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Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.
This book is written by Alexander Joseph Finberg, an art historian focused on the History of British Art and an expert on J. M. W. Turner. Turner is a famous English Romantic painter, printmaker, and watercolorist. He is known for his expressive colourizations, imaginative landscapes, and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolors, and 30,000 works on paper - many of which can be found in this book.
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