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"His best work is characterized by thoughtfulness, strong descriptive skills flavored with vivid turns of phrase, and emotional complexities in both the poems themselves and the effects they evoke." --Boston Book Review
"In this study of race relations in N.Y.C., Sleeper, an editorial writer for New York Newsday, harshly criticizes both black leaders and their liberal supporters for pointing a finger at America's racist society rather than setting concrete goals to overcome inequality." —Kirkus Reviews A report of the current state of race relations in New York City, which examines the differing views of militants, liberals and forgotten minorities, and presents suggestions for racial common sense that attempt to demolish long-standing stereotypes.
Animal Heroes by Ernest Thompson Seton: In this inspiring and heartwarming collection, Ernest Thompson Seton shares the extraordinary tales of animal bravery and heroism. Through vivid storytelling, readers are introduced to remarkable animal characters who display courage, loyalty, and selflessness, proving that heroism is not limited to humans alone. Key Aspects of the Book "Animal Heroes": Tales of Bravery: Seton's stories celebrate the heroic acts of animals, revealing their exceptional qualities and their impact on the lives of humans. Animal Behavior and Characteristics: The book offers insights into the behavior and instincts of various animal species, fostering a deeper understanding and appreciation of the animal kingdom. Inspiration and Empathy: "Animal Heroes" leaves readers with a sense of wonder and admiration for the resilience and noble nature of animals. Ernest Thompson Seton was a Canadian-American author, naturalist, and artist born in 1860. He was a founding member of the Boy Scouts of America and played a significant role in promoting nature study and environmental conservation. Seton's writings often focused on wildlife and animal stories, aimed at inspiring readers, particularly young people, to develop a deeper connection with nature and wildlife. "Animal Heroes" is a testament to his passion for the natural world and his talent for bringing the lives of animals to life through storytelling.
Fourteen essays on epic, oral and literary, from ancient to modern, from the Americas to India.
Designed to meet the needs of high school students, undergraduates, and general readers, this encyclopedia is the most comprehensive reference available on African American literature from its origins to the present. Other works include many brief entries, or offer extended biographical sketches of a limited selection of writers. This encyclopedia surpasses existing references by offering full and current coverage of a vast range of authors and topics. While most of the entries are on individual authors, the encyclopedia gathers together information about the genres and geographical and cultural environments in which these writers have worked, and the social, political, and aesthetic movements in which they have participated. Thus the encyclopedia gives special attention to the historical and cultural forces that have shaped African American writing. - Publisher.
Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby. John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency. In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work.
This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.