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A boy arrives at a remote village in the dead of night. His name is Ludlow Fitch—and he is running from a most terrible past. What he is about to learn is that in this village is the life he has dreamed of—a safe place to live, and a job, as the assistant to a mysterious pawnbroker who trades people's deepest, darkest secrets for cash. Ludlow's job is to neatly transcribe the confessions in an ancient leather-bound tome: The Black Book of Secrets. Ludlow yearns to trust his mentor, who refuses to disclose any information on his past experiences or future intentions. What the pawnbroker does not know is, in a town brimming with secrets, the most troubling may be held by his new apprentice.
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction. Praise for Stephen Jones: 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney 'An essential volume for horror readers.' Locus 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times Books
** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'Dazzling ... Turns the detective novel on its head.' Independent on Sunday 'Pamuk's masterpiece' Times Literary Supplement A brilliantly unconventional mystery and a provocative meditation on the weight of history in modern Istanbul. Galip's wife has disappeared. Could she have left him for Celál, a popular newspaper columnist? But Celál, too, seems to have vanished. As Galip investigates, he gradually assumes the enviable Celal's identity, wearing his clothes, answering his phone calls, even writing his columns. But despite pursuing every clue the nature of the mystery keeps changing, and Galip never feels himself to be any closer to finding his beloved Ruya. When he receives a death threat, he begins to fear the worst . . .
Celebrities take refuge in a white-walled mansion as plague and fever sweep into Cannes; a killer finds that the living dead have no appetite for him; a television presenter stumbles upon the chilling connection between a forgotten animal act and the Whitechapel Murders; a nude man unexpectedly appears in the backgrounds of film after film; mysterious lights menace the crew of a small plane; a little girl awakens to discover her nightlight--and more--missing; two sisters hunt vampire dogs in the wild hills of Fiji; lovers get more than they bargained for in a decadent discotheque; a college professor holds a classroom mesmerized as he vivisects Poe's "The Masque of the Red Death"... What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the seventeen stories included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year. Legendary editor Ellen Datlow (Poe: New Tales Inspired by Edgar Allan Poe), winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting The Best Horror of the Year, Volume Two.
What Happens When You Wake Up in the Night - Michael Marshall Smith For Michael Marshall Smith, this was one of those stories that dropped straight into his head, but the problem was that he didn't want it: "It wasn't an idea I liked. It was clearly some part of my brain serving up a notion simply because it could, and because it knew it could frighten me with it. "It did frighten me, and so I did what I always do when that happens - which is write it down, in the hope it will go away." Respects - Ramsey Campbell "'Respects' was suggested by a local incident in which a car thief in his early teens killed himself while fleeing the police," recalls Campbell. "A lamp standard at the site of his demise is still decorated with flowers years after the incident, and the tributes on the obituaries page of one Wallasey newspaper were at least as grotesque as the ones I've invented - the romanticisation of a petty criminal. Cold to Touch - Simon Strantzas "Stories often find their origins in unexpected ways," Strantzas reveals. "I was inspired in this case by a photograph of a Zen garden I once used as my computer's desktop background. "There was something there in the coldness of the photograph, something that brought to mind the barren vistas of the Canadian Arctic, which ended up being the perfect setting for my tale of tested faith." The Reunion - Nicholas Royle "'The Reunion' is based on actual events," reveals the author, "but the story only really came into focus for me when I was invited to contribute to Ellen Datlow's Poe anthology. "Poe is brilliant. I was at a conference recently where a teacher revealed that she had read Poe's 'The Black Cat' to a lecture theatre full of schoolchildren. She switched off all the lights and used a torch to read by. A number of parents lodged complaints, which she took as a measure of the event's success. My tale is inspired by a different Poe story." Granny's Grinning - Robert Shearman "I love Christmas," says Shearman. "Always have done, and always a bit too passionately. The intensity with which I loved Christmas was delightful when I was eight years old, slightly unusual by the time I was eighteen, and increasingly disturbing thereafter. "I was the last one to grow up. It suddenly dawned on me one year, looking into the faces of my parents, and of my sister, that they were all older, and fatter, and less and less festive. And that they were trying so hard to keep me happy each Christmas, pretending they wanted all those presents I'd bought, all those sausage rolls and Quality Street chocs. That what I was trying to do, each December, was somehow reach back into the past and resurrect a time that was dead, that was long dead. "I still love Christmas. But now I recognize - as I still make them perform party games, as I still make them open their gifts and smile and say thank you - that they're zombies now. All of them, zombies. I'll never get my childhood back again, not really, or the innocence of that family get-together. So I'll make do with the dead, and pretend. "This is a story all about that." In The Garden - Rosalie Parker "'In the Garden' was written after I challenged myself to write a horror story about gardening," explains the author. "It emerged more quickly and easily than anything I've ever written. I think of it more as a prose poem than a story."
A collection of supernatural horror stories from the SFWA Grand Master and Hugo and Nebula Award–winning author of the Fafhrd and the Gray Mouser novels. Assembled here is a selection of Mr. Leiber's best horrific tales, many of which have been virtually unobtainable for decades. From the riveting “Spider Mansion” and “The Phantom Slayer” from Weird Tales to the more recent “Lie Still, Snow White” and “Black Has Its Charms” from rare, small‑press magazines, this collection provides an overview of Leiber’s fifty‑plus years as an acknowledged master of the weird tale. This edition was edited by John Pelan and Steve Savile.
From the depths of a valley rises the city of Mahala It's a city built upwards, not across -- where streets are built upon streets, buildings upon buildings. A city that the Ministry rules from the sunlit summit, and where the forsaken lurk in the darkness of Under. Rojan Dizon doesn't mind staying in the shadows, because he's got things to hide. Things like being a pain-mage, with the forbidden power to draw magic from pain. But he can't hide for ever. Because when Rojan stumbles upon the secrets lurking in the depths of the Pit, the fate of Mahala will depend on him using his magic. And unlucky for Rojan -- this is going to hurt.
In the thrilling sequel to The Fourth Monkey, a new serial killer stalks the streets of Chicago, while Detective Porter delves deeper into the dark past of the Four Monkey Killer. Detective Porter and the team have been pulled from the hunt for Anson Bishop, the Four Monkey Killer, by the feds. When the body of a young girl is found beneath the frozen waters of Jackson Park Lagoon, she is quickly identified as Ella Reynolds, missing three weeks. But how did she get there? The lagoon froze months earlier. More baffling? She’s found wearing the clothes of another girl, missing less than two days. While the detectives of Chicago Metro try to make sense of the quickly developing case, Porter secretly continues his pursuit of 4MK, knowing the best way to find Bishop is to track down his mother. When the captain finds out about Porter’s activities, he’s suspended, leaving his partners Clair and Nash to continue the search for the new killer alone. Obsessed with catching Bishop, Porter follows a single grainy photograph from Chicago to the streets of New Orleans and stumbles into a world darker than he could have possibly imagined, where he quickly realizes that the only place more frightening than the mind of a serial killer is the mind of the mother from which he came.
Until now, the single most important unpublished work by C.G. Jung—The Black Books. In 1913, C.G. Jung started a unique self- experiment that he called his “confrontation with the unconscious”: an engagement with his fantasies in a waking state, which he charted in a series of notebooks referred to as The Black Books. These intimate writings shed light on the further elaboration of Jung’s personal cosmology and his attempts to embody insights from his self- investigation into his life and personal relationships. The Red Book drew on material recorded from 1913 to 1916, but Jung actively kept the notebooks for many more decades. Presented in a magnificent, seven-volume boxed collection featuring a revelatory essay by noted Jung scholar Sonu Shamdasani—illuminated by a selection of Jung’s vibrant visual works—and both translated and facsimile versions of each notebook, The Black Books offer a unique portal into Jung’s mind and the origins of analytical psychology.
This is a compilation of Government Conspiracies from the U.S. and the World.