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This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.
When it comes to earthshaking songs—the ones that signal a tectonic shift in the current musical landscape—there is “Johnny B. Goode” . . . there is “Good Vibrations” . . . and there is "I Feel Love." A disco touchstone recorded by Donna Summer in 1976 and released on her fifth studio album, I Remember Yesterday, in 1977, "I Feel Love" is one of the most important records in music history, and one of the most influential. "I Feel Love" topped charts the world over—including in the UK, Australia, France, Italy, and the Netherlands—and was in the Top 10 everywhere else. This record, Brian Eno told David Bowie as they worked together in the recording studio, "is going to change the sound of club music for the next fifteen years." Which, said Bowie, "was more or less right." Except fifteen years was an under-estimation. Even now, more than forty years after its release, "I Feel Love" is routinely featured toward the top of manifold "greatest song" Top 100s—and remains a favorite by music fans and artists alike, with dozens of cover versions paying homage. That is the tale this book tells—not only the story of the song but also the story of its all-pervading impact upon the world of popular music. Firsthand experiences and original interviews with a host of musicians, disc jockeys, and dancers loudly illustrate the record's initial impact and its continuing influence. "I Feel Love" still sounds like the future.
This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk’s most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages.
'Love me or hate me. It's a great read’ - Billy Bragg He was a punk. He was a soldier. He was a flag-waver for the Labour Party and the miners. He is Billy Bragg, passionate protest folk singer and tireless promoter of political and humanitarian causes around the world. His life encapsulates so much about his generation: born in the late ’50s, passions forged by punk, politics shaped by Thatcherism, career inspired by engagement, hope provided by the end of the Cold War and ideology galvanised by what he sees as a ‘post-ideological’ twenty-first century. He adapts to survive: serious about compassion and accountability, he likes a laugh too, and has never forgotten where he comes from. Still Suitable for Miners is the official Billy Bragg story, tracing his life, family and career at close range from Barking to the present day. This 20th anniversary edition has been updated to include the rise of Corbyn, the unfolding of Brexit, Billy’s reclamation of skiffle and his overtures into Americana.
The Ultimate Trainspotter's Guide to Underground Rock, 1970-1982
In this extensively researched ode to scandal, historian and musician Blecha recounts the travails of the musicians and songs that have dared to push the hot-button topics that polite society has deemed unacceptable.
BBC Radio 6 Music is the place for alternative music – and this is the quiz for its fans. From indie pop and iconic rock to trip hop, electronica and dance, these questions will test your knowledge of the last 60 years of floor-fillers, cult classics and the best B-sides to the limit. Including dedicated quizzes on your favourite 6 Music shows, like Lauren Laverne's People's Playlist, Guy Garvey's Finest Hour, Jarvis Cocker's Sunday Service and more, find out how much you can really call yourself the king of rock n' roll.
Armed with a keen eye and a terrible singing voice, writer Brian Raftery sets out across the globe, tracing karaoke's evolution from cult fad to multi-million dollar phenomenon. In Japan, he meets Daisuke Inoue, the godfather of karaoke; in Thailand, he follows a group of Americans hoping to win the Karaoke World Championships; and in New York City, he hangs out backstage with the world's longest-running heavy-metal karaoke band. Along the way, Raftery chronicles his own time as an obsessive karaoke fan, recalling a life's worth of noisy relationships and poor song choices, and analyzing the karaoke-bar merits of such artists as Prince, Bob Dylan and Fugazi. Part cultural history, part memoir, Don't Stop Believin': How Karaoke Conquered the World and Changed My Life is a hilarious and densely reported look at the liberating effects of a good sing-along.
(Keyboard Presents). No single decade revitalized the keyboard as a focal point as much as the 1980s. Now, the editors of Keyboard magazine have culled that era's most insightful articles and combined them with a wealth of insight to create this landmark book. Features 20 interviews with noted players and producers like Jimmy Jam & Terry Lewis, Duran Duran's Nick Rhodes, Depeche Mode's Vince Clarke, Peter Gabriel, and The Human League, as well as such visionary pioneers as Herbie Hancock, Chick Corea, and Frank Zappa.
A “hugely entertaining” history of the 1980s New Wave music scene told through new interviews with its biggest artists (Rolling Stone). Mad World is a compelling oral history that celebrates the New Wave music phenomenon of the 1980s via new interviews with 35 of the most notable artists of the period. Each chapter begins with a discussion of their most popular song and leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. Participants include members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo, and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, INXS, and more. “One addictive chapter after another.” —Rob Sheffield, author of Talking to Girls About Duran Duran “Tells the tale of some of the decade’s most unforgettable songs . . . in fascinating detail, letting the architects of these memorable records shine a light on how the sound of a generation came to be.” —The Hollywood Reporter “The new wave era is often dismissed for its one-hit wonders and silly haircuts, but [Mad World] examines the period with a great deal of love and reverence.” —Buzzfeed “A really informative and insightful read.” —People