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The myth of the Victorian family remains a pervasive influence within a contemporary Britain that perceives itself to be in social crisis. Nostalgic for a golden age of "Victorian values" in which visions of supportive, united families predominate, the common consciousness, exhorted by social and political discourse, continues to vaunt the "traditional, natural" family as the template by which all other family forms are gauged. Yet this fantasy of family, nurtured and augmented throughout the Victorian era, was essentially a construct that belied the realities of a nineteenth-century world in which orphanhood, fostering, and stepfamilies were endemic. Focusing primarily on British children's texts written by women and drawing extensively on socio-historic material, The Fantasy of Family considers the paradoxes implicit to the perpetuation of the domestic ideal within the Victorian era and offers new perspectives on both nineteenth-century and contemporary society.
Fantasy and Your Family by bestselling author Richard Abanes presents a much-needed assessment of fantasy - its benefits and its drawbacks. Abanes begins with an in-depth look at folklore, myths, legends, and fairy tales, and their connection to fantasy. Part one also discusses issues involving child development, the affects of literature on children, and how those affects can ultimately change the course of society. Additionally, Abanes examines pop culture, the media, mass marketing, and the commercialization of children's literature by corporations interested primarily in making money. This volume then looks at the life of fantasy writer J.R.R. Tolkien, the popularity of his fantasy works, their content, and what separates them from other fantasy volumes such as Harry Potter by J.K. Rowling and the children's horror books by R.L. Stine. A particularly interesting survey of Tolkien's The Lord of the Rings includes a thorough analysis of its storyline, characters, and morality. These are compared side-by-side with Harry Potter. Finally, Abanes gives an overview of our culture's growing obsession with the occult, paganism, and witchcraft. Why is it happening? When did it begin? How is it influencing today's youth? All of these questions are answered through a concise, easy-to-understand writing style. Especially fascinating are the numerous sources of documentations that shows children are indeed being drawn to the occult via Harry Potter. Included are dozens of quotes by Wiccans, neopagans, and occultists that clearly express their belief that Rowling's fantasy will do much to further witchcraft and the occult. - Amazon.
The myth of the Victorian family remains a pervasive influence within a contemporary Britain that perceives itself to be in social crisis. Nostalgic for a golden age of "Victorian values" in which visions of supportive, united families predominate, the common consciousness, exhorted by social and political discourse, continues to vaunt the "traditional, natural" family as the template by which all other family forms are gauged. Yet this fantasy of family, nurtured and augmented throughout the Victorian era, was essentially a construct that belied the realities of a nineteenth-century world in which orphanhood, fostering, and stepfamilies were endemic. Focusing primarily on British children's texts written by women and drawing extensively on socio-historic material, The Fantasy of Family considers the paradoxes implicit to the perpetuation of the domestic ideal within the Victorian era and offers new perspectives on both nineteenth-century and contemporary society.
The Instant New York Times bestseller A TODAY Show Read with Jenna Book Club Pick A captivating debut novel about the tangled fates of two best friends and daughters of the Italian mafia, and a coming-of-age story of twentieth-century Brooklyn itself. Two daughters. Two families. One inescapable fate. Sofia Colicchio is a free spirit, loud and untamed. Antonia Russo is thoughtful, ever observing the world around her. Best friends since birth, they live in the shadow of their fathers’ unspoken community: the Family. Sunday dinners gather them each week to feast, discuss business, and renew the intoxicating bond borne of blood and love. But the disappearance of Antonia’s father drives a whisper-thin wedge between the girls as they grow into women, wives, mothers, and leaders. Their hearts expand in tandem with Red Hook and Brooklyn around them, as they push against the boundaries of society’s expectations and fight to preserve their complex but life-sustaining friendship. One fateful night their loyalty to each other and the Family will be tested. Only one of them can pull the trigger before it’s too late.
Gillengaria seethes with unrest. In the south, hostility toward magic and its users has risen to a dangerous level, though King Baryn has ordered that such mystics are to be tolerated. It is whispered that he issued the decree because his new wife used her magic powers to ensnare him… The King knows there are those in the noble Twelve Houses who could use this growing dissent to overthrow him. So he dispatches the mystic Senneth to assess the threat throughout the realm. Accompanying her is a motley band of magic-users and warriors including Tayse, first among the King’s Riders—who holds a hard view of mystics in general, and Senneth in particular. But as the unlikely allies venture farther into the south, they will face death in a land under the sway of a fanatical cult that would purge Gillengaria of all magic users. And they will come to realize that their only hope of survival lies in standing together…
"A prince and a princess must work together to save their kingdom from invaders ... and dangers within"--
The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.
The Absorbent Mind was Maria Montessori's most in-depth work on her educational theory, based on decades of scientific observation of children. Her view on children and their absorbent minds was a landmark departure from the educational model at the time. This book helped start a revolution in education. Since this book first appeared there have been both cognitive and neurological studies that have confirmed what Maria Montessori knew decades ago.
The dreamhunting began as a beautiful thing, when Tziga Hame discovered that he could enter the Place and share the dreams he found there with other people. But Tziga Hame has disappeared and Laura, his daughter, knows that the art of projecting dreams has turned sour. On St. Lazarus's Eve, when elite citizens gather at the Rainbow Opera to experience the sweet dream of Homecoming, Laura, determined to show them the truth, plunges them into the nightmare used to control the convict workers. The event marks the first blow in the battle for control of the Place, the source of dreams. Then, when Laura's cousin, Rose, uncovers evidence that the government has been building a secret rail line deep into the Place, Laura follows it to find out what lies at its end. As she struggles to counter the government's sinister plans, a deeper mystery surfaces, a puzzle only Laura can unravel, a puzzle having to do with the very nature of the Place. What is the Place, after all? And what does it want from her? Inventive and richly imagined, Elizabeth Knox's Dreamquake, dramatic conclusion to the Dreamhunter Duet, will satisfy readers – whether or not they've read Book One. "It is like nothing else I've ever read." -- Stephenie Meyer, The Twilight Saga
Better to die sharp in war than rust through a time of peace. A mother struggling to repress her violent past, A son struggling to grasp his violent future, A father blind to the danger that threatens them all. When the winds of war reach their peninsula, will the Matsuda family have the strength to defend their empire? Or will they tear each other apart before the true enemies even reach their shores?High on a mountainside at the edge of the Kaigenese Empire live the most powerful warriors in the world, superhumans capable of raising the sea and wielding blades of ice. For hundreds of years, the fighters of the Kusanagi Peninsula have held the Empire's enemies at bay, earning their frozen spit of land the name 'The Sword of Kaigen.'Born into Kusanagi's legendary Matsuda family, fourteen-year-old Mamoru has always known his purpose: to master his family's fighting techniques and defend his homeland. But when an outsider arrives and pulls back the curtain on Kaigen's alleged age of peace, Mamoru realizes that he might not have much time to become the fighter he was bred to be. Worse, the empire he was bred to defend may stand on a foundation of lies.Misaki told herself that she left the passions of her youth behind when she married into the Matsuda house. Determined to be a good housewife and mother, she hid away her sword, along with everything from her days as a fighter in a faraway country. But with her growing son asking questions about the outside world, the threat of an impending invasion looming across the sea, and her frigid husband grating on her nerves, Misaki finds the fighter in her clawing its way back to the surface.