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Reader Views Bronze Award for Historical Fiction Reader Views Western Mountain Regional Award Winner Royal Dragonfly Book Awards, Second Place, Western Fiction, 2021 The SPR Book Awards, Finalist 2021 National Indie Excellence Awards, Western Fiction, Finalist 2021 American Book Fest's Best Book Awards, Western Fiction, Finalist 2021 The Feudist: A Novel of the Pleasant Valley War is both a traditional Western—tense, authentic, fast-paced—and an anti-Western that tells the story of what was perhaps the bloodiest range war in US history, Arizona’s 1880s Pleasant Valley War. The narrator—a small-time rancher named Ben Holcomb who reflects back on his adolescent experiences—begins the story as a stockboy in Globe City, Arizona. Bored with his job, he agrees to become an apprentice cowboy. His journey to his employer’s ranch leads him into a smoldering range war. Over the next year, he rides with a charismatic trickster; a Texas “colonel” and his idealist daughter; a polygamous Mormon elder with a teenaged wife; and a winsome, mixed-race cowboy who is deeply embroiled in the feud. Though Ben tries to stay out of the quarreling, he finds himself embroiled as he stumbles through passionate love, devastating loss, and moral uncertainty. Herman’s attention to historical forces, his spare style, his self-deprecating narrator, and his authentic characters give the novel a verisimilitude that transcends the genre Western and far surpasses Zane Grey’s 1922 romance about the Pleasant Valley War, To the Last Man.
For more than a century, the enduring feud between the Hatfields and the McCoys has been American shorthand for passionate, unyielding, and even violent confrontation. Yet despite numerous articles, books, television shows, and feature films, nobody has ever told the in-depth true story of this legendarily fierce-and far-reaching-clash in the heart of Appalachia. Drawing upon years of original research, including the discovery of previously lost and ignored documents and interviews with relatives of both families, bestselling author Dean King finally gives us the full, unvarnished tale, one vastly more enthralling than the myth. Unlike previous accounts, King's begins in the mid-nineteenth century, when the Hatfields and McCoys lived side-by-side in relative harmony. Theirs was a hardscrabble life of farming and hunting, timbering and moonshining-and raising large and boisterous families-in the rugged hollows and hills of Virginia and Kentucky. Cut off from much of the outside world, these descendants of Scots-Irish and English pioneers spoke a language many Americans would find hard to understand. Yet contrary to popular belief, the Hatfields and McCoys were established and influential landowners who had intermarried and worked together for decades. When the Civil War came, and the outside world crashed into their lives, family members were forced to choose sides. After the war, the lines that had been drawn remained-and the violence not only lived on but became personal. By the time the fury finally subsided, a dozen family members would be in the grave. The hostilities grew to be a national spectacle, and the cycle of killing, kidnapping, stalking by bounty hunters, and skirmishing between governors spawned a legal battle that went all the way to the United States Supreme Court and still influences us today. Filled with bitter quarrels, reckless affairs, treacherous betrayals, relentless mercenaries, and courageous detectives, The Feud is the riveting story of two frontier families struggling for survival within the narrow confines of an unforgiving land. It is a formative American tale, and in it, we see the reflection of our own family bonds and the lengths to which we might go in order to defend our honor, our loyalties, and our livelihood.
Describes people and resources of all geographic regions of North America as well as prospects for their development.
“At the time it was first published in 1962, it framed such an urgent appeal to the American conscience that it actually prompted the creation of the Appalachian Regional Commission, an agency that has pumped millions of dollars into Appalachia. Caudill’s study begins in the violence of the Indian wars and ends in the economic despair of the 1950s and 1960s. Two hundred years ago, the Cumberland Plateau was a land of great promise. Its deep, twisting valleys contained rich bottomlands. The surrounding mountains were teeming with game and covered with valuable timber. The people who came into this land scratched out a living by farming, hunting, and making all the things they need-including whiskey. The quality of life in Appalachia declined during the Civil War and Appalachia remained “in a bad way” for the next century. By the 1940s, 50s, and 60s, Appalachia had become an island of poverty in a national sea of plenty and prosperity. Caudill’s book alerted the mainstream world to our problems and their causes. Since then the ARC has provided millions of dollars to strengthen the brick and mortar infrastructure of Appalachia and to help us recover from a century of economic problems that had greatly undermined our quality of life.”-Print ed.
The Hatfield-McCoy feud, the entertaining subject of comic strips, popular songs, movies, and television, has long been a part of American folklore and legend. Ironically, the extraordinary endurance of the myth that has grown up around the Hatfields and McCoys has obscured the consideration of the feud as a serious historical event. In this study, Altina Waller tells the real story of the Hatfields and McCoys and the Tug Valley of West Virginia and Kentucky, placing the feud in the context of community and regional change in the era of industrialization. Waller argues that the legendary feud was not an outgrowth of an inherently violent mountain culture but rather one manifestation of a contest for social and economic control between local people and outside industrial capitalists -- the Hatfields were defending community autonomy while the McCoys were allied with the forces of industrial capitalism. Profiling the colorful feudists "Devil Anse" Hatfield, "Old Ranel" McCoy, "Bad" Frank Phillips, and the ill-fated lovers Roseanna McCoy and Johnse Hatfield, Waller illustrates how Appalachians both shaped and responded to the new economic and social order.