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Gaia's Gift, the second of Anne Primavesi's explorations of human relationships with the earth, asks that we complete the ideological revolution set in motion by Copernicus and Darwin concerning human importancene. They challenged the notion of our God-given centrality within the universe and within earth's evolutionary history. Yet as our continuing exploitation of earth's resources and species demonstrates, we remain wedded to the theological assumption that these are there for our sole use and benefit. Now James Lovelock's scientific understanding of the existential reality of Gaia's gift of life again raises the question of our proper place within the universe. It turns us decisively towards an understanding of ourselves as dependent on, rather than in control of, the whole earth community.
In this era of supersonic jets, ubiquitous McDonalds, and pervasive Panasonics, in our coddled jacuzzi culture, our cybernetic society of acronyms and first names, does the spirit of quest endure? Indeed, from rain forests, across oceans, steppes, savannahs, and saharas to the peaks of the Andes or Himalayas, American writers still test the limits of human existence. They test spirit, flesh, marrow, and imagination in a timeless quest for meaning beyond civilization, at the razor edge of mortality. And they return with sun-cracked skin and gazes honed on horizons to tell us the tale. "Ihab Hassan's new book on quests turns out to be a quest of his own. He takes us through an invigorating range of today's American writers as they test themselves against the far corners of our tattered planet. Hassan shows us how their quests (and, incidentally, his own) entwine risks, commitments, and desperate exercises in belief, how their aspirations are human but uniquely American. This is a book everyone interested in American culture can learn from--and enjoy. Hassan's voice is one of graceful wisdom and passionate elegance, a refreshing landfall in today's turgid sea of criticism." --Norman N. Holland, University of Florida
This book on recent investigations of the dynamics of celestial bodies in the solar and extra-Solar System is based on the elaborated lecture notes of a thematic school on the topic, held as a result of cooperation between the SYRTE Department of Paris Observatory and the section of astronomy of the Vienna University. Each chapter corresponds to a lecture of several hours given by its author(s). The book therefore represents a necessary and very precious document for teachers, students, and researchers in the ?eld. The ?rst two chapters by A. Lemaˆ ?tre and H. Skokos deal with standard topics of celestial mechanics: the ?rst one explains the basic principles of resonances in mechanics and their studies in the case of the Solar System. The differences between the various cases of resonance (mean motion, secular, etc. ) are emphasized together with resonant effects on celestial bodies moving around the Sun. The second one deals with approximative methods of describing chaos. These methods, some of them being classical, as the Lyapounov exponents, other ones being developed in the very recent past, are explained in full detail. The second one explains the basic principles of resonances in mechanics and their studies in the case of the Solar System. The differences between the various cases of resonance (mean motion, s- ular, etc. ) are emphasized together with resonant effects on celestial bodies moving around the Sun. The following three chapters by A. Cellino, by P. Robutel and J.
In The Odes of Horace, Steele Commager examines the odes with particular attention both to their language and structure and to the effect a poem is intended to, or does, produce. Horace’s conciseness and apparent clarity phrase by phrase tempt us into believing that there is an equally concise and clear meaning to be assigned to a poem, or even to his thought as a whole. Yet Horace has no systematic philosophy to impart; his poems record only an imaginative apprehension of the world. Each ode is a calculated assault on our sensibilities, a deliberate invasion of our consciousness. Only by yielding to each in its entirety can we momentarily share Horace’s vision.
The author of Food, Festival and Religion shows how spiritual practices drawn from the ancient magical arts can help to heal Mother Earth. A Greenpeace activist, Wiccan High Priestess, and proud Soccer Mom, Francesca Howell has been involved in magical traditions and wildlife preservation since childhood. In this one-of-a-kind book, she shares her everyday suggestions for spiritual renewal through connecting with nature. The meditations, ceremonies, and spellcraft in Making Magic with Gaia spring from an ancient Pagan tradition of Earth stewardship, which blends deep ecology, magic, and activism to bring the reader into a closer communion and harmony with Mother Earth. Packed with practical suggestions (recycling, gardening without pesticides, and conserving water) and mystical rituals (shamanism, crystal magic, and Power Animals) for helping the planet, this book is written for anyone with a spiritual ecological awareness. Not the witchcraft of Gothic novels, Making Magic with Gaia is based on a modern religion with ancient roots that can heal the Earth as it heals the practitioner.
This book is the first truly interdisciplinary intervention into the burgeoning field of Irish ecological criticism. Providing original and nuanced readings of Irish cultural texts and personalities in terms of contemporary ecological criticism, Flannery’s readings of Irish literary fiction, poetry, travel writing, non-fiction, and essay writing are ground-breaking in their depth and scope. Explorations of figures and texts from Irish cultural and political history, including John McGahern, Derek Mahon, Roger Casement, and Tim Robinson, among many others, enable and invigorate the discipline of Irish cultural studies, and international ecocriticism on the whole. This book addresses the need to impress the urgency of lateral ecological awareness and responsibility among Irish cultural and political commentators; to highlight continuities and disparities between Irish ecological thought, writing, and praxis, and those of differential international writers, critics, and activists; and to establish both the singularity and contiguity of Irish ecological criticism to the wider international field of ecological criticism. With the introduction of concepts such as ecocosmopolitanism, "deep" history, ethics of proximity, Gaia Theory, urban ecology, and postcolonial environmentalism to Irish cultural studies, it takes Irish cultural studies in bracing new directions. Flannery furnishes working examples of the necessary interdisciplinarity of ecological criticism, and impresses the relevance of the Irish context to the broader debates within international ecological criticism. Crucially, the volume imports ecological critical paradigms into the field of Irish studies, and demonstrates the value of such conceptual dialogue for the future of Irish cultural and political criticism. This pioneering intervention exhibits the complexity of different Irish cultural and historical responses to ecological exploitation, degradation, and social justice.
Greek and Roman mythology has fascinated people for more than two millennia, and its influence on cultures throughout Europe, America, North Africa, and the Middle East attests to the universal appeal of the stories. This title examines the best-known figures of Greek and Roman mythology together with the great works of classic literature.