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Gardens of Hell examines the human side of one of the great tragedies of modern warfare, the Gallipoli campaign of the First World War. In February 1915, beginning with a naval attack on Turkey in the Dardanelles, a combined force of British, Australian, New Zealand, Indian, and French troops invaded the Gallipoli Peninsula only to face crushing losses and an ignominious retreat from what seemed a hopeless mission. Both sides in the battle suffered huge casualties, with a combined 127,000 servicemen killed during the action. Patrick Gariepy has pieced together the battle from combatantsÆ own words. Drawn from diaries and letters and from stories passed down through generations of families, these firsthand accounts offer an honest, heartfelt, and sometimes painful testimony to a doomed campaign fought by the men who lived through the fury, terror, and grief that was Gallipoli. Gardens of Hell is a sensitive acknowledgment of the enormous human cost of military folly and failure.
Mohawk Interruptus is a bold challenge to dominant thinking in the fields of Native studies and anthropology. Combining political theory with ethnographic research among the Mohawks of Kahnawà:ke, a reserve community in what is now southwestern Quebec, Audra Simpson examines their struggles to articulate and maintain political sovereignty through centuries of settler colonialism. The Kahnawà:ke Mohawks are part of the Haudenosaunee or Iroquois Confederacy. Like many Iroquois peoples, they insist on the integrity of Haudenosaunee governance and refuse American or Canadian citizenship. Audra Simpson thinks through this politics of refusal, which stands in stark contrast to the politics of cultural recognition. Tracing the implications of refusal, Simpson argues that one sovereign political order can exist nested within a sovereign state, albeit with enormous tension around issues of jurisdiction and legitimacy. Finally, Simpson critiques anthropologists and political scientists, whom, she argues, have too readily accepted the assumption that the colonial project is complete. Belying that notion, Mohawk Interruptus calls for and demonstrates more robust and evenhanded forms of inquiry into indigenous politics in the teeth of settler governance.