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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T084541 A reissue of the 1774 edition. London: printed for Joseph Johnson, 1775. [3], vi-viii,41, [1]p.; 4°
A celebration in verse of English women of letters, from Catherine Parr through the Duchess of Newcastle and Anne Killigrew, to Constantia Grierson, Mary Jones, Eliza Tollett, Sarah Fielding and Catharine Macaulay.
Concentrating on the period 1660-1781, this book explores how the English literary past was made. It charts how antiquarians unearthed the raw materials of the English (or more widely) British tradition; how scholars drafted narratives about the development of native literature; and howcritics assigned the leading writers to canons of literary greatness. Poetry and the Making of the English Literary Past also analyzes the various kinds of occasion on which the contents of the literary past are rehearsed. Discussed, for example, is the rise of Poets' Corner as a national shrine forthe consecration of literary worthies; and the author also considers a wide range of poetic genres that lent themselves to recitals of the literary past: the funeral elegy, the progress-of-poesy poem and the session of the poets poem. The book concludes that the opening up and ordering of theEnglish literary past occurs earlier than is generally supposed; and the same also applies to the process by which women writers achieve their own distinctive form of canonical recognition.
These volumes will present, in some cases for the first time, the lives and works of a coterie of Nonconformist women writers from the West Country.
This studyargues that female networks of conversation, correspondenceand patronage formed the foundation for women's work in the 'higher' realms of Shakespeare criticism and poetry. Eger traces the transition between Enlightenment and Romantic culture, arguing for the relevance of rational argument in the history of women's writing.
Living by the Pen traces the pattern of the development of women's fiction from 1696 to 1796 and offers an interpretation of its distinctive features. It focuses upon the writers rather than their works, and identifies professional novelists. Through examination of the extra-literary context, and particularly the publishing market, the book asks why and how women earned a living by the pen. Cheryl Turner has researched and lectured widely in the field of eighteenth-century women's writing.