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He sat in a small half-darkened booth well over in the corner-the man with the strangely glowing blue-green eyes.The booth was one of a score that circled the walls of the "Maori Hut," a popular night club in the San Fernando Valley some five miles over the hills from Hollywood.It was nearly midnight. Half a dozen couples danced lazily in the central dancing space. Other couples remained t te- -t te in the secluded booths.In the entire room only two men were dining alone. One was the slender gray-haired little man with the weirdly glowing eyes. The other was Blair Gordon, a highly successful young attorney of Los Angeles. Both men had the unmistakable air of waiting for someone.Blair Gordon's college days were not so far distant that he had yet lost any of the splendid physique that had made him an All-American tackle. In any physical combat with the slight gray-haired stranger, Gordon knew that he should be able to break the other in two with one hand.Yet, as he studied the stranger from behind the potted palms that screened his own booth. Gordon was amazed to find himself slowly being overcome by an emotion of dread so intense that it verged upon sheer fear. There was something indescribably alien and utterly sinister in that dimly seen figure in the corner booth.The faint eerie light that glowed in the stranger's deep-set eyes was not the lambent flame seen in the chatoyant orbs of some night-prowling jungle beast. Rather was it the blue-green glow of phosphorescent witch-light that flickers and dances in the night mists above steaming tropical swamps.The stranger's face was as classically perfect in its rugged outline as that of a Roman war-god, yet those perfect features seemed utterly lifeless. In the twenty minutes that he had been intently watching the stranger, Gordon would have sworn that the other's face had not moved by so much as the twitch of an eye-lash.****Then a new couple entered the Maori Hut, and Gordon promptly forgot all thought of the puzzlingly alien figure in the corner. The new arrivals were a vibrantly beautiful blond girl and a plump, sallow-faced man in the early forties. The girl was Leah Keith, Hollywood's latest screen sensation. The man was Dave Redding, her director.A waiter seated Leah and her escort in a booth directly across the room from that of Gordon. It was a maneuver for which Gordon had tipped lavishly when he first came to the Hut.A week ago Leah Keith's engagement to Blair Gordon had been abruptly ended by a trivial little quarrel that two volatile temperaments had fanned into flames which apparently made reconciliation impossible. A miserably lonely week had finally ended in Gordon's present trip to the Maori Hut. He knew that Leah often came there, and he had an overwhelming longing to at least see her again, even though his pride forced him to remain unseen.Now, as he stared glumly at Leah through the palms that effectively screened his own booth, Gordon heartily regretted that he had ever come. The sight of Leah's clear fresh beauty merely made him realize what a fool he had been to let that ridiculous little quarrel come between them.Then, with a sudden tingling thrill, Gordon realized that he was not the only one in the room who was interested in Leah and her escort.Over in the half-darkened corner booth the eerie stranger was staring at the girl with an intentness that made his weird eyes glow like miniature pools of shimmering blue-green fire. Again Gordon felt that vague impression of dread, as though he were in the presence of something utterly alien to all human experience.
Table of Contents The Dark Side of Antri The Sunken Empire The Gate to Xoran The Eye of Allah The Fifth-Dimension Catapult Chapter I Chapter II Chapter III Chapter IV Chapter V
Layroh's hiring of husky down-and-outers for his expedition is part of a plan made ages past.
Three Earthlings are whisked on an inter-dimensional journey to the den of the Scientist Zehru.
Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.
"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface
Outside his laboratory Bruce Dixon finds a world of living dead men-and above, in the sky, shines a weird green moon.