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A 1994 scholarly edition of a major Renaissance text linked with Marlowe's Dr Faustus.
Explores the influence of the Faust legend on drama and film from the sixteenth century to the contemporary era.
A devilish debut by a brother-sister team invites us into the world of the elite Marlowe School, where some gifted students are having a hell of a year. (Age 14 and up) One night, in cities all across Europe, five children vanish -- only to appear, years later, at an exclusive New York party with a strange and elegant governess. Rumor and mystery follow the Faust teenagers to the city’s most prestigious high school, where they soar to suspicious heights with the help of their benefactor’s extraordinary "gifts." But as the students claw their way up -- reading minds, erasing scenes, stopping time, stealing power, seducing with artificial beauty -- they start to suffer the sideeffects of their own addictions. And as they make further deals with the devil, they uncover secrets more shocking than their most unforgivable sins. At once chilling and wickedly satirical, this contemporary reimagining of the Faustian bargain is a compelling tale of ambition, consequences, and ultimate redemption.
Discusses life, time, beauty, experience, meaning, music, and art.
This book by Dr. Stephen Wilkerson is about hope and optimism for the future. The recorded history of our world is largely one of a sometimes worthy patriarchal striving. There is another way, poignantly and persuasively outlined nearly two hundred years ago by Johann Wolfgang von Goethe, involving the Divine Feminine.
The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later.The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them-that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.
The legend of Faust grew up in the sixteenth century, a time of transition between medieval and modern culture in Germany. Johann Wolfgang von Goethe (1749-1832) adopted the story of the wandering conjuror who accepts Mephistopheles's offer of a pact, selling his soul for the devil's greaterknowledge; over a period of 60 years he produced one of the greatest dramatic and poetic masterpieces of European literature.David Luke's recent translation, specially commissioned for The World's Classics series, has all the virtues of previous classic translations of Faust, and none of their shortcomings. Cast in rhymed verse, following the original, it preserves the essence of Goethe's meaning without sacrifice toarchaism or over-modern idiom. It is as near an `equivalent' rendering of the German as has been achieved.
A brief analysis of the development, style, and protagonists of Faust is included with Goethe's classic tale about a troubled man who sells his soul to the devil.
The Faustus myth, before being identified as a myth, was the folktale of a man named Faustus who lived in Germany. Underneath the popularity of this myth lies the basic human instinct to trespass the limits of traditional knowledge in pursuit of self-definition, authentic knowledge and power. This search and transgression also involve the desire to exercise the right of making free authentic choices. Faustus represents universal issues that are relevant for all human beings, which explains the reason why he has acquired mythic stature. Indeed, a most persistent myth has evolved, the appeal of which has led one writer after the other to reshape it. After his story became popular, he reappeared, even in contemporary culture, in different art forms such as literature, both high-brow and popular, including comics, the ballet and the opera. The real historical Faustus came onto the scene as a scholar and persistently reappeared in literature assuming different identities which, however, shared basically the same qualities. This book demonstrates and offers different perspectives to versions of the Faustus myth in literature: Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus, Goethe’s Faust and John Fowles’ The Magus. The Faustus Myth is a cycle which starts and ends in tragic circumstances in Christopher Marlowe’s Renaissance Faustus, in salvation in Johann Wolfgang von Goethe’s Faust, and in meaninglessness, ambiguous collapses in John Fowles’ existentialist Nicholas Urfe.