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The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.
The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.
Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
Whoever is curious about emotions and their expression in the Old Regime has to discover Johan Huizinga's works. From his point of view, even if it is a real challenge to comprehend the world of the mind and of the sentimental life, historians of medieval and early modern societies cannot help themselves from examining character studies to reconcile daily life and historicity. Anglo-Saxon studies have proved since the beginning of the seventies that we can give historical meaning to fierce emotions like anger and fear, to mental suffering characterized by tears and pain, or even to the sudden feeling of aesthetic pleasure, mystical ecstasy and delight all those emotions which put the breath of life into anonymous people crowded into our historical studies. Outside the debates of psycho-history, our study views the topic of emotions from the angle of social construction and civilization's process. The town reveals itself as an ideal context within which to articulate values, mentalities, customs and aesthetics. From the marketplace to the court of justice, from the procession route to the scaffold, from the theatre stage to the scene of riots, the town concentrates in its heart a public space where both delicate and strong emotions are repeatedly enacted. The purpose of this book is to develop different approaches -according to sphere, events, social categories, social relations, gender, etc.- and thus to suggest a more precise analysis of emotion as a means of communication inside the town. Three urban social " spheres " where divergent emotions were publicly expressed, manipulated, discussed and represented are put into focus : that of the urban revolt, that of the urban administration of justice and that of the staging of urban theatre and poetry. This book includes contributions from Peter Arnade, Marc Boone, Stijn Bussels, Vincent Challet, Dirk Coigneau, Elisabeth Crouzet-Pavan, Jeroen Deploige, Jan Dumolyn, Jelle Haemers, Eve-Marie Halba, Elodie Lecuppre-Desjardin, Lauro Martines, Mariann Naessens, Walter Prevenier, Bart Ramakers, Laurent Smagghe, Anne-Laure Van Bruaene, Jacqueline Van Leeuwen and Valerie Wilhite.
The Routledge History of Women in Early Modern Europe is a comprehensive and ground-breaking survey of the lives of women in early-modern Europe between 1450 and 1750. Covering a period of dramatic political and cultural change, the book challenges the current contours and chronologies of European history by observing them through the lens of female experience. The collaborative research of this book covers four themes: the affective world; practical knowledge for life; politics and religion; arts, science and humanities. These themes are interwoven through the chapters, which encompass all areas of women’s lives: sexuality, emotions, health and wellbeing, educational attainment, litigation and the practical and leisured application of knowledge, skills and artistry from medicine to theology. The intellectual lives of women, through reading and writing, and their spirituality and engagement with the material world, are also explored. So too is the sheer energy of female work, including farming and manufacture, skilled craft and artwork, theatrical work and scientific enquiry. The Routledge History of Women in Early Modern Europe revises the chronological and ideological parameters of early-modern European history by opening the reader’s eyes to an exciting age of female productivity, social engagement and political activism across European and transatlantic boundaries. It is essential reading for students and researchers of early-modern history, the history of women and gender studies.
This highly original book is both a study of emotional discourse in the Early Middle Ages and a contribution to the debates among historians and social scientists about the nature of human emotions.
An innovative analysis of the representational strategies that constructed Catherine de’ Medici and sought to explain her behaviour and motivations.
This collection explores how situations of authority, governance, and influence were practised through both gender ideologies and affective performances in medieval and early modern England. Authority is inherently relational it must be asserted over someone who allows or is forced to accept this dominance. The capacity to exercise authority is therefore a social and cultural act, one that is shaped by social identities such as gender and by social practices that include emotions. The contributions in this volume, exploring case studies of women and men's letter-writing, political and ecclesiastical governance, household rule, exercise of law and order, and creative agency, investigate how gender and emotions shaped the ways different individuals could assert or maintain authority, or indeed disrupt or provide alternatives to conventional practices of authority.
This volume of primary sources focuses on the history of emotions in Europe and its empires between 1714 and 1789. The study examines the subjects of the self, family and community, religion, politics and law, science and philosophy, and art and culture. Sources include letters, diaries, legal papers, institutional records, newspapers, science and philosophical writings, literature and art from a diversity of voices and perspectives. Accompanied by extensive editorial commentary, this collection will be of great interest to students of history and literature.
In an innovative, pluri-disciplinary approach this volume focuses on how memory in Sacred Heart devotion is created, promulgated and transformed. The volume with contributions by historians, theologians, religious scientists and art historians links the dimension of memory to that of iconography, language, body and ritual practices and sheds light on adaptations, transfers, contestations and variations in a perspective of longue durée from the late Middle Ages to the present. The first part of the volume develops central axes of analysis, which are specifically investigated in the two following parts. The contributions of part two intertwine perspectives of cultural, social and art history focusing on the multi-layered creation, public presence and political usage, diversity and variations of Sacred Heart iconography and devotion in a long-term perspective. In-depth analyses centre on late medieval northern Italy, early modern France and 18th-century Switzerland (Eidgenossenschaft), on France from the 1950s to the 1980s, and on Indonesia in the 20th and 21st centuries. In a dynamic way, the third part combines systematic theological, philosophical and didactic reflexions on the Sacred Heart with a focus on imagination, embodiment, spirituality and memory.