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Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies—such as temples, summerhouses, towers, and ruins—brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.
Chronicles nearly 1,450 UK sites which boast follies, grottoes or garden buildings of original or eccentric aspect.
"This delightful journal touches the heart and moves the spirit." - The Oregonian An illustrated, round-the-world tour of idiosyncratic gardens from beloved traveler/writer/watercolorist Vivian Swift. Nine masterpiece gardens. Nine stories of grandeur, sorrow, disaster, triumph, discovery, and joy. From Scotland to Key West, from Brazil to Paris--even right next door--there is always something to learn about being human from a great garden.
Many of these buildings have been destroyed or severely altered and the only records that survive are the drawings, engravings, architectural plans, and, more rarely, paintings of the period.
Believers and unbelievers alike are saturated with technology, yet most give it little if any thought. Consumers buy and upgrade as fast as they can, largely unaware of technology’s subtle yet powerful influence. In a world where technology changes almost daily, many are left to wonder: Should Christians embrace all that is happening? Are there some technologies that we need to avoid? Does the Bible give us any guidance on how to use digital tools and social media?
"Diana Ketchum's magnificently researched and beautifully accomplished text, with its accompanying images, is not a book for mere specialists. It is a book of interest to garden enthusiasts, to art historians, to surrealists -- to anyone with a taste for fantasy, architectural metaphor, the poetry of vision, the aesthetics of stone and leaf." -- Arthur C. Danto, Johnsonian Professor of Philosophy, Columbia University The Dé sert de Retz, the supreme surviving example of the folly garden, is one of the most amply and beautifully documented of France's historic gardens. Since 1990, when the Arion Press published the first book on this garden outside of Paris, the Dé sert de Retz has been transformed by an ongoing restoration. That limited, fine-press edition is long out of print and much sought after. This new edition reproduces in a smaller oblong format the material in the original book. Diana Ketcham's text has been expanded and updated to reflect recent scholarship and physical changes to the site. There are also new photographs that show the restored landscape and the complete restoration of the folly known as the Broken Column to its original state as a false ruin. The 100 illustrations consist of views of the construction of the park (1774-1789); models from antiquity and analogues in contemporary gardens; facsimiles of the 26 engravings of the garden that appeared in Georges Le Rouge's Dé tails de nouveaux jardins a la mode: Jardins anglo-chinois, the most important illustrated book on gardens of the eighteenth century; and photographs of the buildings and grounds taken by the British photographer Michael Kenna. Thesebeautiful photographs, together with Diana Ketcham's carefully researched text, capture the haunting atmosphere of the place during its transition from the romantic, overgrown state of benign neglect, which so intrigued the Surrealists, to the clearing and building that today preserve a balance between the encroachments of unruly vegetation and disintegration.
Tracing its distant origins to the villa of the Roman emperor Hadrian in the second century AD, the eccentric phenomenon of the ornamental hermit enjoyed its heyday in the England of the eighteenth century It was at this time that it became highly fashionable for owners of country estates to commission architectural follies for their landscape gardens. These follies often included hermitages, many of which still survive, often in a ruined state. Landowners peopled their hermitages either with imaginary hermits or with real hermits - in some cases the landowner even became his own hermit. Those who took employment as garden hermits were typically required to refrain from cutting their hair or washing, and some were dressed as druids. Unlike the hermits of the Middle Ages, these were wholly secular hermits, products of the eighteenth century fondness for 'pleasing melancholy'. Although the fashion for them had fizzled out by the end of the eighteenth century, they had left their indelible mark on both the literature as well as the gardens of the period. And, as Gordon Campbell shows, they live on in the art, literature, and drama of our own day - as well as in the figure of the modern-day garden gnome. This engaging and generously illustrated book takes the reader on a journey that is at once illuminating and whimsical, both through the history of the ornamental hermit and also around the sites of many of the surviving hermitages themselves, which remain scattered throughout England, Scotland, and Ireland. And for the real enthusiast, there is even a comprehensive checklist, enabling avid hermitage-hunters to locate their prey.
Winnowed Wisdom is a satirical work by Stephen Leacock. Leacock was a Canadian teacher, political scientist, writer, and humorist. Excerpt: "We are all descended from monkeys. This descent, however, took place a long time ago and there is no shame in it now. It happened two or three thousand years ago and must have been after and not before the Trojan war. We have to remember also that there are several kinds of monkeys. There is the ordinary monkey seen in the street with the hand organ (communis monacus), the baboon, the giboon (not Edward,) the bright, merry, little chimpanzee, and the hairy ourang-outang with the long arms. Ours is probably the hairy ourang-outang. But the monkey business is only part of it. At an earlier stage men were not even that. They probably began as worms. From that they worked up to being oysters; after that they were fish, then snakes, then birds, then flying squirrels, and at last monkeys."
Focusing on follies and garden buildings in Ireland, this book seeks to describe and illustrate these architectural oddities. Examines buildings mainly from the 18th and 19th centuries from all four provinces of Ireland, placing them in their architectural and historical contexts.