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Unlike most books that chronicle the history of Native peoples beginning with the arrival of Europeans in 1492, this book goes back to the Ice Age to give young readers a glimpse of what life was like pre-contact. The title, Turtle Island, refers to a Native myth that explains how North and Central America were formed on the back of a turtle. Based on archeological finds and scientific research, we now have a clearer picture of how the Indigenous people lived. Using that knowledge, the authors take the reader back as far as 14,000 years ago to imagine moments in time. A wide variety of topics are featured, from the animals that came and disappeared over time, to what people ate, how they expressed themselves through art, and how they adapted to their surroundings. The importance of story-telling among the Native peoples is always present to shed light on how they explained their world. The end of the book takes us to modern times when the story of the Native peoples is both tragic and hopeful.
Poems.
From the award-winning creator of I'M THE BIGGEST THING IN THE OCEAN comes an inspiring tale of friendship and belonging that's perfect for fans of THE SNAIL AND THE WHALE, OWEN AND MZEE, and Oliver Jeffers's LOST AND FOUND. Turtle is big. But the ocean is bigger. And Turtle is all alone. Until four shipwrecked folks--a bear, an owl, a frog, and a cat--climb to safety on his shell. Before long, they're fast friends, and the sea doesn't seem so vast anymore. But when Frog confides that he misses his family, Turtle doesn't understand. Isn't he their family? And when the group decides to sail for home, will Turtle be left behind? Never fear--a surprise on the horizon promises friends, family, and a home at last. Uplifting and heartfelt, this is a book about the power of friendship and making a home of one's own.
Presents a collection of traditional Cherokee tales, teachings, and folklore, with four works presented in both English and Cherokee.
Duane Champagne has been presenting a series of comments on Indian policy, history, and culture since October 2006 in the newspaper Indian Country Today. This book provides a compilation of many of these editorials, plus two chapters not previously published. The contemplative writing by this well-respected scholar are comments and thoughts on a variety of issues that have arisen in his academic work and the classroom, but mainly through his direct contact and work with tribal communities. The purpose of these thought-provoking editorials is to create discussion about the issues that confront indigenous peoples and to educate a broad audience about the complexities of American Indian issues. Students, policy makers, and all people interested in American Indian or indigenous people's issues will find this book to be an interesting and stimulating read.
The first comprehensive guide to addressing Native American issues in teaching children.
"Creating Aztlâan interrogates the important role of Aztlâan in Chicano and Indigenous art and culture. Using the idea that lowriding is an Indigenous way of being, author Dylan A. T. Miner (Mâetis) discusses the multiple roles that Aztlâan has played atvarious moments in time, engaging pre-colonial indigeneities, alongside colonial, modern, and contemporary Xicano responses to colonization"--
“Don’t say in the years to come that you would have lived your life differently if only you had heard this story. You’ve heard it now.” —Thomas King, in this volume Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing. Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and “lost“ or underappreciated texts. In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.
"A Native American healer, teacher, and activist, Rolling Thunder is known to millions of people all over the world through his stories and talks, through Doug Boyd's book about him, and the Billy Jack films, which were based upon incidents in this life. This book, long overdue by those who knew Rolling Thunder and his work, is a major legacy of his extraordinary life and the summation of his teachings and in his own words. As controversial and plain-speaking as Rolling Thunder himself, it exhorts, enlightens, and teaches through anecdotes and stories, forces us to listen and to think, and carries on his primary mission: to bring Indian knowledge to non-Indian people." -- Publisher's description