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Modern research techniques have revealed a hidden scheme aimed at God's Holy Words... Modern Bibles have changed many verses because of the discovery of an "ancient" manuscript in a monastery on the Sinai Peninsula. The manuscript, called Sinaiticus, is claimed to be the earliest complete copy of the New Testament. Its discoverer, who was a world leading Bible scholar in his time, told the world Sinaiticus was from the 4th century and that it was the "oldest and best" Bible available. Publishers rushed to make new Bibles with many changes to match it. But not everyone agreed. When this famed 19th century Bible scholar, Constantine Von Tischendorf, claimed the ancient date, a well-known Greek calligrapher said, "No! I made that document!" But why did no one believe him? Maybe it's because pages of the manuscript were stored where no one could view them, archived in exclusive collections across several continents. Now, an international group has carefully photographed each page of Sinaiticus and is displaying it on the internet as high-quality digital images. For the first time, Bible scholars and students can see the entire manuscript together, as was never possible before. And what they are seeing with their own eyes is shocking. Some of the pages are white and look quite new, while others have been darkened to make them look very old. If they are all from the same "old" Bible, how can this be? Researcher David W. Daniels proves with easy-to-understand evidence that the Sinaiticus is not the oldest manuscript and certainly not the best, either. He is also convincing in showing it's not old after all and that the Greek calligrapher did make it, in the 19th century. The textual (and doctrinal) changes in modern Bibles are based upon a fake —a shadowy scheme worthy of Satan's hatred for the preserved words of God.
Codex Sinaiticus is one of the world's most remarkable books. Written in Greek in the fourth century, it is the oldest surviving complete New Testament, and one of the two oldest manuscripts of the whole Bible. No other early manuscript of the Christian Bible has been so extensively corrected, and the significance of Codex Sinaiticus for the reconstruction of the Christian Bible's original text, the history of the Bible and the history of western book making is immense. Since 2002, a major international project has been creating an electronic version of the manuscript. This magnificent printed facsimile reunites the text, now divided between the British Library, the National Library of Russia, St Catherine's Monastery, Mt Sinai and Leipzig University Library.
To respond to the many letters that Michael and Debi Pearl received after publishing their first book, To Train Up a Child, they started the No Greater Joy magazine. No Greater Joy Volume Two includes articles from the first two years of publication and covers the subjects of rowdy boys, homeschooling, grief, and much more.
If the devil has cooked up a plot against your Bible, would you want to know it? Conspiracy theories are destroyed by solid evidence. Author David W. Daniels came to the point where he could no longer ignore the mounting evidence. He was schooled in Bible college and seminary to believe that the King James was hopelessly obsolete. But the mounting confusion around the new Bible translations left him wondering. He already knew how to use modern search techniques to quickly discover relevant evidence. He soon learned that the Bible version issue was more than a baseless conspiracy. Many new facts had become available shedding light on the history of Bible versions. He learned that the scholars who decided over 100 years ago to “fix” the King James may not have had the best intentions. His discovery of Satan’s plan to damage God’s words is chronicled in a series of books. In 2017, his book, "Is the 'World’s Oldest Bible' a Fake?" presented heavy evidence against Codex Sinaiticus, the manuscript that scholars claim is the world’s oldest Bible. This book attempts to answer the next question: Who Faked the “World’s Oldest Bible”? It reads like a mystery novel, but over 100 illustrations and more than 300 footnotes gives it the force of a graduate research paper. The murky narrative of the discovery and evaluation of the Sinaiticus becomes much clearer with this new book. Daniels leaves it up to the reader to decide how this might affect his or her eternal destiny.
A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
The story of how the Codex Sinaiticus was created and used in the ancient church; how it was preserved for centuries at the monastery of St. Catherine's, Mount Sinai; its subsequent history and how its pages came to be divided and dispersed; and how it has been compiled again and made accessible to a worldwide audience for the first time.--From publisher description.