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“Fascinating.”—New York Times Book Review • “Well-written.”—The Boston Globe • “Extraordinary.”—The Christian Science Monitor • “A compelling page-turner.”—Adam Hochschild On the eve of a new century, an up-and-coming Theodore Roosevelt set out to transform the U.S. into a major world power. The Spanish-American War would forever change America's standing in global affairs, and drive the young nation into its own imperial showdown in the Philippines. From Admiral George Dewey's legendary naval victory in Manila Bay to the Rough Riders' heroic charge up San Juan Hill, from Roosevelt's rise to the presidency to charges of U.S. military misconduct in the Philippines, Honor in the Dust brilliantly captures an era brimming with American optimism and confidence as the nation expanded its influence abroad.
From the late 1980s to the present, artists of Filipino descent in the United States have produced a challenging and creative movement. In The Decolonized Eye, Sarita Echavez See shows how these artists have engaged with the complex aftermath of U.S. colonialism in the Philippines. Focusing on artists working in New York and California, See examines the overlapping artistic and aesthetic practices and concerns of filmmaker Angel Shaw, painter Manuel Ocampo, installation artist Paul Pfeiffer, comedian Rex Navarrete, performance artist Nicky Paraiso, and sculptor Reanne Estrada to explain the reasons for their strangely shadowy presence in American culture and scholarship. Offering an interpretation of their creations that accounts for their queer, decolonizing strategies of camp, mimesis, and humor, See reveals the conditions of possibility that constitute this contemporary archive. By analyzing art, performance, and visual culture, The Decolonized Eye illuminates the unexpected consequences of America's amnesia over its imperial history.
Includes articles and reviews covering all aspects of American history. Formerly the Mississippi Valley Historical Review,