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Rich color illustrations and a scholarly text characterize this catalogue of a landmark exhibition of Mughal carpets held at the Metropolitan Museum of Art, New York, November 1997-March 1998. Though exquisite, Indian carpets are little known even to carpet experts. This volume (and the exhibition) focus on the 16th to the 18th century, a peak period for stunning works. The text surveys the era in terms of history, the role of commerce, technical characteristics, and the carpets themselves, which exemplify the broad range of imperial and provincial production during the "classical" period of Indian carpet weaving. Carpets are organized by style and pattern and include a group from Kyoto. Three appendices analyze animal fibers and dyes. Oversize (9.50x12.25"). Annotation copyrighted by Book News, Inc., Portland, OR
A selection of 333 works of art representing masterpieces of the sacred and court traditions as well as their urban, folk, and tribal heritage.
This book brings together striking botanical art of Indian origin spanning a period of 300 years, focussing on the 18th and 19th centuries. Drawn mostly from original works held in the collections of the Royal Botanic Gardens, Kew, some of the paintings have never been published before. They showcase the richness and variety of art commissioned from talented, mostly unknown, Indian artists who made a substantial contribution to the documentation of the flora of the Indian subcontinent. A foreword written by Sita Reddy places the collections in contemporary context. The book concludes with works from a new generation of botanical artists in India, who excite interest today.
- Flower Shower explores the integral role that flowers play in our world--as cultural signifiers; as motifs in Indian art, architecture, sculpture, literature and textiles. - Discussing a range of topics from botany to aesthetics and history to poetry, the author takes you through an immersive journey. - Deeply insightful and featuring a vast compendium of images, this book transports you on a journey which is part memory, part research, part aesthetics and part lived experience. Flowers occupy a special role in Indian culture, history, myth and tradition. From the most elevated space of the sacred to adornment in everyday life, there is a flower for every season, every reason and a special one for the numerous gods and goddesses of Indian religion. Flowers--as offerings during ritual worship to intricate carvings on temple walls, embedded in modern paintings by contemporary artists to colourful carpets for welcoming gods and guests, from fragrant garlands that adorn Indian brides and grooms to aromatic essential oils and perfumes, used as a play of seduction in the Kamasutra--they refresh our spirits and elevate our souls. Flower Shower explores this integral role that flowers play in our world. Discussing a range of topics from botany to aesthetics and history to poetry, the author takes you through an immersive journey, laden with the beauty and perfumes of the exotic, nutritional and decorative role of flowers within Indian tradition and aesthetics. Deeply insightful and featuring a vast compendium of images, this book traverses the range and depth of Indian culture and transports you on a journey which is part memory, part research, part aesthetics and part lived experience. Come! Immerse yourself in a Flower Shower.
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.