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The goddess Mut, consort of Amun-Re at Thebes, is one of the goddesses known as the "Eye of Re" that include Isis, Hathor and Bastet among others. Her temple precinct in South Karnak was a major religious site from at least the early New Kingdom through the early Roman Period, yet Mut remains relatively unknown. While badly damaged, the gate in the Mut Temple's First Pylon bears important religious texts relating to the goddess and her cult as well as remains of Ramesside scenes recarved in the Ptolemaic Period. This study of the gateway and its texts, edited by R.A. Fazzini and J. van Dijk, includes a description of the gateway's architecture (W.H. Peck), a detailed study of the figural decoration (R.A. Fazzini) and transcriptions, tranlations and analyses of the inscriptions (J.-C. Goyon, J. van Dijk, H. te Velde). Two appendices deal with the recarved Ramesside texts (J. van Dijk) and aspects of the goddess (J.-C. Goyon).
A richly illustrated guide to the Egyptian temple, its history, and the story of its goddess, Mut, as told by the preeminent archaeologists directing the excavations Mut was an important deity perhaps best known as the consort of Amun-Re and the mother of Khonsu, but her earlier and far more independent role was as the daughter of the sun god, much akin to Hathor. Like Nekhbet and Wadjet and the other lioness goddesses (referred to as Sekhmet) she was the “Eye of Re,” who could be both benign and dangerous. In human form, Mut protected the king and his office; as Sekhmet she could destroy Egypt if not pacified. The Mut precinct was a major religious center from the Eighteenth Dynasty to the Roman Period, but evidence suggests the existence of an even earlier temple. It expanded during the reign of the Kushite king, Taharqa and attained its present size during the fourth century BCE, sheltering three major temples, several small chapels, and eventually, a village within the protection of its massive enclosure walls. One of its most striking features is the hundreds of Sekhmet statues. In 1976, the Brooklyn Museum began the first systematic exploration of the precinct as a whole. Since 2001, Brooklyn has shared the site with an expedition from the Johns Hopkins University, both teams working cooperatively toward the same goal. This richly illustrated guide seeks to bring the goddess and her temple precinct the attention they deserve.
An examination of the myriad lifetimes lived by ancient Egyptian artifacts Egypt has a particular longue durée, a continuity of preservation in deep time, not seen in other parts of the world. Over the centuries, ancient buildings have been adopted for purposes that differed from the original. Temple sites have been transformed into places of worship for new deities or turned into houses and tombs. Tombs, in turn, have been adapted to function as human dwellings already in the Late Antique Period. The Afterlives of Egyptian History expands on the traditional academic approach of studying the original function and sociopolitical circumstances of ancient Egyptian objects, texts, and sites to examine their secondary lives by exploring their reuse, modification, and reinterpretation. Written in honor of the Egyptologist, Edward Bleiberg, this volume brings together a group of luminous scholars from a wide range of fields, including Egyptian archaeology, philology, conservation, and art, to explore the historical circumstances, as well as political and economic situations, of people who have come into contact with ancient Egypt, both in antiquity and in more recent times. Contributor Affiliations: Yekaterina Barbash, Brooklyn Museum, Brooklyn, NY USA Lisa Bruno, Brooklyn Museum, Brooklyn, NY USA Simon Connor, F.R.S.–FNRS, Brussels, Belgium and University of Liege, Liege, Belgium Kathlyn (Kara) Cooney, UCLA, Los Angeles, CA USA Richard Fazzini, Brooklyn Museum, Brooklyn, NY USA Peter Lacovara, Ancient Egyptian Archaeology and Heritage Fund, Albany, NY USA Ronald J. Leprohon, University of Toronto, Canada Mary McKercher, Brooklyn Museum, Brooklyn, NY USA Edmund Meltzer, Pacifica Graduate Institute, Carpinteria, California USA Joachim Friedrich Quack, Heidelberg University, Tiffin, Ohio USA Paul Edmund Stanwick, independent scholar, New York, NY USA Emily Teeter, University of Chicago, Chicago, IL USA Kathy Zurek-Doule, Brooklyn Museum, Brooklyn, NY USA
An international group of scholars have contributed to Joyful in Thebes, a Festschrift for the distinguished Egyptologist Betsy M. Bryan. The forty-two articles deal with topics of art history, archaeology, history, and philology representing virtually the entire span of ancient Egyptian civilization. These diverse studies, which often present unpublished material or new interpretations of specific issues in Egyptian history, literature, and art history, well reflect the broad research interests of the honoree. Abundantly illustrated with photographs and line drawings, the volume also includes a comprehensive bibliography of Bryan's publications through 2015.
Weseretkau "Mighty of Kas," honors the life and career of Professor Cathleen "Candy" Keller, a truly extraordinary teacher, scholar, Egyptologist, and polymath. The contributors to this volume were Professor Keller's students, friends, and colleagues. Though much of the research presented here centers around the honoree's two primary passions--Egyptian art and the study of the village of Deir el-Medina--the range of topics reflects her broad Egyptological interests, including religious organization, artistic technique, museum collections, textual analyses, historical events, and archaeological studies at sites throughout Egypt.
For millennia, people have universally engaged in ecstatic experience as an essential element in ritual practice, spiritual belief and cultural identification. This volume offers the first systematic investigation of its myriad roles and manifestations in the ancient Mediterranean and Near East. The twenty-nine contributors represent a broad range of scholarly disciplines, seeking answers to fundamental questions regarding the patterns and commonalities of this vital aspect of the past. How was the experience construed and by what means was it achieved? Who was involved? Where and when were rites carried out? How was it reflected in pictorial arts and written records? What was its relation to other components of the sociocultural compact? In proposing responses, the authors draw upon a wealth of original research in many fields, generating new perspectives and thought-provoking, often surprising, conclusions. With their abundant cross-cultural and cross-temporal references, the chapters mutually enrich each other and collectively deepen our understanding of ecstatic phenomena thousands of years ago. Another noteworthy feature of the book is its illustrative content, including commissioned reconstructions of ecstatic scenarios and pairings of works of Bronze Age and modern psychedelic art. Scholars, students and other readers interested in antiquity, comparative religion and the social and cognitive sciences will find much to explore in the fascinating realm of ecstatic experience in the ancient world.
Richard A. Fazzini has inspired and mentored many scholars of Egyptology through his tireless efforts as curator and then chairman of the Brooklyn Museum's Deptartment of Egyptian, Classical and Ancient Middle Eastern Art (ECAMEA); field archaeologist of the Pricinct of Mut at Karnak; scholar; and teacher, The 35 contributions to this volume in his honor represent the variety of Professor Fazzini's own research interests namely in ancient Egyptian art, religious iconography, and archaeology, particularly of the New Kingdom, Third Intermediate Period, and Late Period. Reflections on Professor Fazzini's scholarship and teaching are accompanied by an extensive bibliography of his works.
Everlasting Egypt: Kemetic Rituals for the Gods continues Richard Reidys groundbreaking work and collects more temple rituals from Egypt. The author presents rites for personal and group use, augmenting and updating those in his first volume, Eternal Egypt: Ancient Rituals for the Modern World. The guidebook: Presents over 37 rituals for Gods, Goddesses, and Annual and Lunar Festivals in a form designed to assist practitioners in restoring the ancient rites of Egypt; Provides for modern usage, with key ritual texts coming from authenticated ancient sources, as well as commentaries and background information; Includes a comprehensive Introduction with a model for organizing a modern Kemetic Temple or Group; Includes updated Egyptian vocalizations and a pronunciation key; Offers practical information for conducting these rituals in todays world. These ritual texts reveal once more the deeply spiritual understanding of humanitys relationship to divinity that characterized the ancient Egyptian sense of the sacred. Cover Image: Ritual scene from the Temple of Hathor at Deir el Medina. Ptolemaic Period. Matthew Whealton, 2018.
Birth Houses (Mammisis) are important components of late Egyptian temple complexes but have not been investigated in detail since the fundamental study of Francois Daumas published in 1958. In the meantime, new archaeological findings as well as re-evaluations of theology and piety in Greco-Roman Egypt have considerably expanded our traditional understanding of these extraordinary buildings. Therefore, reassessment of phenomena and expanded research approaches need to be undertaken. This book presents the printed versions of the lectures given by international Egyptologists at the IFAO in Cairo on March 27-28, 2019, as part of the 1st Colloquium on "Mammisis of Egypt". In the publication, criteria and reconsiderations are put up for discussion that can be decisive for the identification and definition of Mammisis. The spectrum of topics ranges from theological basics (including the significant birth cycle) and typical features, through historical development and cultic events, to the architecture of these temple buildings. Special motifs, theoretical and iconographic concepts and finally the persistence of certain rites in modern Egypt are also covered. One chapter introduces current scientific projects and their methods that are dedicated to selected mammisis or chapels (Coptos, Deir el-Medina, Edfu, Kom Ombo, Philae, Bahariya, Kellis, Jebel Barkal). Numerous illustrations complement the contributions. They contain new material from excavations that is being published for the first time.
Inhalt: Martina Aprile: A study on the procurement of offerings system for the funerary complex of Senwosret II at el-Lahun Alessio Delli Castelli: The Definition of Art and Sculpture Concerning Kai Widmaier's Bilderwelten Abraham I. Fernández Pichel, David Klotz: Fundamental Texts of Latopolitan Theology. The Bandeau Inscriptions from the Soubassements of the Ptolemaic Façade (Esna II, 16 and 30) Brendan Hainline: Markers of Non-Royal Ritual Utterances in the Pyramid Texts Sabine Herrmann: "Cette pyramide est bâtie en forme de pavillon". Zur Entdeckungsgeschichte der Pyramiden von Dahshur in Mittelalter und Früher Neuzeit Jochem Kahl, Mohamed Abdelrahiem, Anna Arpaia, Andrea Kilian, Chiori Kitagawa, Jan Moje, Philipp Scharfenberger: The Asyut Project: Sixteenth Season of Fieldwork (2022) Florence Langermann: Seven Fragments of a Healing Statue from Heliopolis/Matareya Bieke Mahieu: The Identification and Sequence of the Hyksos Kings in Dynasty 15 Mostafa Hassan Nour, John M. Iskander, Sameh Hashem: The Stela of King Apries from El-Qantara Gharb. A Royal Journey to the Eastern Borders Anthony Spalinger: Chariot Wheels