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The online economy offers challenges to traditional businesses as well as incredible opportunities. Chris Anderson makes the compelling case that in many instances businesses can succeed best by giving away more than they charge for. Known as "Freemium," this combination of free and paid is emerging as one of the most powerful digital business models. In Free, Chris Anderson explores this radical idea for the new global economy and demonstrates how it can be harnessed for the benefit of consumers and businesses alike. In the twenty-first century, Free is more than just a promotional gimmick: It's a business strategy that is essential to a company's successful future.
The life he knew before the bomb no longer existed. That Leroy Kervin was gone. Willy Vlautin's stunning fourth novel opens with Leroy, a young, wounded, Iraq veteran, waking to a rare moment of clarity, his senses flooded with the beauty of remembering who he is but the pain of realising it won't last. When his attempt to end his half-life fails, he is taken to the local hospital where he is looked after by a nurse called Pauline, and visited by Freddie, the night-watchman from his group home for disabled men. As the stories of these three wounded characters circle and cross each other, we come to learn more of their lives. The father who caused her mother to abandon them both, and who Pauline loves and loathes in equal measure, the daughters Freddie yearns to be re-united with and, in a mysterious and frightening adventure story, the girlfriend Leroy dreams of protecting. Evoking a world which is still trying to come to terms with the legacy of a forgotten war, populated by those who struggle to pay for basic health care, Vlautin also captures how it is the small acts of kindness which can make a difference between life and death, between imprisonment and liberty. Haunting and essential, The Free is an unforgettable read.
Saturated in Southern ambiance and written in the vein of other literary bestsellers like Kathryn Stockett’s The Help and Tom Franklin’s Crooked Letter, Crooked Letter, Julie Cantrell’s New York Times bestselling Into the Free that will sweep you away long after the novel ends. In Depression-era Mississippi, Millie Reynolds longs to escape the madness that marks her world. With an abusive father and a “nothing mama,” she struggles to find a place where she really belongs. For answers, Millie turns to the Gypsies who caravan through town each spring. The travelers lead Millie to a key that unlocks generations of shocking family secrets. When tragedy strikes, the mysterious contents of the box give Millie the tools she needs to break her family’s longstanding cycle of madness and abuse. Through it all, Millie experiences the thrill of first love while fighting to trust the God she believes has abandoned her. With the power of forgiveness, can she finally make her way into the free? Millie is just a girl. But she’s the only one strong enough to break the family cycle. “Gritty, compelling, and beautifully told, Into the Free will take you into a coming-of-age story filled with heartrending hardship and luminous hope. Julie Cantrell is a writer to watch!” —Lisa Wingate, New York Times bestselling author of Before We Were Yours “Readers will fall in love with Millie Reynolds, girl with one eye on the heavens and the other on the savages that occupy our world . . . a searing tale of heartache, faith, forgiveness, and doubt set amid gypsies, angels, addicts, asylums, roughnecks, and rodeo hands.” —Neil White, author of In the Sanctuary of Outcasts “A lyrical, moving, haunting, wise, brutal, warmhearted, and ultimately freeing and inspiring coming-of-age tale told with poetic honesty. . . . Into the Free swept me up and swept me along.” —Jennifer Niven, bestselling author of The Ice Master New York Times bestseller Can be read as a stand-alone novel, although the story continues in When Mountains Move Book length: approximately 90,000 words Includes a reader’s guide, author interview, and discussion questions for book clubs
"An engrossing and impossibly wide-ranging project . . . In The Free World, every seat is a good one." —Carlos Lozada, The Washington Post "The Free World sparkles. Fully original, beautifully written . . . One hopes Menand has a sequel in mind. The bar is set very high." —David Oshinsky, The New York Times Book Review | Editors' Choice One of The New York Times's 100 best books of 2021 | One of The Washington Post's 50 best nonfiction books of 2021 | A Mother Jones best book of 2021 In his follow-up to the Pulitzer Prize–winning The Metaphysical Club, Louis Menand offers a new intellectual and cultural history of the postwar years The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize–winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind. How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood. Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened.
“The best history of free speech ever written and the best defense of free speech ever made.” —P.J. O’Rourke Hailed as the “first freedom,” free speech is the bedrock of democracy. But it is a challenging principle, subject to erosion in times of upheaval. Today, in democracies and authoritarian states around the world, it is on the retreat. In Free Speech, Jacob Mchangama traces the riveting legal, political, and cultural history of this idea. Through captivating stories of free speech’s many defenders—from the ancient Athenian orator Demosthenes and the ninth-century freethinker al-Rāzī, to the anti-lynching crusader Ida B. Wells and modern-day digital activists—Mchangama reveals how the free exchange of ideas underlies all intellectual achievement and has enabled the advancement of both freedom and equality worldwide. Yet the desire to restrict speech, too, is a constant, and he explores how even its champions can be led down this path when the rise of new and contrarian voices challenge power and privilege of all stripes. Meticulously researched and deeply humane, Free Speech demonstrates how much we have gained from this principle—and how much we stand to lose without it.
Alexandrea has just moved to Harlem and her mother is pushing her into ballet and she has stage fright.
“A well-written and worthy sequel to one of SF’s enduring classics”—the Nebula Award winner The Forever War—now with a bonus story, “A Separate War” (Publishers Weekly). On virtually every list of the greatest military science fiction adventures ever written, Joe Haldeman’s Hugo and Nebula Award–winning classic, The Forever War, is ranked at the very top. In Forever Free, the Science Fiction Writers of America Grand Master and author of the acclaimed Worlds series returns to that same volatile universe where human space marines once engaged the alien Taurans in never-ending battle. While loyal soldier William Mandella was fighting for the survival of the human race in a distant galaxy, thousands of years were passing on his home planet, Earth. Then, with the end of the hostilities came the shocking realization that humanity had evolved into something he did not recognize. Offered the choice of retaining his individuality or becoming part of the genetically modified shared Human hive-mind, Mandella chose exile, joining other veterans of the Forever War seeking a new life on a wasteland world they called Middle Finger. Making a home for themselves in this half-frozen hell, Mandella and his life partner, Marygay, have survived into middle age, raising a son and a daughter in the process. Now, the dark truth about the colonists’ ultimate role in the continuation of the Human group mind will force Mandella and Marygay to take desperate action as they hijack an interstellar vessel and set off on a frantic escape across space and time. But what awaits them upon their return is a mystery far beyond all human—or Human—comprehension . . . In Forever Free, Joe Haldeman’s stunning vision of humankind’s far future reaches its enthralling conclusion in a masterwork of speculation from the mind and heart of one of the undisputed champions of hard science fiction. And in the bonus story included in this volume, “A Separate War,” Marygay, reassigned and separated from her lover, Mandella, continues fighting in military engagements across the stars—all the while planning how she and Mandella can reunite despite the time and space between them.
They are the most feared mecenary company the kingdom has ever known. Led by Yulan, their charismatic captain, the Free have spent years selling their martial and magical skills to the highest bidder -- winning countless victories that have shaken the foundations of the world. Now they finally plan to lay down their swords. Yet when Yulan is offered a final contract, he cannot refuse -- for the mission offers him the chance to erase the memories of the Free's darkest hour, which have haunted him for years. As the Free embark on their last mission, a potent mix of loyalty and vengeance is building to a storm. Freedom, it seems, carries a deadly price.
A young man pawns his possessions, purchases a used motorcycle, changes his name, and attempts to create a new life for himself in an indefinite, forty-eight state odyssey.
Everywhere today, we are urged to “connect.” Literary critics celebrate a new “honesty” in contemporary fiction or call for a return to “realism.” Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing—E. M. Forster’s “Only connect . . .” and Fredric Jameson’s “Always historicize!”—helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era—and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls “free indirect,” in which the novel’s refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today.