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Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 2, a revision of Part IV of the original edition, covers the period from about 1920 to 1960. The contributors to this volume are Desmond Pacey, William Kilbourn, Henry B. Mayo, Millar MacLure, John Webster Grant, Thomas A. Goudge, Elizabeth Waterston, Brandon Conron, Jay Macpherson, Sheila A. Egoff, Michael Tait, Hugo McPherson, Munro Beattie, and Northrop Frye.
Most people are completely unaware that the Shakespeare authorship question is the greatest cultural mystery in Western Civilization. Few realize that Will Shakspere of Stratford-on-Avon was an uneducated grain speculator and real estate investor who could not read or write, yet he was chosen as the front man for a fraudulent conspiracy perpetrated by Queen Elizabeth's chief counselor, Robert Cecil, for reasons of monarchial succession, greed and power. The astonishing power of Conventional Wisdom has kept the ruse going, perpetrated by Professors of English who cannot break the tenacious shackles of their guild mythology and thus refuse to believe the reams of authoritative evidence discovered in the past century in favor of Edward de Vere, 17th Earl of Oxford, as Shakespeare. Volume 10 of this anthology series--Moniment-- contains eighteen brilliant, compelling articles by highly qualified authorship experts who convincingly reinforce the case for Edward de Vere and annihilate the completely impossible candidacy of the illiterate Stratford Man. Judge Philip Howerton, Jr. BA, JD: "It doesn't take an 'academically based' person to realize that the quarter page of known facts of William Shakspere's life can be mastered by a twelve year old and that all the rest of the stuff that has been written--in the attempt to connect his 'life' and the works--by [Professors] Brown, Chambers, Chute, Rowse, Schoenbaum, et al, ad nauseam, is, and always has been, as Vladimir Nabokov once put it, in another context, 'thirty-two percent nonsense and fifty of neutral padding.' "[Scottish Author]Josephine Tey called it 'tonypandy' [a nonsensical, untrue story grown to legend and accepted by the public in the face of all evidence to the contrary]." Michael H. Hart, Ph.D. in Astrophysics, Princeton. Author of The 100: A Ranking of the Most Influential Persons in History: "I made a serious error in the first edition when, without carefully checking the facts, I simply 'followed the crowd' and accepted the Stratford man as the author of the [Shakespeare] plays. Since then I have carefully examined the arguments on both sides of the question and have concluded that the weight of the evidence is heavily against the Stratford man and in favor of de Vere."
Since the 1970s Richard Allen's scholarship on the social gospel has broken new ground in the field of Canadian social and religious history by recovering key aspects of the tradition and its contribution to reform movements and politics. Beyond the Noise of Solemn Assemblies collects and extends many of his classic works to present a comprehensive overview of a major thread in the fabric of the country. Observing the mutual foundations of political and religious traditions in myth and arguing that the sacred and the secular belong together in discussions of public affairs, Allen contests the view that religion is personal and isolated from the public square. He discusses a range of topics: the transition from providential to progressive thought in nineteenth-century Canada; the new spirituality of social solidarity articulated by Winnipeg college students in the 1890s; the role of the social gospel in pioneering urban reform; farmers and workers finding in radical Christianity legitimation for political revolt; Christian intellectuals in the 1930s framing a revolutionary prospectus for Depression-era Canada; the significance of Norman Bethune's religious upbringing for his life and work; strategically focused post-war ecumenical coalitions like Project North and the Latin American Working Group; and the prospects for democratic socialism at the end of the Cold War. Opening with a chapter relating the author's upbringing in a ministerial household dedicated to the Protestant ethic as the spirit of socialism, Beyond the Noise of Solemn Assemblies represents a significant contribution to understanding the social Christian movement in Canada.