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Excerpt from The Gentleman's Pocket Magazine, 1829: And Album of Literature and Fine Arts About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Gentleman's Pocket Magazine, and Album of Literature and Fine Arts, 1828 The Fate of Mortimer, a Tale qf tic Commonwealth 8mm on the udiod Ireland, by T. Furlong0000 thevillageinno000000600000000u 00000000000000 iflfonakethee, bylordbyron000000000000000000 fomofeloqi-lence 0000000000000000000000000000 Uncertainty oflitem'ydistinction MM 000000000000000000 The Mountain Tombs, by William The Butterfl fmm delamartine Osak0iand eterthegnat 000000000000000000se0 theafricmnuelmt0000000000000000000000000000 thes Shaw ouse, theretreatofcharlesi. The Gambler's Victim, a Tale of Danish History The nnocentvictim, amnamtive charleethefifthandthecobbler thedyingeie, byj.j. Cat'amooooo00o00000000. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Pocket Magazine, 1829, Vol. 2 Several keepers of menageries, during the last few years, have succeeded in obtaining a mixed breed be tween the lion and the tiger. Mr. Atkins has exhi bited cubs, produced at various times, by the union of the lion with the tigress. In September last, we saw two lion-tiger cubs in his exhibition, which had been whelped at Edinburgh, on the 3lst December, 1827. Their general colour was not so bright as that of the tiger species, and the transverse bands were rather more obscure. The little creatures were very playful. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from The Gentleman's Magazine, and Historical Chronicle, Vol. 99: From July to December, 1829; Being the Twenty-Second of a New Series, Part the Second We turn to the world before us; and as our wont is, we offer a few words on what is passing there. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period thought with and through sound, this book opens up a new chapter in the history of the senses.