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Grounded primarily in the ethnography of communication and aligned with the multidisciplinarity of discourse analysis, the book examines the use of proverbs in the daily life of a social network of Mexican-origin transnational families in Chicago and Michoacán, Mexico. Various and detailed analyses of actual proverb use reveal that proverbs in this particular population function as a highly contextualized communicative strategy that serves four discrete social functions: to argue, to advise, to establish rapport, and to entertain. Proposing that the social and cognitive aspects of language use must be combined for a complete understanding of how such genres of language are actually used by regular people in daily life, the author shows how ordinary people use sophisticated cognitive processes to interpret the socially-relevant meanings of proverbs in everyday conversation. The book provides an unusual mix of contextualized discourse analysis that is ethnographic, linguistic, and cognitive, yielding much needed insight into a segment of the Mexican-origin population of the Midwestern U.S., a population whose increasing importance and size is often mentioned, but about which precious few linguistic studies have been conducted. The volume not only helps to fill this void but it is also one of the few studies that focuses on the impact of transnationalism on linguistic practices, regardless of cultural group. Departing from the conventional approach of ignoring the role of everyday-language use in order to focus exclusively on culture, economics, or migrant patterns, the book makes linguistic practice the central issue, and thus affirms that it is language that weaves together the two distant sites of transnational communities, providing a fertile area for understanding the perspectives of the transmigrants themselves.
"The Discourse of Wealth and Poverty in the Book of Proverbs" includes a discussion of "proverbs and metaphor," reviews previous studies of wealth and poverty in Proverbs, offers in-depth analyses of particular passages in Proverbs, and suggests a possible social-historical setting for the book.
This handbook introduces key elements of the philological research area called paremiology (the study of proverbs). It presents the main subject area as well as the current status of paremiological research. The basic notions, among others, include defining proverbs, main proverb features, origin, collecting and categorization of proverbs. Each chapter is written by a leading scholar-specialist in their area of proverbial research. Since the book represents a measured balance between the popular and scientific approach, it is recommended to a wide readership including experienced and budding scholars, students of linguistics, as well as other professionals interested in the study of proverbs.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
"Yoruba Proverbs is the most comprehensive collection to date of more than five thousand Yoruban proverbs that showcase Yoruba oral tradition. Following Oyekan Owomoyela's introduction, which provides a framework and description of Yoruba cultural beliefs, the proverbs are arranged by theme into five sections: the good person; the fortunate person (or the good life); relationships; human nature; rights and responsibilities; and truisms. Each proverb is presented in Yoruba with a literal English translation, followed by a brief commentary explaining the meaning of the proverb within the oral tradition." "This definitive source book on Yoruba proverbs is the first to give such detailed, systematic classification and analysis alongside a careful assessment of the risks and pitfalls of submitting this genre to the canons of literary analysis."--BOOK JACKET.
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
The book is devoted to various problems of the discoursal use of phraseological units (PUs). It explores both core use and contextual use of such units, as well as different types of PU modifications, including addition, deletion, substitution, cleft use, phraseological pun, and extended metaphor, among others. In addition, the book also considers the translation of these modifications, which often present a very serious issue.
Attracting renewed attention by a new generation of scholars, the book presents a comprehensive ethnography of proverb communication in an African culture and achieves a significant breakthrough in proverb studies. The author critically reviews the dynamics of the proverb, one verbal genre that embodies the high point of rhetoric in traditional and contemporary Africa, and explores in rich details the proverb's creative potential, authorship and effectiveness in crisis management. Yankah elevates the documentation of the African proverb beyond decontextualized compilations, and portrays the proverb as a dynamic communicative strategy in which form, meaning and logic are in constant flux. The study, which focuses on the Akan of Ghana, situates the proverb in the heart of real life discourse interactions and monitors its rhetorical efficacy on the basis of indigenous aesthetics. The book should be of value to folklorists, sociolinguists, anthropologists, literary scholars and students of African studies and communications.
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.