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She may grace his bed, but she will never wear his ring They whisper her name in the ballroom's shadows—the marquis's mistress! It will take all of Alice Sweetly's renowned acting skills to play this part: smile until it no longer hurts, until they believe your lie, until you believe. Pretend he means nothing. If the Marquis of Razeby thinks he can let his mistress go easily, he is so very wrong. Each night she appears before a rapturous Covent Garden audience, taunting him with her beauty. But Razeby must marry, and while Alice could grace his bed she can never grace his arm.
Based on the Emmy Award-winning daytime drama, this edition of the "New York Times" bestseller contains an all-new chapter, providing the latest news about Springfield's bad boy, Jonathan Randall.
Spanning nearly a century, from 1930s Siberia to contemporary Brighton Beach, a page turning, epic family saga centering on three generations of women in one Russian Jewish family—each striving to break free of fate and history, each yearning for love and personal fulfillment—and how the consequences of their choices ripple through time. Odessa, 1931. Marrying the handsome, wealthy Edward Gordon, Daria—born Dvora Kaganovitch—has fulfilled her mother’s dreams. But a woman’s plans are no match for the crushing power of Stalin’s repressive Soviet state. To survive, Daria is forced to rely on the kindness of a man who takes pride in his own coarseness. Odessa, 1970. Brilliant young Natasha Crystal is determined to study mathematics. But the Soviets do not allow Jewish students—even those as brilliant as Natasha—to attend an institute as prestigious as Odessa University. With her hopes for the future dashed, Natasha must find a new purpose—one that leads her into the path of a dangerous young man. Brighton Beach, 2019. Zoe Venakovsky, known to her family as Zoya, has worked hard to leave the suffocating streets and small minds of Brighton Beach behind her—only to find that what she’s tried to outrun might just hold her true happiness. Moving from a Siberian gulag to the underground world of Soviet refuseniks to oceanside Brooklyn, The Nesting Dolls is a heartbreaking yet ultimately redemptive story of circumstance, choice, and consequence—and three dynamic unforgettable women, all who will face hardships that force them to compromise their dreams as they fight to fulfill their destinies.
When skating champion Igor Marchenko, the coach of an up-and-coming American teen star, drops dead during a practice session in Moscow, Rebecca Bex Levy, researcher for a 24/7 television network, investigates the mysterious circumstances surrounding his death in a city rife with intrigue.
From the author of "Sarah Hughes: Skating to the Stars" comes the first title in a new mystery series. Set in the cutthroat world of figure skating, "Murder on Ice" introduces amateur sleuth Rebecca "Bex" Levy, a researcher for a 24-hour skating network. Original.
From the bestselling author of Annie's Wild Ride comes an unforgettable new novel that sizzles with passion and emotional power--a very contemporary romance that asks the provocative question: Can a man and a woman really be just friends? With his rugged good looks and undeniable charm, Dr. James Elliot is never at a loss for women. Lately, the hospital gossips have been buzzing about Elliot and his best friend and colleague, Dr. Deborah Brody. But their relationship is strictly platonic. That is, until one reckless, wondrous night. Still reeling from her husband's sudden death, Deborah turns to Elliot in passion and grief. In Elliot's strong arms, she finds solace, comfort, unexpected pleasure. But Deborah is afraid to let go of the past, to give herself to a man again--or to risk losing the cherished friend who has suddenly become something much more. But now Elliot knows there's no turning back. He's been in love with Deborah for years. And to win her, the doctor whose skilled hands have saved countless lives will face his toughest challenge: to heal a woman's wounded heart. Because for him, suddenly friendship just isn't enough.
Lord Roxhythe is a patriot. He loves his king and his county . . . in that order with an undying passion. When faced with a mission for his king King Charles that many would quaver at accepting Roxhythe accepts without hesitation. While those around him question if what is good for Charles is indeed good for England Roxhythe does not. He is a royalist of a different age. Masterfully written with cutting dialog and dazzling prose. Full intrigue adventure and rich details of the time and place. A must read for all Georgette Heyer fans.
In 2008, the Musée des Beaux-Arts de Lyon acquired a painting called The Flight into Egypt which was attributed to the French artist Nicolas Poussin. Thought to have been painted in 1657, the painting had gone missing for more than three centuries. Several versions were rediscovered in the 1980s and one was passed from hand to hand, from a family who had no idea of its value to gallery owners and eventually to the museum. A painting that had been sold as a decorative object in 1986 for around 12,000 euros was acquired two decades later by the Musée des Beaux-Arts de Lyon for 17 million euros. What does this remarkable story tell us about the nature of art and the way that it is valued? How is it that what seemed to be just an ordinary canvas could be transformed into a masterpiece, that a decorative object could become a national treasure? This is a story permeated by social magic the social alchemy that transforms lead into gold, the ordinary into the extraordinary, the profane into the sacred. Focusing on this extraordinary case, Bernard Lahire lays bare the beliefs and social processes that underpin the creation of a masterpiece. Like a detective piecing together the clues in an unsolved mystery he carefully reconstructs the steps that led from the same material object being treated as a copy of insignificant value to being endowed with the status of a highly-prized painting commanding a record-breaking price. He thereby shows that a painting is never just a painting, and is always more than a piece of stretched canvass to which brush strokes of paint have been applied: this object, and the value we attach to it, is also the product of a complex array of social processes – with its distinctive institutions and experts – that lies behind it. And through the history of this painting, Lahire uncovers some of the fundamental structures of our social world. For the social magic that can transform a painting from a simple copy into a masterpiece is similar to the social magic that is present throughout our societies, in economics and politics as much as art and religion, a magic that results from the spell cast by power on those who tacitly recognize its authority. By following the trail of a single work of art, Lahire interrogates the foundations on which our perceptions of value and our belief in institutions rest and exposes the forms of domination which lie hidden behind our admiration of works of art.