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This 2001 book looks at how British drama and popular entertainment were affected by the French Revolution and Napoleonic Wars.
This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).
This study challenges the conventional polarities used to describe British politics of the 1790s; Pitt versus Fox, Burke versus Paine, Church versus Dissent, ruling class versus working class, Jacobin versus anti-Jacobin. Such polarities were sedulously promoted by Pitt's wartime government, which applied 'Jacobin' shamelessly to all its critics and opponents, and thus foreshadowed the McCarthyite tactic of guilt by association. The author seeks to make the less strident but more persuasive contemporary voices again audible. He takes seriously those who questioned the necessity for Burke's crusade to destroy the French republic, and who deplored Britain's alliance with the partitioners of Poland.
This ambitious study, first published in 2000, offers a radical reassessment of one of the most important concepts of the Romantic period - the imagination. In contrast to traditional accounts, John Whale locates the Romantic imagination within the period's lively and often antagonistic polemics on aesthetics and politics. In particular he focuses on the different versions of imagination produced within British writing in response to the cultural crises of the French Revolution and the ideology of utilitarianism. Through detailed analysis of key texts by Burke, Paine, Wollstonecraft, Bentham, Hazlitt, Cobbett and Coleridge, Imagination under Pressure seeks to restore the role of imagination as a more positive force within cultural critique. The book concludes with a chapter on the afterlife of the Coleridgean imagination in the work of John Stuart Mill and I. A. Richards. As a whole it represents a timely and inventive contribution to the ongoing redefinition of Romantic literary and political culture.
This new survey looks at the impact in Britain of the French Revolution and the Napoleonic aftermath, across all levels of British society. Jennifer Mori provides a clear and accessible guide to the ideas and intellectual debates the revolution stimulated, as well as popular political movements including radicalism.
Gregory Claeys explores the reception of the French Revolution in Britain through the medium of its leading interpreters. Claeys argues that the major figures - Thomas Paine, Edmund Burke, Mary Wollstonecraft, William Godwin and John Thelwall - collectively laid the foundations for political debate for the following century, and longer.
The nine essays in this collection focus on the dynamics of British popular politics in the 1790s and on the impact of the French Revolution and the subsequent war with France. Leading scholars in the field explore the nature and origins of the ideological conflicts between reformers and loyalists, the impact of the war with France on the organisation of the British state and on its relations with its people, and the extent of the threat of revolution on both British and colonial territory. The French Revolution and British Popular Politics makes an unusually integrated and coherent collection of essays, substantially advancing knowledge in this controversial area and bringing together important work by senior figures in the field.
This new guide to the main developments in the history of British and Irish literature uniquely charts the main features of literary language development, highlights key language topics and spans over 1,000 years of literary history.This new guide to the main developments in the history of British and Irish Literature uniquely charts some of the main features of literary language development and highlights key language topics. Clearly structured and highly readable, it spans over a thousand years of literary history from AD 600 to the present day. It emphasizes the growth of literary writing, its traditions, conventions and changing characters but also includes literature from the margins, both geographical and culturally. Key features of the textbook include:* an up-to-date guide to the major periods of literature in English in Britain and Ireland* extensive coverage of post-1945 literature* language notes spanning AD 600 to the present* extensive quotations from poetry, prose and drama* a timeline of the important historical and political events* a special text design to enhance its usefulness* a foreword by novelist Malcolm BradburyThe Routledge History of Literature in English will interest students and teachers of literature and language worldwide.
The "Jacobin" novel was labeled as such in Britain because of its supposed connections to the French Revolution. This book takes an in-depth look at these novels, written between 1790 and 1805. She centers on the group surrounding Wollstonecraft and Godwin, although not exclusively, exploring the limits of their philosophy of human rights and personal subjectivity. Unlike other recent scholars, the author treats both male and female writers, making feminism an aspect of the work but not the overriding one. While the novels are the main focus, other work by the writers is considered as it pertains to their beliefs. She also discusses the reaction from those who defined the "Jacobins" by opposing them.