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Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Freiburg, course: 20th Century American Short Stories, 4 entries in the bibliography, language: English, abstract: In his stylistic masterpiece, "A Clean, Well-Lighted Place," Ernest Hemingway confronts his readers with the omnipresent fear of nothingness. The main characters of the story show different ways of dealing with that problem, but only the older waiter is able to present a satisfying solution. By establishing a haven for all desperate people who need a dignified place to dispel their fear, the old waiter has found his meaning in life and therefore, his way to combat his fear of nothingness. According to him, life does not need to be senseless and end in despair, as long as one keeps composure and protects one's own dignity and the dignity of others.
As a Spanish cafe closes for the night, two waiters and a lonely customer confront the concept of nothingness.
Fourteen of some of Hemingway’s finest short stories that examine life’s different stages through Hemingway’s unique perspective. Ernest Hemingway's Winner Take Nothing contains fourteen stories of varying length. Some of them have appeared in magazines but the majority have not been published before. The characters and backgrounds are widely varied. Some stories included are “A Clean, Well-Lighted Place,” a story about one man’s night in a café; “Homage to Switzerland” concerns various conversations at a Swiss railway-station restaurant; “The Gambler, the Nun, and the Radio” is laid in the accident ward of a hospital in Western United States; and so on. Ernest Hemingway made his literary start as a short-story writer. He has always excelled in that medium, and this volume reveals him at his best.
The history and theology of figural reading -- Figural history as a question -- The fate of figural reading -- Imagining figural time -- Creative omnipotence and the figures of scripture -- Figural speech and the incarnational synecdoche -- Figural reading in practice -- Juxtapositional reading and the force of the lectionary -- Trinitarian love means two testaments -- The Word's work: figural preaching and scriptural conformance -- Four figural sermons.
This stunning collection of short stories by Nobel Prize­–winning author, Ernest Hemingway, contains a lifetime of work—ranging from fan favorites to several stories only available in this compilation. In this definitive collection of short stories, you will delight in Ernest Hemingway's most beloved classics such as “The Snows of Kilimanjaro,” “Hills Like White Elephants,” and “A Clean, Well-Lighted Place,” and discover seven new tales published for the first time in this collection. For Hemingway fans The Complete Short Stories is an invaluable treasury.
Isaac McCaslin is obsessed with hunting down Old Ben, a mythical bear that wreaks havoc on the forest. After this feat is accomplished, Isaac struggles with his relationship to nature and to the land, which is complicated when he inherits a large plantation in Yoknapatawapha County. “The Bear” is included in William Faulkner’s novel, Go Down, Moses. Although primarily known for his novels, Faulkner wrote in a variety of formats, including plays, poetry, essays, screenplays, and short stories, many of which are highly acclaimed and anthologized. Like his novels, many of Faulkner’s short stories are set in fictional Yoknapatawapha County, a setting inspired by Lafayette County, where Faulkner spent most of his life. His first short story collection, These 13 (1931), includes many of his most frequently anthologized stories, including "A Rose for Emily", "Red Leaves" and "That Evening Sun." HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.
DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Being exposed to the Nominalist expansion in early modernity, Petrarch and Shakespeare are highly preoccupied with a Nominalist dimension of language and representation. Against this background, the study shows how these Renaissance poets advanced a special notion of subjectivity and identity as rooted in negativity, otherness, and representation. The book thus argues for a new understanding of negative modes of subjectivity in Petrarch and Shakespeare. A new and sharpened understanding emerging from an interpretation of Francesco Petrarch’s notion of exile and of love in his great poetical cycle Rerum vulgarium fragmenta as well as a meticulous examination of the concept of nothingness in William Shakespeare’s works. Petrarch and Shakespeare poetically show how identity is alien and decentred – yet also free and expanding. In other words, these poets illustrate how subjectivity is constituted by heterogeneity. Moreover, pointing to other examples of this negative subjectivity in Renaissance philosophy and poetry, the study suggests that these models for subjectivity could be extended to other early modern writers.
Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.