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From the Golden PEN Award–winning author: A “well-written, entertaining” dark comedy of a marriage on the rocks in 1960s London (Joyce Carol Oates, The New York Times). Emma and David Evans seem to have a perfect life. He’s a handsome and successful Welsh actor; she’s a sometimes model, soon-to-be television news anchor, and full-time mother. But all is not well under the surface. She’s impatient and choked by domesticity; he’s narcissistic and unfaithful. Between the two of them is a privately combative marriage that has fed their want of drama. Then David relocates the family from their London home to provincial Hereford, where he’s to star in two plays during the city’s festival season. It’s here, far removed from the highbrow stimulation of the city, that Emma’s resentment of David—his long hours, his expectations, his ego—finally boils over. Bored and lonely, she falls into the arms of the theater’s director, an indiscretion that triggers a series of surprises neither Emma nor David could have foreseen. Narrated by a complicated, fascinating, and fiercely intelligent woman at the end of her rope, The Garrick Year is “a witty, beautiful novel . . . written with extraordinary art” (The New York Times). “[A] romantic novel about actors and the theatre and marriage and sex and babies . . . deliciously bitter . . . so alive.” —The New Yorker “Unsparing . . . a very knowing, diverting entertainment.” —Kirkus Reviews
A History of the Navajos examines these circumstances over the century and more that the tribe has lived on the reservation. In 1868, the year that the United States government released the Navajos from four years of imprisonment at Bosque Redondo and created the Navajo reservation, their very survival was in doubt. In spite of conflicts over land and administrative control, by the 1890s they had achieved a greater level of prosperity than at any previous time in their history.
Explores how David Garrick - actor, newspaper proprietor and part-owner of Drury Lane Theatre - mediated his own celebrity.
A beautifully designed and lavishly illustrated biography of one of Chicago's greatest lost buildings For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan's magnificent architectural masterpiece in Chicago's theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago. The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan's career. Reconstructing the Garrick documents the enormous salvaging job undertaken to preserve elements of the building's design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation--a significant resource and compelling tribute to one of Chicago's finest lost buildings. A seventy-two-page facsimile of Richard Nickel's salvage workbook is tipped into the binding.
(Vocal Selections). Jason Robert Brown, the creator of Parade and Songs for a New World , has written a distinctive new Off-Broadway musical. The Last Five Years tells the story of a failed marriage of 20-somethings: he a successful novelist, she a struggling actress. Her story is told in reverse, his conventionally moving forward. They meet in the middle at the point of their wedding. Brown's strong writing has found a solid following among musical theatre fans. Our songbook features piano/vocal arrangements of 12 songs: Goodbye Until Tomorrow * I Can Do Better Than That * If I Didn't Believe in You * Moving Too Fast * The Next Ten Minutes * Nobody Needs to Know * A Part of That * The Schmuel Song * Shiksa Goddess * Still Hurting * A Summer in Ohio * When You Come Home to Me. "Short, bittersweet and nearly perfect, Brown has come up with a winning combination of music and book." Variety
The first new novel in five years from “one of the most versatile and accomplished writers of her generation” —Joyce Carol Oates, The New Yorker. Jessica Speight, a young anthropology student in 1960s London, is at the beginning of a promising academic career when an affair with her married professor turns her into a single mother. Anna is a pure gold baby with a delightful, sunny nature, but it soon becomes clear that she will not be a normal child. As readers are drawn deeper into Jessica’s world, they are confronted with questions of responsibility, potential, even age, all with Margaret Drabble’s characteristic intelligence, sympathy and wit. Drabble once wrote, “Family life itself, that safest, most traditional, most approved of female choices, is not a sanctuary; it is, perpetually, a dangerous place.” Told from the point of view of the group of mothers who surround Jess, The Pure Gold Baby is a brilliant, prismatic novel that takes us into that place with satiric verve, trenchant commentary and a movingly intimate story of the unexpected transformations at the heart of motherhood.
Book collecting, bibliomania and the eighteenth-century -- Building a library -- Garrick, book culture and The Club -- Collecting Shakespeare and other English dramatists -- Book-buying in France and Italy -- Dispersal -- Appendix A. Locations of Garrick's books -- Appendix B. Books to which Garrick subscribed -- Appendix C. Books addressed/dedicated to Garrick -- Appendix D. Lots purchased by Thomas Thorpe at the 1823 sale -- Appendix E. Garrick books formerly belonging to George Frederick Beltz -- Appendix F. Carrington Garrick's books
Riley, a teen orphan boy living in Victorian London, has had the misfortune of being apprenticed to Albert Garrick, an illusionist who has fallen on difficult times and now uses his unique conjuring skills to gain access to victims' dwellings. On one such escapade, Garrick brings his reluctant apprentice along and urges him to commit his first killing. Riley is saved from having to commit the grisly act when the intended victim turns out to be a scientist from the future, part of the FBI's Witness Anonymous Relocation Program (WARP) Riley is unwittingly transported via wormhole to modern day London, followed closely by Garrick. In modern London, Riley is helped by Chevron Savano, a nineteen-year-old FBI agent sent to London as punishment after a disastrous undercover, anti-terrorist operation in Los Angeles. Together Riley and Chevie must evade Garrick, who has been fundamentally altered by his trip through the wormhole. Garrick is now not only evil, but he also possesses all of the scientist's knowledge. He is determined to track Riley down and use the timekey in Chevie's possession to make his way back to Victorian London where he can literally change the world.
The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.