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As the four princes became knights, they enjoyed many challenges and adventures that began by many hours of planning and scheming around the square table in the cellar of their castle home. In the beautiful town of Kilgora in old Ireland, this loving family lived out their lives in love and peace together in their old castle home. High Queen Granny and High King Papa were the heads of this loving family, and they ruled with kind and loving hearts. However, even though the knights lived in peace and happiness, their biggest challenge was about to come to pass when they had to save their princesses from Mama Dragon. Although they were very brave and valiant knights, a very different turn of events shows everyone that a grandmother’s love is much more powerful than any sword of any knight in shining armor.
Like the movie American Beauty, this novel focuses on a dysfunctional family. While providing for his family financially, the father Douglas, is in constant search of new and younger women for sexual gratification. The mother, Vicky, is discontent with her life and betrayed relationship, and in anger has a relationship with Douglas's co-worker in retaliation for his infidelity. She struggles with trying to find her freedom and leaving the security of the relationship. Robert and Barbara are teenagers trying to understand their family, although both of them are having adolescent problems of their own. Only young Winston, in his imaginary kingdom of fantastic creatures such as Sir Rhinoceros and other magical creatures have made any sense of his family.
Dewey Webster is admitted country hick from Tennessee. He has torn up numerous bars, hired a mob lawyer to settle a divorce, acted on off-off-off-Broadway, and has written pulp fiction stories. The large-bodied Dewey's adventures take place in 1947. Previously told in the "Dewey Chronicles" series, these stories are combined in one volume for the first time. Follow Dewey as he becomes a covert operator for the U.S. government; fights evil extra-terrestrial aliens; defends his dog in court; and goes back in time to the medieval ages. While Dewey is hard-headed and is not the sharpest knife in the drawer, he has unusual insight and a straightforward approach to life that serves him well. A good right-hand haymaker punch comes in handy, too. Give Dewey a pickup, a shotgun and a good "dawg," and he'll take on anything or anyone at any time.
The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.
A magical glimpse into the legendary age of Arthurian chivalry. Meet a daring damosel from the Golden Age, a brave, fearless woman of whom stories were told and legends woven. Vivian is the fifteen year old grand-niece of the Lady Morgan le Fay, whose tale is inextricably linked with that of Sir Gawain le Jeune, the nephew of that great Gawain, one of King Arthur's most stalwart Knights. Knightly chivalry is beset by Dark Age barbarity in this richly woven tapestry of heroes and heroines, monsters and saints, temptresses and magicians.
This collection of eleven essays details more than 75 films, from Edwin Porter's 1904 Parsifal to the animated Quest for Camelot in 1998. A variety of critical perspectives are provided. The medieval and modern worlds collide in The Fisher King and Indiana Jones and the Last Crusade; issues of femininity and depictions of Morgan Le Fay are analyzed in the 1931 Connecticut Yankee and in Excalibur; concerns of masculinity are examined in First Knight and Dragonheart. A comprehensive filmography, selective bibliography and over 40 film stills complete this critical appreciation of the rich and varied cinematic tradition of Arthur.