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"You reap what you sow. The fiends in the furrows : an anthology of folk horror is a collection of nine short stories that hew both to the earthy traditions and blaze new trials in Folk Horror ... Themes of rural isolation and insularity, paranoia, mindless and monstrous ritual, as well as arcane ceremonies clashing against modern preoccupations run through these stories."--Amazon.com
The Fiends in the Furrows II: More Tales of Folk Horror is a collection of short stories of Folk Horror, honoring its rich and atmospheric traditions. Fans of Folk Horror will find herein more terrifying tales of rural isolation, urban alienation, suburban superstition, pastoral paranoia, as well as mindless and monstrous ritual that epitomize the atmospheric dread of this fascinating and developing subgenre. FEATURING: Alys Hobbs, "Yan" - Coy Hall, "Hour of the Cat's Eye - Elizabeth Twist, "The Complete Compleat Gardener - Neil McRobert, "A Well-Fed Man" - Shawn Wallace, "The Binding Tide" - Jack Lothian, "A Deed Without a Name" - Hazel King, "The Hanging Tree and The Old Tom Pit" - Sara Century, "The Death of a Drop of Water - Kristi DeMeester, "A Ritual for Pleasure and Atonement - Tim Major, "The Slow King" - Tracy Fahey, "Dearg-an-Daol"
Welcome to a landscape of ancient evil . . . with stories by masters of horror Arthur Machen, Algernon Blackwood, H. P. Lovecraft, M. R. James​, Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver​, Michael Marshall Smith, Karl Edward Wagner, and more! The darkness that endures beneath the earth . . . the disquiet that lingers in the woodland surrounding a forgotten path . . . those ancient traditions and practices that still cling to standing stone circles, earthworks, and abandoned buildings; elaborate rituals that invoke elder gods or nature deities; the restless spirits and legendary creatures that remain connected to a place or object, or exist in deep wells and lonely pools of water, waiting to ensnare the unwary traveler . . . These concepts have been the archetypes of horror fiction for decades, but in recent years they have been given a name: Folk Horror. This type of storytelling has existed for more than a century. Authors Arthur Machen, Algernon Blackwood, H. P. Lovecraft, and M. R. James all published fiction that had it roots in the notion of the supernatural being linked to objects or places “left behind.” All four writers are represented in this volume with powerful, and hopefully unfamiliar, examples of their work, along with newer exponents of the craft such as Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver, and many others. Illustrated with the atmospheric photography of Michael Marshall Smith, the stories in The Mammoth Book of Folk Horror tap into an aspect of folkloric tradition that has long been dormant, but never quite forgotten, while the depiction of these forces as being in some way “natural” in no way detracts from the sense of nameless dread and escalating horror that they inspire . . .
This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound to the horror genre, such as Thomas Hardy and E. F. Benson. These are damnable tales, selected and beautifully illustrated by Richard Wells. They stalk the moors at night, the deep forests, cornered fields and dusky churchyards, the narrow lanes and old ways of these ancient places, drawing upon the haunted landscapes of folk-horror – a now widely used term first applied to a series of British films from the late 1960s and 1970s: Witchfinder General (1968), Blood on Satan’s Claw (1971), and The Wicker Man (1973). But as this collection shows, writers of uncanny fiction were dabbling in the dark side of folklore long before. These twenty-two stories take the reader beyond the safety and familiarity of the town into the isolated and untamed wilderness. Unholy rites, witches’ curses, sinister village traditions and ancient horrors that lurk within the landscape all combine to remind us that the shiny modern, urban world might not have all the answers...
"Under the protection of the Orbis Mercenary company, Michael and his family and friends are deeply involved in the seemingly rival conspiracies that are tearing The Hollows apart. With the death of the King, both the Corrupt Prince and his sister Serena are vying for the throne, while the Rebel Emperor is spreading lies amongst the people, and all of them want Michael dead"--
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
Come, take a walk in a darker wood with us. Join us in a haunted place where Pan walks free, where the Dark Mother holds her shadow children close, and where the full moon rides high in the night, whispering secrets of a forgotten past into the wind. Come closer and listen to these tales of a darker nature from the minds of ...-Manuel Arenas-Chelsea Arrington-Hayley Arrington-David Barker-Adam Bolivar-Phil Breach-Scott J. Couturier-Ashley Dioses- S. L. Edwards -Maxwell I. Gold-John Linwood Grant-Jill Hand-John H. Howard-Maquel Jacob-Shayne K. Keen-David Myers- K. A. Opperman -Duane Pesice-Rachel E. Robinson- A. P. Sessler -William Tea-Russell Smeaton-Michael Walker-Sarah Walker - Gordon B. White -Can Wiggins-Ivan ZoricWith a forward by Sarah Walker, Scott J. Couturier and Shayne Keen and artwork byDan Sauer, Sarah Walker, Alan Sessler and Kai Bryan, this book is sure to satisfy. Come walk with us...we are waiting for you....
"The Mound" by Howard Phillips Lovecraft, Zealia Bishop. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Something's been eating Samantha Hain's friends, and she's more than a little afraid it might be her! Set in Chicago in 2007, "Saamaanthaa" tracks the life of a 20-something performance artist who, along with her hipster friends, sees herself as a cultural subversive in a world full of norms. A fateful night with an enigmatic artist leads Sam to being infected with lycanthropy, which causes her world to turn inside out as the affliction overtakes her. She finds gruesome and destructive inspiration in her malady, and creative expression as well. The story propels her through Chicago's streets and neighborhoods, with increasingly horrific results for herself, her friends, and even the world. Part black comedy, part satire, all horror novel, "Saamaanthaa" offers a uniquely literary take on the werewolf mythos, and builds to an unforgettable, grisly climax.
Journey into the Occult, Where History is Horror Presented in six tales, Grimoire of the Four Impostors takes readers on a dark tour of the 17th century, where corners of the world stand in shadow. Here grimoires possess secrets, impostors beguile the unwary, temptation turns macabre, and the night is no friend. Embrace the Martyr Touch the Nightshade Taste the Brine Wield the Hatchet DECIPHER THE GRIMOIRE