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“Bordihn renders vivid descriptions of the medieval era in this engrossing account of a legendary ruler both revered and reviled.” —Publishers Weekly The Falcon of Palermo opens with the nations of modern Europe just beginning to take shape, while the papacy clings to its temporal power. Into this era of shifting borders and alliances steps a leader who will become legendary—the brilliant maverick, Frederick II. After losing his parents, Emperor Henry Hohenstaufen and Queen Constance, by age four, a young, neglected Frederick runs among the urchins in the Muslim quarter while German warlords overrun Sicily. To restore order the Pope sends Archbishop Berard, a warmhearted man who gradually develops a deep bond with the gifted boy. Fluent in Arabic and strongly influenced by Muslim culture, Frederick aims to return Sicily to her former glory. However, when elected Holy Roman Emperor in a surprise move by the German princes, his vision grows. Once established as the unchallenged ruler, Frederick works to create an empire equal to that of Rome. Marked by his struggle with the Papacy for the domination of Europe, his glorious feats in battle, his recapturing of the Holy Land, his falconry, and the passions that led him to wives, mistresses, and one enduring love, Frederick’s life is a fascinating glimpse into a pivotal period in medieval history. “This fascinating fictional account of Holy Roman Emperor Frederick II is realistically detailed with all the pomp, pageantry, poverty, and pestilence of the Middle Ages.” —Booklist
Explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present.
One of the New York Times’s 100 Best Books of the 21st Century One of the New York Times Book Review's 10 Best Books of the Year One of Slate's 50 Best Nonfiction Books of the Last 25 Years ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20) The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of nature's most vicious predators has soared into the hearts of millions of readers worldwide. Fierce and feral, her goshawk Mabel's temperament mirrors Helen's own state of grief after her father's death, and together raptor and human "discover the pain and beauty of being alive" (People). H Is for Hawk is a genre-defying debut from one of our most unique and transcendent voices.
"With her eye for historical detail and flair for sympathetic heroines, Francesca Stanfill breathes new life into the medieval court of Eleanor of Aquitaine. The Falcon’s Eyes is a novel of epic proportions that succeeds in being both intimate and vast. History is Stanfill’s canvas, humanity her inspiration."—Amanda Foreman, bestselling author of Georgiana: Duchess of Devonshire “Stanfill has persuasively re-imagined the Middle Ages, surrounding the legendary Queen Eleanor of Aquitaine with indelible characters in an immersive tale of intrigue, bravery, ruthlessness, and compassion. . . . The Falcon’s Eyes is a dazzling adventure, with riveting twists and turns and a surprising yet deeply satisfying conclusion."—Sally Bedell Smith, author of Elizabeth the Queen Set in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know – Eleanor of Aquitaine Willful and outspoken, sixteen-year-old Isabelle yearns to escape her stifling life in provincial twelfth century France. The bane of her mother’s existence, she admires the notorious queen most in her circle abhor: Eleanor of Aquitaine. Isabelle’s arranged marriage to Gerard --- a rich, charismatic lord obsessed with falcons --- seems, at first, to fulfill her longing for adventure. But as Gerard’s controlling nature, and his consuming desire for a male heir, become more apparent, Isabelle, in the spirit of her royal heroine, makes bold, often perilous, decisions which will forever affect her fate. A suspenseful, sweeping tale about marriage, freedom, identity, and motherhood, THE FALCON’S EYES brings alive not only a brilliant century and the legendary queen who dominated it, but also the vivid band of complex characters whom the heroine encounters on her journey to selfhood: noblewomen, nuns, servants, falconers, and courtiers. The various settings — Château Ravinour, Fontevraud Abbey, and Queen Eleanor’s exiled court in England — are depicted as memorably as those who inhabit them. The story pulses forward as Isabelle confronts one challenge, one danger, after another, until it hurtles to its final, enthralling, page. With the historical understanding of Hillary Mantel and the storytelling gifts of Ken Follett, Francesca Stanfill has created an unforgettable character who, while firmly rooted in her era, is also a woman for all times.
A fearless Spanish crew embarks on a search for a lost ship, swallowed by the Indian Ocean centuries ago, in a novel by “a master of the literary thriller” (Booklist, starred review). Manuel Coy is a suspended sailor with time on his hands, a mariner without a ship. While attending a maritime auction in Barcelona, he meets Tánger Soto, a captivating beauty who works for the Naval Museum in Madrid. A woman obsessed with the Dei Gloria, a famed Jesuit ship sunk by pirates in the seventeenth century, she now hopes to find it and unearth its mysteries, rumored to be buried the bottom of the sea off the southern coast of Spain. Quickly drawn into the search, Coy accompanies Tánger Soto, and a wise old man of the sea whose sailboat will carry the crew into the middle of nowhere in search of a fortune. But more than treasure is rising to the surface—secrets are, too. And from these depths will also come danger, and an adventure no one is prepared for. From the acclaimed author of The Queen of the South, The Nautical Chart is “a swashbuckling tale of mystery” (The Washington Post Book World).
It is the night of September 3, 1260, and the Sienese army is preparing for war. Vastly outnumbered by the superior forces of Florence, Siena faces certain defeat in the battle, an outcome that would destroy her prosperity and influence. Farinata degli Uberti, Florentine aristocrat and peaceloving scholar, is unwillingly drawn into the bloody intrigues of the thirteenth century. Exiled to Siena by his political rivals, he is led into new alliances and a stormy love affair that plunge him into a world of partisan plots, military cunning, and impassioned love. Tormented by his filial duty to Florence and his growing obligations to Siena, he faces an agonizing choice. His decision will inexorably change Siena’s future—and his own. Montaperti tells the story of a monumental battle shrouded in mystery and myth and of the man Farinata, who finds that loyalty must dictate his destiny.
De Arte Venandi cum Avibus was written shortly before the year 1250 by Frederick II, Holy Roman Emperor, King of Sicily and Jerusalem, in whose court, with its remarkably cosmopolitan and highly intellectual life, may be found the real beginning of the Italian Renaissance. In spite of its title, it is far more than a dissertation on hunting. There is a lengthy introduction dealing with the anatomy of birds, an intensely interesting description of avian habits, and the excursions of migratory birds. Indeed, this ancient book has long been recognized as the first zoological treatise written in the critical spirit of modern science. The sumptuous volume now in hand is, however, the first translation into English of the complete text, originally divided into a prologue and size books. Together, the translators and editors, have at last made available this classic work and have adorned it with notes, comments, bibliographies, and glossary. They have produced a work of great value to zoologists--especially the ornithologist--and also to everyone interested in the history of science and in medieval art and letters.
This volume in the series Documentary History of the Jews in Italy illustrates the history of the Jews in Sicily during the last decade of the fourteenth century and the first two of the fifteenth. It is the sequel to the first and second volumes on the history of the Jews in Sicily, and illustrates the events during the political upheavals which preceded the reunion of the island with Aragon. During that period the Jewish minority flourished, although affected by unsettled political conditions, along with the rest of the population. Over 500 documents, many of them published here for the first time, record the fortunes of the Jews and their relationships with the authorities, especially the two Martins, and their Christian neighbours. Much new information has come to light, and many facets of Jewish life in Sicily have been uncovered. The abundance of historical records in the archives of the Crown and of local authorities compares favourably with the relative scarcity of surviving documentation in earlier centuries. Therefore, again, many documents had to be reported in summary form. Much new information has come to light. The volume is again provided with additional bibliography and indexes, while the introduction has been relegated to the end of the series on the Jews of the island.