City, and its German owners provides important insights into Mexican and immigration history. Often called "the Sears of Mexico," Casa Boker has become over the past 140 years one of Mexico's foremost wholesalers, working closely with U.S. and European exporters and eventually selling 40,000 different products across the republic, including sewing machines, typewriters, tools, cutlery, and even insurance. Like Mexico itself, Casa Boker has survived various economic development strategies, political changes, the rise of U.S. influence and consumer culture, and the conflicted relationship between Mexicans and foreigners. Casa Boker thrived as a Mexican business while its owners clung to their German identity, supporting the Germans in both world wars. Today, the family speaks German but considers itself Mexican. Buchenau's study transcends the categories of local vs. foreign and insider vs. outsider by demonstrating that one family could be commercial insiders and, at the same time, cultural outsiders. Because the Bokers saw themselves as entrepreneurs first and Germans second, Buchenau suggests that transnational theory, a framework previously used to illustrate the fluidity of national identity in poor immigrants, is the best way of describing this and other elite families of foreign origin.