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The first three novels that feature Freddy the pig are collected in this beautifully designed single volume. Illustrations.
The first three Freddy stories: First, Freddy and friends decide to escape the cold winter by vacationing in sunny Florida. Then, Freddy and his barnyard friends run the successful Barnyard Tours, Inc., but some sailors cause trouble for them and Santa on a trip to the North Pole. And finally, Freddy the pig does some detective work in order to solve the mystery of a missing toy train.
A revised edition of the classic Led Zeppelin biography, featuring rich and substantial new material Rock writer Mick Wall draws on insider access, as former confidante to both Plant and Page, to craft the definitive biography of the world's most legendary rock band—Led Zeppelin. In When Giants Walked the Earth, Wall audaciously tells the story of the band known not just as one of the biggest-selling bands of all-time, but also as the one that set the mark for on-the-road excess. Detailed and revealing, When Giants Walked the Earth bores into not only the disaster, addiction and death that haunted the band but also into the real relationship between Page and Plant, including how it was influenced by Page's interest in the occult. Comprehensive and yet intimately detailed, WhenGiants Walked the Earth literally gets into the principals' heads to bring to life both an unforgettable band and an unrepeatable slice of rock history. This edition includes approximately 35,000 words of new material about the band and the last decade, featuring fresh interviews and newly unearthed content.
When J.J. Pomeroy, the robin, almost pulled off Freddy's tail, thinking it was a worm, Freddy decided to transform the robin into a popinjay. This starts a series of transformations--some of which may be a big mistake.
Head Off the Books in this collection of newspaper columns, where J. Peder Zane uses classic and contemporary literature to explore American culture and politics. The book review editor for the Raleigh, North Carolina News & Observer from 1996 to 2009, Zane demonstrates that good books are essential for understanding ourselves and the world around us. The one hundred and thirty columns gathered in Off the Books find that sweet spot where literature's eternal values meet the day's current events. Together they offer a literary overview of the ideas, issues, and events shaping our culture—from 9/11 and the struggle for gay rights to the decline of high culture and the rise of sensationalism and solipsism. As they plumb and draw from the work of leading writers—from William Faulkner, Knut Hamsun, and Eudora Welty to Don DeLillo, Lydia Millet, and Philip Roth—these columns make an argument not just about the pleasure of books, but about their very necessity in our lives and culture.
From the creator of the bestselling horror video game series Five Nights at Freddy's comes the must-have collection of the thrilling chapter book series.
Roadkill ... A funny thing happened to Roger and Savanna Aldiss on the Interstate. They hit a dinosaur. But that's nothing compared to what awaits them down the road ... for something is at work to reverse time itself, something which makes the clouds boil, glowing with strange lights, and ancient trees to appear out of nowhere. Something against which Roger, Savanna, and a handful of others will make their final stand. From Flashback: The cop was just standing there, staring at the trees. And staring at the rex, too—though he clearly didn't know it. “My God,” Savanna pleaded. “You can't just let him be ripped to pieces …” Omar raised an eyebrow. “No?” He slid off the table and approached her. “And why not?” She hesitated. His face hovered in her own like some foam-latex Halloween mask—Uncle Pervis, perhaps, or Baby Stinky. “You, you just can’t,” she stammered. He cocked his head to one side and smiled broadly, wickedly. “You ever been to prison, sugar-muffin?” His teeth seemed covered with a yellow, pussy substance which reminded Savanna of that gummy liquid SPAM was packed in. She shook her head. “That's too bad …. they'd like you there.” He stepped closer and Savanna felt his coat pressing against her breasts, the reek of liquor-sweat and pitted-out leather seeming to radiate off him in waves. “You ever heard stories about what goes on inside?” Again, she shook her head. The glass of the window was cold against her back, as if it had frosted on the inside. “They stick you in a little room to rot,” he said, and with the word rot came an invisible cloud of stale barley which made her eyes water and her throat want to close in on itself. “But the trick is, they don't put you in there alone. No, they always put you in there with some shifty-eyed S.O.B. who's crazier even then you are …” His voice had become a quavering hiss, like sparks running along a fuse. “They put you in there with some poetry-writing faggot, or some jittering crackpot who's so hard-up for a cigarette he picks butts out of the toilet, or some darkie …” He glanced sidelong at the cashier and menaced him with molten eyes, but the stout black man was unmoved. “… who's built like Mike Tyson and wants you to be his joy-boy. And if that's what he wants, that's what he'll get … because you're not going anywhere. And don't think the guards will help you, sister. Because they won’t. They’ll just walk right by whistling and swinging their keys. You're helpless, just like you’re helpless now …”
Freddy, who has won so many admirers in his roles of detective, pied piper, editor, general advisor to the animals on the Bean Farm, and-always-poet, will fascinate his readers in his role of magician. With the help of Jinx, the cat, and Jinx's sister, Minx, as well as many other well-known animals on the Bean Farm, Freddy pulls some wonderful tricks, not the least of which is outwitting the fraudulent magician who comes to entertain the unsuspecting inhabitants of the nearby town of Centerboro.
A 10th anniversary edition of this field defining work—an intellectual inspiration for a generation of LGBTQ scholars Cruising Utopia arrived in 2009 to insist that queerness must be reimagined as a futurity-bound phenomenon, an insistence on the potentiality of another world that would crack open the pragmatic present. Part manifesto, part love-letter to the past and the future, José Esteban Muñoz argued that the here and now were not enough and issued an urgent call for the revivification of the queer political imagination. On the anniversary of its original publication, this edition includes two essays that extend and expand the project of Cruising Utopia, as well as a new foreword by the current editors of Sexual Cultures, the book series he co-founded with Ann Pellegrini 20 years ago. This 10th anniversary edition celebrates the lasting impact that Cruising Utopia has had on the decade of queer of color critique that followed and introduces a new generation of readers to a future not yet here.