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The ‘celebrated’ Catharine Macaulay was both lauded and execrated during the eighteenth century for her republican politics and her unconventional, second marriage. This comprehensive biography in the 'life and letters' tradition situates her works in their political and social contexts and offers an unprecedented, detailed account of the content and influence of her writing, the arguments she developed in her eight-volume history of England and her other political, ethical, and educational works. Her disagreements with conservative opponents, David Hume, Edmund Burke, and Samuel Johnson are developed in detail, as is her influence on more progressive admirers such as Thomas Jefferson, Jacques-Pierre Brissot, Mercy Otis Warren, and Mary Wollstonecraft. Macaulay emerges as a coherent and influential political voice, whose attitudes and aspirations were characteristic of those enlightenment republicans who grounded their progressive politics in rational religion. She looked back to the seventeenth-century levellers and parliamentarians as important precursors who had advocated the liberty and political rights she aspired to see implemented in Great Britain, America, and France. Her defence of republican liberty and the equal rights of men offers an important corrective to some contemporary accounts of the character and origins of democratic republicanism during this crucial period.
A celebration in verse of English women of letters, from Catherine Parr through the Duchess of Newcastle and Anne Killigrew, to Constantia Grierson, Mary Jones, Eliza Tollett, Sarah Fielding and Catharine Macaulay.
These volumes will present, in some cases for the first time, the lives and works of a coterie of Nonconformist women writers from the West Country.
"In its emphasis on the force of ideas, the struggle of women for inclusion in the concept of the Divine, the repeated attempts by women to form supportive networks, and its analysis of the preconditions for the formation of political theories of liberation, this brilliant work charts new ground for historical studies, the history of ideas, and feminist theory."--Jacket.
This essential guide defines literature of the eighteenth century as a literature written and received as public conversation. Moyra Haslett discusses and challenges conventional ways of reading the period, particularly in relation to notions of the public sphere. In her wide-ranging study, Haslett reads key texts - including The Dunciad, Gulliver's Travels and Pamela - in their literary and cultural contexts, and examines such genres as the periodical, the familiar letter, the verse epistle and the novel as textual equivalents of coterie culture.
Living by the Pen traces the pattern of the development of women's fiction from 1696 to 1796 and offers an interpretation of its distinctive features. It focuses upon the writers rather than their works, and identifies professional novelists. Through examination of the extra-literary context, and particularly the publishing market, the book asks why and how women earned a living by the pen. Cheryl Turner has researched and lectured widely in the field of eighteenth-century women's writing.
"This volume is the first anthology of poetic writings on slavery from America, Britain, and around the Atlantic during the Enlightenment - the crucial period that saw the height of the slave trade but also the origins of the anti-slavery movement. Bringing together more than four hundred poems and excerpts from longer works that were written by more than two hundred and fifty poets, both famous and unknown, the book charts the emergence of slavery as part of the collective consciousness of the English-speaking world. The book includes: poems by forty women, ranging from abolitionists Hannah More and Mary Robinson to Frances Seymour, the Countess of Herford; works by more than twenty African or African American poets, including familiar names (Phillis Wheatley), intriguing figures (Afro-Dutch Latin scholar Johannes Capitein), and newly rediscovered black poets (an anonymous veteran of the Revolutionary War); and poetry by such canonical writers as Dryden, Defoe, Pope, Johnson, Blake, Boswell, Burns, Wordsworth, and Coleridge." "The poems speak of the themes of slavery: capture, torture, endurance, rebellion, thwarted romances, and spiritual longing. They also raise intriguing questions about the contradications between cultural attitudes and public policy of the time. Writers such as these, suggests editor James Basker, were not complicit in the imperial project or indifferent about slavery but actually laid the groundwork for the political changes that would follow."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved