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The Jewish community of the city of Kleczew came into existence in the sixteenth century. It remained large and strong throughout the next four hundred years, and in the eighteenth and nineteenth centuries it constituted 40-60% of the total population. The German army entered Kleczew on September 15, 1939, shortly after the outbreak of World War II. The communities of Kleczew and the vicinity were among the first Jewish collectives in Europe to be totally destroyed. The events presented in this book reveal that the organization of deportations and the methods of mass murder conducted in this district, by Kommando Lange, served as a model that would be applied later in the death camps during the mass extermination of Polish and European Jewry. If so, it was in the woods near Kleczew that the "Final Solution of the Jewish Question" began.
"Situated within the area stretching from Georgian Bay in the north to Lake Simcoe in the east (also known as Wendake), the Wendat Confederacy flourished for two hundred years. By the mid-seventeenth century, however, Wendat society was under attack. Disease and warfare plagued the community, culminating in a series of Iroquois assaults that led to the dispersal of the Wendat people in 1649. Yet the Wendat did not disappear, as many historians have maintained. In Dispersed but Not Destroyed, Kathryn Magee Labelle examines the creation of a Wendat diaspora in the wake of the Iroquois attacks. By focusing the historical lens on the dispersal and its aftermath, she extends the seventeenth-century Wendat narrative. In the latter half of the century, Wendat leaders continued to appear at councils, trade negotiations, and diplomatic ventures -- including the Great Peace of Montreal in 1701 -- relying on established customs of accountability and consensus. Women also continued to assert their authority during this time, guiding their communities toward paths of cultural continuity and accommodation. Through tactics such as this, the power of the Wendat Confederacy and their unique identity was maintained. Turning the story of Wendat conquest on its head, this book demonstrates the resiliency of the Wendat people and writes a new chapter in North American history."--Publisher's website.
W. G. Sebald completed this extraordinary, important and controversial book before his untimely death in December 2001. It is a harrowing study of the devastation of German cities by Allied bombardment in World War II, and an examination of the silence in German literature and culture about this unprecedented trauma. On the Natural History of Destruction is an essential and deeply relevant study of war and society, suffering and amnesia. Like Sebald’s novels, it is studded with meticulous observation, moments of black humour, and throughout, the author’s unmatched intelligence and humanity.
In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs. Although highly regarded during his short life—and honored by artists and architects today—the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. Have art historians written so little about Matta-Clark's work because of its ephemerality, or, as Pamela M. Lee argues, because of its historiographic, political, and social dimensions? What did the activity of carving up a building-in anticipation of its destruction—suggest about the conditions of art making, architecture, and urbanism in the 1970s? What was one to make of the paradox attendant on its making—that the production of the object was contingent upon its ruination? How do these projects address the very writing of history, a history that imagines itself building toward an ideal work in the service of progress? In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
One of the most influential thinkers of her generation draws us into the lives of three women, all past their first youth, all facing unexpected crises in these three “immensely intelligent stories about the decay of passion” (The Sunday Herald Times). Suffused with de Beauvoir’s remarkable insights into women, The Woman Destroyed gives us a legendary writer at her best. Includes "The Age of Discretion," "The Monologue," and "The Woman Destroyed." "Witty, immensely adroit...These three women are believable individuals presented with a wry mixture of sympathy and exasperation." —The Atlantic
When eight-year-old Jayne left bomb-torn Northern Ireland, her family stayed with relations and a distant relative began a campaign of abuse so horrifying that her world was shattered forever. When the family moved again, Jayne thought the nightmare was over. She was wrong. Her relative came too. And, as her parents had to work nights, Jayne's abuser became her carer. Raped repeatedly by him, beaten, abused and battered, Jayne's life was a living hell. One thing kept Jayne sane: the love and care of her older brother, Stuart. But he had demons of his own, and Jayne watched in helpless despair as the boy who had always protected her turned into an adult consumed by rage. Out of control and on the edge, Stuart went on to commit one of the most terrible crimes of recent years. DESTROYED is the heart-stopping tale of an innocence stolen and a family torn apart told by a woman who has finally managed to confront her harrowing past.
Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law. In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war.
First in a duology that reimagines fairy tale tropes within a space opera—The Princess Bride meets Princess Leia. Rory Thorne is a princess with thirteen fairy blessings, the most important of which is to see through flattery and platitudes. As the eldest daughter, she always imagined she’d inherit her father’s throne and govern the interplanetary Thorne Consortium. Then her father is assassinated, her mother gives birth to a son, and Rory is betrothed to the prince of a distant world. When Rory arrives in her new home, she uncovers a treacherous plot to unseat her newly betrothed and usurp his throne. An unscrupulous minister has conspired to name himself Regent to the minor (and somewhat foolish) prince. With only her wits and a small team of allies, Rory must outmaneuver the Regent and rescue the prince. How Rory Thorne Destroyed the Multiverse is a feminist reimagining of familiar fairytale tropes and a story of resistance and self-determination—how small acts of rebellion can lead a princess to not just save herself, but change the course of history.
"Our dangers are of two kinds, those which affect our religion, and those which affect our government. They are, however, so closely allied that they cannot, with propriety, be separated. The foundations which support the interests of Christianity are also necessary to support a free and equal government like our own.... Whenever the pillars of Christianity shall be overthrown, our present republican forms of government, and all the blessings which flow from them must fall with them." -Rev. Jedidiah Morse, 1799 The author believes Rev. Morse's warning is still applicable today. The basic Biblical principles upon which American civil government were founded are rapidly disappearing in our society. Yet he doesn't simply point out the problem; he also explains how the reinstatement of specific Biblical principles into American society and government can reverse the damage. The foundations can be rebuilt. K. Alan Snyder is a department chair and professor of American history at Southeastern University in Florida. He taught previously at Patrick Henry College in northern Virginia, in the graduate school of government at Regent University, and in the history/political science department at Indiana Wesleyan University. Dr. Snyder received his Ph.D. in history at The American University in Washington, D.C., and worked for several years as a historical/political consultant in the Washington, D.C. area. He is the author of Mission: Impeachable and Defining Noah Webster. Dr. Snyder ponders principles daily on his weblog at: PonderingPrinciples.com
The first full-scale history of Hannibal's Carthage in decades and "a convincing and enthralling narrative." (The Economist ) Drawing on a wealth of new research, archaeologist, historian, and master storyteller Richard Miles resurrects the civilization that ancient Rome struggled so mightily to expunge. This monumental work charts the entirety of Carthage's history, from its origins among the Phoenician settlements of Lebanon to its apotheosis as a Mediterranean empire whose epic land-and-sea clash with Rome made a legend of Hannibal and shaped the course of Western history. Carthage Must Be Destroyed reintroduces readers to the ancient glory of a lost people and their generations-long struggle against an implacable enemy.