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Excerpt from The German Classics of the Nineteenth and Twentieth Centuries, Vol. 4 of 20: Masterpieces of German Literature, Translated Into English Special Writers benjamin W. Wells, ph.d., Author of M odern German Literature The Life of Jean Paul. James taft hatfield, ph.d., Professor of the German Language and Litera ture, Northwestern University The Early Romantic School. Calvin thomas, LL.D., Professor of Germanic Languages and Literatures, Columbia University Introduction to Lucinda. John S. Nollen, ph.d., President of Lake Forest College The Life of Heinrich von Kleist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04 Masterpieces of German Literature Translated into English. in Twenty Volumes by Kuno Francke "The Spring and I came into the world together," Jean Paul liked to tell his friends when in later days of comfort and fame he looked back on his early years. He was, in fact, born on the first day (March 21) and at almost the first hour of the Spring of 1763 at Wunsiedel in the Fichtelgebirge, the very heart of Germany. The boy was christened Johann Paul Friedrich Richter. His parents called him Fritz. It was not till 1793 that, with a thought of Jean Jacques Rousseau, he called himself Jean Paul. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
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Excerpt from The German Classics of the Nineteenth and Twentieth Centuries, Vol. 19 of 20: Masterpieces of German Literature, Translated Into English Is this still the people to which Goethe belonged? At a time when a common cause with Austria conjures up again the shade Of the dear Old Holy Roman Empire no other verse in Faust seems SO inept as that concerning the ugly political song. Today we should rather say An unpolitical song, an ugly song; for to the people that but a few weeks ago was mindful Of naught but works Of peace everything has become a matter of indifference except the burning question Of the hour. Even though the longed-for peace Should soon return, the year 1914 must leave a deep mark in the development Of German literature. As yet we can only look back, not forward, from this milestone; and even in so doing we cannot escape from the present. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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