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THE #1 NEW YORK TIMES BESTSELLER Once a week, an eclectic group of women comes together at a New York City yarn shop to work on their latest projects—and share the stories of their lives... At the center of Walker and Daughter is the shop’s owner, Georgia, who is overwhelmed with juggling the store and single-handedly raising her teenage daughter. Happy to escape the demands of her life, she looks forward to her Friday Night Knitting Club, where she and her friends—Anita, Peri, Darwin, Lucie, and KC—exchange knitting tips, jokes, and their deepest secrets. But when the man who once broke Georgia’s heart suddenly shows up, demanding a role in their daughter’s life, her world is shattered. Luckily, Georgia’s friends are there for encouragement, sharing their own tales of intimacy, heartbreak, and miracle-making. And when the unthinkable happens, these women will discover that what they’ve created isn’t just a knitting club: it’s a sisterhood.
SHORTLISTED FOR THE ROGERS WRITERS' TRUST FICTION PRIZE: An infectious and heartbreaking novel from "one of this country's great kinetic writers" (Globe and Mail)--Craig Davidson's first new literary fiction since his bestselling, Giller-shortlisted Cataract City When neurosurgeon Jake Baker operates, he knows he's handling more than a patient's delicate brain tissue--he's altering their seat of consciousness, their golden vault of memory. And memory, Jake knows well, can be a tricky thing. When growing up in 1980s Niagara Falls, a.k.a. Cataract City--a seedy but magical, slightly haunted place--one of Jake's closest confidantes was his uncle Calvin, a sweet but eccentric misfit enamored of occult artefacts and outlandish conspiracy theories. The summer Jake turned twelve, Calvin invited him to join the "Saturday Night Ghost Club"--a seemingly light-hearted project to investigate some of Cataract City's more macabre urban myths. Over the course of that life-altering summer, Jake not only fell in love and began to imagine his future, he slowly, painfully came to realize that his uncle's preoccupation with chilling legends sprang from something buried so deep in his past that Calvin himself was unaware of it. By turns heartwarming and devastating, written with the skill and cinematic immediacy that has made Craig Davidson a star, The Saturday Night Ghost Club is a bravura performance from one of our most remarkable literary talents: a note-perfect novel that poignantly examines the fragility and resilience of mind, body and human spirit, as well as the haunting mutability of memory and story.
Old Yarns It is five years since the members of The Friday Night Knitting Clubbonded during divorce, job loss, romance, birth - and the sudden death of their dear friend, Georgia. But the Walker and Daughter knitting store on Manhattan's Upper West Side is still going strong. New Patterns Drawn together by their love for Georgia's daughter, Dakota, and the sense of family the club provides, each knitter is struggling with new challenges: for Catherine, finding love after divorce; for Darwin, newborn twins; for Lucie, being both single mum and carer forher elderly mother, and for Anita, marriage to her sweetheart over the objections of her grown-up children. A love letter to the power of female freiendship and, of course, knitting, Knit Two is entertainment with heart.
The ladies of the #1 New York Times bestselling Friday Night Knitting Club return in a moving, laugh-out-loud celebration of special times with friends and family… Whipping up chocolate-orange scones at pastry school is Dakota Walker’s passion, but she’ll never give up the Friday Night Knitting Club at Walker and Daughter, the coziest yarn shop in Manhattan. The club is also a haven for Peri, Darwin, Lucie, K.C., Anita, and Catherine—Dakota’s dearest friends, big sisters, and sometimes surrogate mothers. With the holidays just around the corner, the women have reason to celebrate: There’s a special wedding planned for New Year’s Day. And in the meantime, Dakota is finishing a sweater her mother started before she was born. As she takes on her mother’s pattern, she learns that there was much more history in these stitches than she had anticipated, and to build on her mother’s legacy, Dakota must become the woman she truly desires to be. READERS GUIDE INSIDE
While men have long been credited with producing the first abstract paintings, the true creator was actually a woman – Swedish artist Hilma af Klint, who was inspired by her mystic visions. Acclaimed authors Sofia Lundberg, Alyson Richman, and M.J. Rose bring her story to life in this groundbreaking novel. Early 1900s: The world belongs to men, and the art world in Stockholm, Sweden, is no different, until Hilma af Klint brings together a mysterious group of female painters and writers—Anna, Cornelia, Sigrid, and Mathilda—to form their own emotional and artistic support system. The members of the Friday Night Club find themselves thrust into uncharted territory when Hilma and her best friend, Anna, begin dabbling in the occult, believing that through séances they can channel unseen spirits to help them achieve their potential as artists. “The Five,” as Hilma referred to them, was a group of immensely talented, fascinating women whose lives and work were cast into obscurity...until now. The Present: Over a century later, an associate curator at the Guggenheim Museum, Eben Elliot, brings the Hilma af Klint show to New York where he uncovers questions about the Five and how the modern day art world is funded, which puts him in a precarious position both emotionally and professionally, as he witnesses how history can be manipulated. The Friday Night Club is an illuminating historical novel that explores destiny, passion, and the threads that connect five women as they challenge artistic and societal traditions.
Volume contains: (Ostmann v. Steffens) (Ostmann v. Steffens) (Ostmann v. Steffens) (Pagano v. Droukas) (Pagano v. Droukas) (Pagano v. Droukas) (People v. Catlan) (People v. Catlan) (People v. Catlan) (People v. Catlan) (People v. Chickory) (People v. Chickory)
In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, where the stage was little more than a scrap of carpet and sound systems were unheard of, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, among much drink and raucous cheer, would rediscover the native songs of their own tradition, as well as the folk and blues coming from across the Atlantic by artists such as Leadbelly, Woody Guthrie and Big Bill Broonzy. Singing from the Floor is the story of this remarkable movement, faithfully captured in the voices of those who formed it by JP Bean. We hear from luminaries such as Shirley Collins, Martin Carthy, Peggy Seeger and Ralph McTell, alongside figures such as Billy Connolly, Jasper Carrott and Mike Harding, who all started their careers on the folk circuit. The book charts the revival's improvised beginnings and its ties to the CND movement, through the heyday of the '60s and '70s, when every university, town and many villages across the country boasted a folk club, to the fallow years of the '80s and '90s. The book finishes on a high note, with the recent resurgence of interest in folk, through such artists as the Lakemans, Sam Lee and Eliza Carthy. It is a joyous, boisterous and hugely entertaining book, and an essential document of our recent history stretching into the past.
With fresh journalistic writing and reams of information on what to see and do, this guide takes readers from the big cities to the countryside. Includes candid reviews on restaurants and accommodations for all budgets. 83 maps. Full-color insert. Two-color throughout.
In The Women of Rothschild, Natalie Livingstone reveals the role of women in shaping the legacy of the famous Rothschild dynasty, synonymous with wealth and power. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty-first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Excluded from the family bank, they forged their own distinct dynasty of daughters and nieces, mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform, and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with everyone from Queen Victoria to Chaim Weizmann, Rossini to Isaiah Berlin, and the Duke of Wellington to Alec Guinness, as well as with amphetamine-dealers, suffragists and avant-garde artists. Rothschild women helped bring down ghetto walls in early nineteenth-century Frankfurt, inspired some of the most remarkable cultural movements of the Victorian period, and in the mid-twentieth century burst into America, where they patronized Thelonious Monk and drag-raced through Manhattan with Miles Davis. Absorbing and compulsive, The Women of Rothschild gives voice to the complicated, privileged, and gifted women whose vision and tenacity shaped history.
A captivating history of folk traditions, beliefs, and culturally diverse customs in the early homesteading era on the Canadian Prairies. The homesteading era on the Canadian Prairies (1867–1914) was a dynamic period of history, when hundreds of thousands of men, women, and children, migrating primarily from northwestern and eastern Europe, descended nascent provinces of Alberta, Saskatchewan, and Manitoba. Some were lured by the promise of prosperity and land ownership, while others were fleeing war, famine, and persecution. Homesteaders have been studied and written about extensively, often within the context of “settling” the Canadian West and the displacement of Indigenous populations. These narratives, while crucial to our understanding of Canada’s national identity and colonial past, tend to obscure the personal stories, beliefs, and mindsets of those individuals who came to this part of the world and made a life there. Drawing on a treasure trove of archival sources, historian Sandra Rollings-Magnusson presents a vivid and deeply personal collection of Prairie folklife, revealing stories full of humour, superstition, fear, and hope. She gives insight into homesteaders’ daily lives, including instances of water-witching, signs of good and bad luck, neighbourly practical jokes, and popular pastimes. Through adaptation, hardship, homesickness, and a sense of adventure, they built communities with others from different backgrounds, creating a unique culture that blended the old with the new. "