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In which part of North London were wild beasts once thought to roam the sewers? Why did 1920s working-class Londoners wear necklaces of blue beads? Who was the original inspiration for the 'pearly king' costume? And did Spring-heeled Jack, scourge of Victorian London, ever really exist? Exploring everything from local superstitions and ghost stories to annual customs, this is an enchanting guide to the ancient legends and deep-rooted beliefs that can be found the length and breadth of the city.
How long has a corpse been staring out at passengers on the tube? Was London Bridge really shipped abroad by an American thinking he’d bought Tower Bridge? Did the Queen really mix with the crowds as a princess on VE Day? And did Hitler actually want to live in Balham? Urban legends are the funny, frightening and fierce folklore people share. Just like the early folk tales that came before them, these tales are formed from reactions to spectacular events in the world, and reflect our current values. From royal rumours to subterranean legends, Scott Wood has researched and written about them with a sense of wonder, humour and a keen eye. He finds the truth, the myth and the lies amongst these tales.
There is everyday magic in the tales of London. Some stories are swirling in the waters of the Thames; some are hidden in the old stones that lie beneath our modern pavements. In London Folk Tales for Children Anne and Sef have gathered stories from the words and memories of Londoners past and present. They tell of the mighty river, the streets, and the hills of London. You'll find stories of babies that turn into flowers, of tower ravens and a two-headed bird, and a child who has to travel across the world all alone. You'll also meet the people of this welcoming city: ever since the Romans, people have come here from all over the world to become Londoners. They've brought delicious foods, new music and hundreds of languages, but, most of all, great stories – London stories.
This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands’ constituent nations from the eighteenth century to our contemporary moment of uncertainty and change. This book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland. Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies.
With a foreword by Iain Sinclair. London is an ancient city, whose foundation dates back literally thousands of years into the legendary prehistory of these islands. Not surprisingly it has accumulated a large number of stories, both historic and mythical, during this period, many of which, though faithfully recorded at the time, have lain almost forgotten in dusty libraries throughout the city. The Secret Lore of London is a guide to the legends, including a discussion of their importance as part of the oral tradition of Britain, combining Prehistoric, Celtic, Arthurian, Roman, Saxon and Norman levels - each of which has contributed to the many-layered life of the city. The first part contains a unique selection of essays (some printed here for the first time) by experts in their fields, each of whom possesses a unique interest in the legends of these islands, and who have written widely on associated themes. The second part of the book will consist of a Gazetteer of the sites mentioned which are still in existence, together with various other sites of associated interest, compiled by the Editor, the contributors, and members of the London Earth Mysteries Group. This part will be fully updated and extended to include many more sites. The result is a wide ranging and wholly fascinating book, with wide sales application possible. A series of appendixes will include William Stukley's extraordinary document The Brill, which relates to the ancient prehistoric sites around the area of present day St. Pancras, and excerpts from some of the best known 19th and early 20th century works on Legendary London by Lewis Spence and Harold Bayley Contributors to the book are: Nigel Pennick John Matthews Caroline Wise Caitlín Matthews Carol Clancy R.J. Stewart Bernard Nesfield-Cookson Gareth Knight Robert Stephenson Geraldine Beskin Chesca Potter William Stukeley Lewis Spence Harold Bayley Alan V. Insole Ross Nichols
'Marvellous and menacing.' Daily Mail 'The shadow from which I thought I had unshackled myself has returned. Whether this Horror is real or merely the handiwork of my imagination I cannot say. Nor can I say which of these possibilities disturbs me more.' from 'The Dark Thread' by Graeme Macrae Burne From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this is a new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our storytelling heritage. 'Nobody believes you when you talk about the whispering. Oh, Monny, you are funny, they say, you've such an imagination. There's a lot they don't believe.' from 'The Hand Under the Stone' by Sarah Hall 'This varied collection scratches the soil of the country to dig up some of the fairy tales and fantasies that have helped form the English identity.' Financial Times The atmospheric locations: Edward Carey - Bury St Edmunds Abbey Sarah Hall - Castlerigg and other stone circles Paul Kingsnorth - Stonehenge Alison MacLeod - Down House Graeme Macrae Burnet - Whitby Abbey Sarah Moss - Berwick Castle Fiona Mozley - Carlisle Castle Adam Thorpe - Tintagel Castle With original black-and-white illustrations by Clive Hicks-Jenkins.
Tales of haunting from one of the world’s most terrifying landmarks. The Tower of London’s most horrific tragedies are well known; the gruesome deaths of the two boy princes in the Bloody Tower, Anne Boleyn’s execution, the Jesuit priests and heretics who suffered the agonies of the rack and thumbscrew. Is it any wonder, then, that there are frequent reports of bloodcurdling screams and moans, of unexplained footsteps and ghostly headless figures? Here, recorded for the first time, is an account for all to read—but preferably not at night—when you only think you are alone! Ghosts of the Tower of London is part of The Paranormal, a series that resurrects rare titles, classic publications, and out-of-print texts, as well as publishes new supernatural and otherworldly ebooks for the digital age. The series includes a range of paranormal subjects from angels, fairies, and UFOs to near-death experiences, vampires, ghosts, and witchcraft.
Folklore: The Basics is an engaging guide to the practice and interpretation of folklore. Taking examples from around the world, it explores the role of folklore in expressing fundamental human needs, desires, and anxieties that often are often not revealed through other means. Providing a clear framework for approaching the study of folklore, it introduces the reader to methodologies for identifying, documenting, interpreting and applying key information about folklore and its relevance to modern life. From the Brothers Grimm to Internet Memes, it addresses such topics as: What is folklore? How do we study it? Why does folklore matter? How does folklore relate to elite culture? Is folklore changing in a digital age? With case studies, suggestions for reading and a glossary of key terminology, Folklore: The Basics supports readers in becoming familiar with folkloric traditions and interpret cultural expression. It is an essential read for anyone approaching the study of folklore for the first time.