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When Lora Weaver relocates from New York to Montreal, she expects to find a touch of Paris in North America-cobblestone streets, sidewalk cafes, fabulous shopping, and a little joie de vivre. Not dangerous liaisons. But, when she takes a job at a PI agency owned by a French brother and sister team, her life takes on more twists and turns than a Cirque du Soleil performance. Her latest brush with danger kicks off the case of Piedro "Puddles" Bellinni-a deadbeat dad whose disappearance is linked to a dying girl, a socialite about to inherit a fortune, and a would-be thug whose ego ends up nearly as dented as his car. Amid stalkings, shootouts, and kidnappings, Lora must also survive an unexpected houseguest-a flirty old friend of her live-in boyfriend Adam. With a cast of characters that includes Camille Caron-a French PI with sharp boots, an even sharper tongue, and whose confidence and poise come from knowing how to drop a man twice her size-and her brother Laurent, an ex-cop and hockey hottie, The First Faux Pas is more caper-style romp than whodunit mystery.
Published in France in 1943, Faux Pas is the first collection of essays on literature and language by Maurice Blanchot, the most lucid and powerful French critic of the second half of the 20th century.
Winner of the HRH Duke of Edinburgh English Speaking Union English Language Book Award 2006. An award winning language book, this is a lively and engaging expose on the foreign words and phrases that populate our language.
A delirious mash-up of comic gags, strips and stories with playful, risqué riffs on pop culture mainstays.
From the New York Times bestselling author of the Hello Sunshine Book Club pick The Other Woman, comes an addictively readable new domestic suspense about a wife, her husband, and the woman who is supposedly her best friend. THE WIFE: For Alice, life has never been better. With her second husband, she has a successful business, two children, and a beautiful house. HER HUSBAND: Alice knows that life could have been different if her first husband had lived, but Nathan’s arrival into her life gave her back the happiness she craved. HER BEST FRIEND: Through the ups and downs of life, from celebratory nights out to comforting each other through loss, Alice knows that with her best friend Beth by her side, they can survive anything together. So when Nathan starts acting strangely, Alice turns to Beth for help. But soon, Alice begins to wonder whether her trust has been misplaced . . . The first mistake could be her last. Praise for The Other Woman: "One of the most twisted and entertaining plots."—Reese Witherspoon "A perfect beach read."—Kristin Hannah "Whiplash-inducing."—New York Times Book Review "Such fun you'll cheer [Emily's] chutzpah."—PEOPLE "This thriller will hit close to home."—Refinery29
Buncombe Bob
Karen Elizabeth Gordon, in this engaging, Gothic, quick-fix handbook--an ideal complement to The Deluxe Transitive Vampire--playfully instructs her readers about grammar and style as she plunges them into her magical world teeming with a wildly imaginative menagerie of winged and terrestrial creatures. Six eccentric fictional authorities, including sex-changing Natty Ampersand and Medievalist Vargas Scronx, give the book a sense of send-up in addition to its trusty practicality. A farouche faun with cloven hoofs, black rats, sirens and sphinxes, turbaned serpents, dragons, brigands and a butler make their appearance in unforgettable sentences and imaginary landscapes, such as brooding Trajikistan, to beguile the reader through such confusions and corrections as dangling and misplaced modifiers, double negatives, parallel construction, and a voluptuous riot of word abuses and preferable usage. Gordon also tames such confusing grammatical beasts as the elliptical clause, split infinitives, and many more. Rikki Ducornet has drawn more than fifty whimsical illustrations that capture the eccentric spirit of the text. Torn Wings and Faux Pas makes the reader laugh out loud and shiver with pleasure while experiencing style, vocabulary, and the structures of language as a perpetual and fiendish delight.
In the tradition of Gayle Forman and John Green comes this extraordinary YA debut about a blind teen girl navigating life and love in high school. Parker Grant doesn't need 20/20 vision to see right through you. That's why she created the Rules: Don't treat her any differently just because she's blind, and never take advantage. There will be no second chances. Just ask Scott Kilpatrick, the boy who broke her heart. When Scott suddenly reappears in her life after being gone for years, Parker knows there's only one way to react—shun him so hard it hurts. She has enough on her mind already, like trying out for the track team (that's right, her eyes don't work but her legs still do), doling out tough-love advice to her painfully naive classmates, and giving herself gold stars for every day she hasn't cried since her dad's death three months ago. But avoiding her past quickly proves impossible, and the more Parker learns about what really happened—both with Scott, and her dad—the more she starts to question if things are always as they seem. Maybe, just maybe, some Rules are meant to be broken. Debut author Eric Lindstrom's Not If I See You First combines a fiercely engaging voice with true heart.
The award-winning, bestselling author of An Everlasting Meal “revitalizes classics and long-forgotten dishes, bringing them into this century with verve and ease” (Bon Appetit) in this “lovely and literary” (Vogue.com) cookbook. Many dishes that once excited our palates—like oysters Rockefeller, steak Diane, cheese and walnut soufflés—have disappeared from our tables and, in some cases, from our memories. Creating a unique culinary history, Tamar Adler, a Vogue and New York Times writer and Chez Panisse alum, has collected more than a hundred recipes from old cookbooks and menus and enlivened, updated, and simplified them. Adler’s approach to these dishes involves ample use of acid and herbs, pared down techniques, and contemporary ways of serving. Seasonal menus, wine pairings suggested by sommelier Juliette Pope, gorgeous watercolor drawings by artist Mindy Dubin, and a foreword by influential food critic Mimi Sheraton add to this “personal, nostalgic journey…as much about the writing as it is about the cooking” (The New York Times Book Review). Adler has created a unique culinary history, filled with delicious recipes and smart, witty prose. It is destined to become a modern classic.
Mishna Wolff grew up in a poor black neighborhood with her single father, a white man who truly believed he was black. "He strutted around with a short perm, a Cosby-esqe sweater, gold chains and a Kangol—telling jokes like Redd Fox, and giving advice like Jesse Jackson. You couldn't tell my father he was white. Believe me, I tried," writes Wolff. And so from early childhood on, her father began his crusade to make his white daughter Down. Unfortunately, Mishna didn't quite fit in with the neighborhood kids: she couldn't dance, she couldn't sing, she couldn't double dutch and she was the worst player on her all-black basketball team. She was shy, uncool and painfully white. And yet when she was suddenly sent to a rich white school, she found she was too "black" to fit in with her white classmates. I'm Down is a hip, hysterical and at the same time beautiful memoir that will have you howling with laughter, recommending it to friends and questioning what it means to be black and white in America.