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In Albuquerque, New Mexico, two young women become entranced by young flamenco guitarist Toms ̀Montenegro and decide to dedicate themselves to the disciplines and demands of the university's flamenco academy.
Musician and dance enthusiast Yolande has just finished with yet another faithless boyfriend, even though her body clock is ticking wildly and she longs for a child. However much gay best friend and ideal man Jeremy adores her, he refuses to be the father. Should she relent and take back her repentant ex? Conceive with a sperm donor? She has become entranced by flamenco, music of the outcasts - could seeds secretly planted at a London flamenco evening with enigmatic dancer Fernando Morales begin to flower into a 'flamenco baby'? Then, while Yolande starts a cosy relationship with a teacher on her flamenco course in Granada, Jeremy becomes drawn to Fernando - and so begins a whirl of secrecy, love and jealousy that has them all wondering if, in the spirit of flamenco, they dare to give the truth.
Flamenco Explained, The Guitarist's Survival Guide, is the first book that breaks down the inner workings of flamenco and helps the guitarist truly understand this this amazing art form. Flamenco Explained presents the underlying architecture of flamenco in a new way that is accessible to all musicians and prepares the aspiring guitarist to accompany flamenco dance and Cante and communicate with other flamenco musicians. Flamenco Explained has already been used as the foundation for Berklee College of Music's first ever flamenco guitar class.
The legendary flamenco guitarist and best-selling Mel Bay Publications author, Juan Serrano, is well-known for his sound recordings, transcriptions of his music, and technical methods for flamenco guitar. Now the music that formed his technical repertory and was the musical foundation given to him by his father, Antonio el del Lunar, (guitarist for all the flamenco singers of his time including Pastora Pavon-Nina de los Peines) is at your fingertips in this book that contains completely unreleased flamenco puro that is the foundation of one of the world'sleading guitarists. These falsetas or variations on flamenco forms (toques) are graded so they are valuable for beginners, intermediate, advanced, andprofessional flamenco guitarists--or for classical guitarists that want to learn flamenco. This book is a repertoire book that is a valuable supplement to other Juan Serrano books on Mel Bay, such as Flamenco Guitar: Basic Techniques, or The Flamenco/Classical Tradition: A Technical Guitar Method and Introduction to music. Includes standard notation and guitar tablature. This repertoire allows students to solidify right-hand arpeggios, rasgueados, and picados; and left-hand techniques such as ligados and apagados, while learning valuable repertoire thatcan be used by the concert artist.
A collection of 150 black and white photographs following the San Francisco-based dance troupe Caminos Flamenco, and the classes of Manuela Rios in Seville. Taken over a four-year period, these photographs allow the reader a glimpse into the rigorous training of the dancers.
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.
Julie, Lucy, and Alia are passionate for dance. But they are also at that age of becoming passionate for crushes on boys as well. When their dance class leads them on a trip to Spain to study flamenco, their passion for dance is about to become a lot more passionate. Step (two, three, four) into a new Dance Class adventure where the girls learn that it takes two to tango! Olé!
Introduces basic flamenco studies, concert selections, and a brief history of the flamenco tradition. Includes the four basic song forms (siguiriyas, soleares, tangos, and fandangos) that influence all flamenco music.
How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries. Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.
The language of the body is central to the study of flamenco. From the records of the Inquisition, to 16th century literature, to European travel diaries, the Spanish dancer beguiles and fascinates. The word flamenco evokes the image of a sensuous and rebellious woman--the bailaora --whose movements seduce the audience, only to reject their attention with a stomp of defiance. The dancer's body is an agent of ideological resistance, conveying a conflicting desire for subjectivity and autonomy and implying deeply held ideas about history, national identity, femininity and masculinity. This collection of new essays provides an overview of flamenco scholarship, illuminating flamenco's narrative and chronology and addressing some common misconceptions. The contributors offer fresh perspectives on age-old themes and suggest new paradigms for flamenco as a cultural practice. Instructors considering this book for use in a course may request an examination copy here.