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"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
The Gentle Art of FakingByRiccardo Nobili
Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
In 'The Gentle Art of Faking' by Riccardo Nobili, readers are taken on a whimsical journey into the world of forgery and deception in art. Nobili's witty writing style and clever storytelling transport readers to the bustling streets of Venice where characters navigate the fine line between authenticity and duplicity. The book cleverly blurs the lines between reality and illusion, inviting readers to question their own perceptions of art and truth. Set within the backdrop of the Italian Renaissance, Nobili's narrative highlights the importance of creativity and innovation in the art world. The book is a delightful blend of historical fiction, art history, and philosophical musings. Nobili's expertise in the subject matter shines through, making this a must-read for art enthusiasts and history buffs alike. Riccardo Nobili is a renowned art historian and author, known for his in-depth knowledge of Italian art and culture. His passion for uncovering the hidden stories behind famous works of art led him to write 'The Gentle Art of Faking', a captivating exploration of the art of forgery. Nobili's background in art history and his extensive research make him a trusted voice in the world of Renaissance art. I highly recommend 'The Gentle Art of Faking' to readers who enjoy historical fiction with a twist. Riccardo Nobili's expert storytelling and insightful commentary on art make this book both entertaining and enlightening. Whether you are an art aficionado or simply appreciate a well-crafted tale, this book is sure to leave a lasting impression.
Willa Loveridge likes to be in control....of everything and everyone. And when things start to spin out of her control, she only knows how to do one thing: panic.So she failed her Foundations of Western Art class. Her ex-boyfriend sent her naked pictures to all of his friends. Her roommate hates her. Her mom and stepdad are having a baby. And her estranged father appeared after nineteen years of radio silence for the sole purpose of paying her college tuition.Seriously? He couldn't even introduce himself first?But at least this one, she can handle. She can't change her grades, wipe her pictures from the internet, force her roommate to love her, or stop her mom from replacing her. But the father she's never met dropping serious cash on her floundering education? A girl can handle that.Or so she thinks.In an effort to regain some control of her rapidly spiralling life, Willa boards a plane to New Zealand to find the man who thinks he can just throw eighty-five grand at her and then disappear again. She's done with the absent father act. She at least wants to meet him face-to-face before a panic attack sends her into an early grave. But after an unexpected emergency landing and a brief encounter with a cult, Willa somehow finds herself in a caravan with a YouTuber, the star of a million Korean Dramas, and a Scottish kid with an unhealthy attachment to his guitar. Together, they navigate the backroads of New Zealand one wrong turn at a time.Which is basically her worst nightmare.Between some unnecessary hand-holding and a swift shove out of her comfort zone, Willa soon finds herself learning the fine art of losing control.
"He's the kind of man who would talk you into dropping your panties in a coat closet at a party, dole out orgasms like after dinner mints, and then never call you again." From the Wall Street Journal and #1 Amazon bestselling author comes a new installment to the Blue Moon small town romance series. A womanizing bad boy with a motorcycle and sexy-as-sin smile is not part of Emma's life plan. She moved cross-country to be close to family and finally settle down in hippie, trippy, nosy Blue Moon Bend. But when famed fashion photographer Niko shows up with his leather jacket, underwear-melting voice, and a problem, she sees nothing but trouble. He's all wrong for Emma, but that doesn't stop the attraction from boiling over. Niko doesn't let being friend zoned get in his way. Once he gets his hands-and his mouth-on her, will their friendship survive? Or will he lose everything he's worked for back in New York to the redhead who dominates his every thought?
The first study on medieval women to treat young women or 'maidens' separately and at length. The book makes a contribution to gender studies through its study of medieval girls' acquisition of appropriate roles and identities, and their own attitudes towards these roles. Examines the experiences and voices of young womanhood. Provides insights into ideals of feminine gender roles and identities at different social levels.
In the world of law enforcement art and antiquity crime has in the past usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments. Best practice methods of detecting, investigating, prosecuting and preventing such crimes are explored. This book will be of interest and use to academics and practitioners alike in the areas of law, crime and justice.